Exile Cultures Misplaced Identities

Exile Cultures, Misplaced Identities takes a transnational and transcultural approach to exile and its capacities to alter the ways we think about place and identity in the contemporary world. The edited collection brings together researchers on exile in international perspective from three continents who explore questions of exilic identity along multiple geopolitical and cultural axes—Cuba, the USA and Australia; Colombia and the USA; Algeria and France; Italy, France and Mexico; non-Han minorities and Han majorities in China; China, Tibet and India; Japan and China; New Caledonia, Vietnam and France; Hungary, the USSR, and Australia; and Germany, before and after unification. The international and crosscultural span of this collection represents an important addition to the fields of exile criticism and cultural identity studies. Exile Cultures, Misplaced Identities will be of interest to readers, scholars and students of exile, diasporic and transmigration studies, international studies, postcolonial studies, cultural studies, language studies, and comparative literary studies.

'Exile' means a prolonged, usually enforced absence from one's home or country. There is no paradigm for an exilic existence and no prescription of how to heal the loss of one's home and one's identity. Exiles move in space, migrating from one place to another, but they are trapped in time. They long for what they have lost and fear what is yet to come. Like the Roman god Janus, they constantly look both ways, often lacking language that would help them to reconnect with the world. This volume examines the process of the exile's self-translation by rediscovering a way of expression for the ensnared experience. It requires a new language so that the self may take a new shape. By discussing the unavoidable losses wrought upon immigrants, exiles and refugees by the mere fact of being displaced, the authors hope to foster a better understanding of these problems and help to rebuild shattered identities and ruined lives. Contents: Magda Stroinska/Vittorina Cecchetto: Introduction - Mary Besemeres: Cultural translation and the translingual self in the memoirs of Edward Said and Andre Aciman - Claire Burke: Exile from the inner self or from society? A dilemma in the works of Max Frisch - Ruth Burke: Persephone as paradigm: Fictional exiles in postcolonial francophone literature - Chantal Abouchar: Albert Memmi's Agar: The paradox of the couple - Andrea Rinke: German films in a German exile - Magda Stroinska: The role of language in the re-construction of identity in exile - Natalia E. Rulyova: Joseph Brodsky: Exile, language and metamorphosis - Annabel Cox: Achy Obeja's « Sugarcane and Cuban-American bilingual literature: Language choices and cultural identities - Branka Popovic: Theproblem of identity and language in refugees from the (former) Yugoslavia - Vittorina Cecchetto: From immigrant to exile: Does language contribute to this process? - Anthony Purdy: Collage and chronotope in Regine Robin's La Quebecoite - Iris Bruce: Deutschland, Deutschland uber Alles: Sprechen, schreiben, schweigen - Catherine Reuben: Exile, identity and memory: the boundaries of perception - Maroussia Hajdukowski-Ahmed: At the borders of language, language without borders: Non-verbal forms of communication of women survivors of torture.

This book examines the experiences of 49 second-generation exiles from South Africa. Using “generation” as an analytical concept, it investigates the relational, temporal and embodied nature of their childhoods in terms of kinship relations, life cycle, cohort development and memory-making. It reveals how child agents exploited the liminal nature of exile to negotiate their sense of identity, home and belonging, while also struggling over their position and power in formal Politics and informal politics of the everyday. It also reflects upon their political consciousness, identity and sense of civic duty on return to post-apartheid South Africa, and how this has led to the emergence of the Masupatsela generational cohort concerned with driving social and political change in South Africa.

Identity: Beyond Tradition and McWorld Neoliberalism refashions the frameworks of discussion of “who we are”. In the “Introduction”, co-editors Brian Michael Goss and Christopher Chávez’s grand tour re-works previous concepts of identity in prelude to the volume’s global reach. The first section examines the intersection of identity and mass media; to wit, non-ascriptive ideological interpolation in a right-wing British broadsheet, the rise of beur cinema as an organically European movement, and linguistic construction of foreigners in a Thai novel. The second section examines the nation and trans-nation. The discussion traverses the “Global Latino” in advertising discourse, the (practical, theoretical) conundrums inscribed in the European Union, retorts to the global construction of Italianicity, implications of Spain’s World Cup triumph in 2010 for the nation’s unity, and the activism of expatriate Iranian bloggers. The third section of the book addresses social approaches to identity. Matchmakers who coach Israeli daters and a linguistic analysis of female teen conflict on Facebook conclude the trajectory through global sites at which identity is animated in practice, within a volume of scholarly originality grounded in the present moment.

