Exiles From Nowhere

" ... Examines the thoughts and actions of some of Canada's intellectual elite--a circle that radiates from the revered philosopher of Canadian nationalism, George Grant, who died in 1988. What emerges ... is an insidious antisemitism and intolerance."--Page 2 of cover.

In twentieth-century Canada, mainline Protestants, fundamentalists, liberal nationalists, monarchists, conservative Anglophiles, and left-wing intellectuals had one thing in common: they all subscribed to a centuries-old world view that Catholicism was an authoritarian, regressive, untrustworthy, and foreign force that did not fit into a democratic, British nation like Canada. Analyzing the connections between anti-Catholicism and national identity in English Canada, Not Quite Us examines the consistency of anti-Catholic tropes in the public and private discourses of intellectuals, politicians, and clergymen, such as Arthur Lower, Eugene Forsey, Harold Innis, C.E. Silcox, F.R. Scott, George Drew, and Emily Murphy, along with those of private Canadians. Challenging the misconception that an allegedly secular, civic, and more tolerant nationalism that emerged excised its Protestant and British cast, Kevin Anderson determines that this nationalist narrative was itself steeped in an exclusionary Anglo-Protestant understanding of history and values. He shows that over time, as these ideas were dispersed through editorials, cartoons, correspondence, literature, and lectures, they influenced Canadians' intimate perceptions of themselves and their connection to Britain, the ethno-religious composition of the nation, the place of religion in public life, and national unity. Anti-Catholicism helped shape what it means to be "Canadian" in the twentieth century. Not Quite Us documents how equating Protestantism with democracy and individualism permeated ideas of national identity and continues to define Canada into the twenty-first century.

A Prison Without Walls? presents a snapshot of daily life for exiles and their dependents in eastern Siberia during the very last years of the Tsarist regime, from the 1905 revolution to the collapse of the Tsarist regime in 1917. This was an extraordinary period in Siberia's history as a place of punishment. There was an unprecedented rise of Siberia's penal use in this fifteen-year window, and a dramatic increase in the number of exiles punished for political offences. This work focuses on the region of Eastern Siberia, taking the regions of Irkutsk and Yakutsk in north-eastern