This book examines music entertainment programmes on China Central Television, China’s only national level television network, as well as on nationally-available provincial channels, exploring how such programmes project a nuanced image of China’s identity and position in the world. It shows how the images presented - primarily to domestic audiences - are in step with China’s party-state nationalism, and at the same time flexible and open to change as China’s circumstances change. The book contextualises identity construction in the media by examining the development of television in China and the political struggles between provincial and national television stations, as well as by foregrounding the historical and contemporary role of musical culture in China's nation-building project. It discusses the portrayal of the majority Han Chinese, and of ethnic minorities and their music, which, the author argues, are shown as fitting with the party-state rhetoric of “a unitary multi-ethnic state”. It also outlines how the Chinese of Greater China – Hong Kong, Taiwan, Macao and the overseas Chinese – are incorporated into a mainland centred Chinese identity. In addition, it shows how the performances of foreign personalities on the Chinese television stage emphasise foreigners' attraction to China, the uniqueness of the Chinese nation and Chinese civilisation, and the revitalised role of China in the world. Overall, the book demonstrates how the variations of Chinese identity fit with prevailing political ideologies in China and with the emerging theme of a China-centred world.

Music reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity “in” music – how music expresses or represents “an” individual or “a” group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.

Cultural Sociology of Mental Illness: An A to Z Guide looks at recent reports that suggest an astonishing rise in mental illness and considers such questions as: Are there truly more mentally ill people now or are there just more people being diagnosed and treated? What are the roles of economics and the pharmacological industry in this controversy? At the core of what is going on with mental illness in America and around the world, the editors suggest, is cultural sociology: How differing cultures treat mental illness and, in turn, how mental health patients are affected by the culture. In this illuminating multidisciplinary reference, expert scholars explore the culture of mental illness from the non-clinical perspectives of sociology, history, psychology, epidemiology, economics, public health policy, and finally, the mental health patients themselves. Key themes include Cultural Comparisons of Mental Health Disorders; Cultural Sociology of Mental Illness Around the World; Economics; Epidemiology; Mental Health Practitioners; Non-Drug Treatments; Patient, the Psychiatry, and Psychology; Psychiatry and Space; Psychopharmacology; Public Policy; Social History; and Sociology. Key Features: This two-volume A-Z work, available in both print and electronic formats, includes close to 400 articles by renowned experts in their respective fields. An Introduction, a thematic Reader’s Guide, a Glossary, and a Resource Guide to Key Books, Journals, and Associations and their web sites enhance this invaluable reference. A chronology places the cultural sociology of mental illness in historical context. 150 photos bring concepts to life. The range and scope of this Encyclopedia is vivid testimony to the intellectual vitality of the field and will make a useful contribution to the next generation of sociological research on the cultural sociology of mental illness. Key Themes: Cultural Comparisons of Mental Health Disorders Cultural Sociology of Mental Illness Around the World Economics Epidemiology Mental Health Practitioners Non-Drug Treatments Patient, The Psychiatry and Psychology Psychiatry and Space Psychopharmacology Public Policy Social History Sociology

At the intersection of Derrida's philosophy and Spivak's influence on narrative studies, this study offers a critical effort that goes against the mainstream of contemporary studies about autobiographical texts, here Reading Lolita in Tehran and Persepolis. On another level, this book is an attempt to interrogate critically the relation of subalternity and autobiographical writing, which is only made possible by extending the range of the genre of autobiography so that it can bear witness to what has been condemned to be unnarratable and, consequently, unheard.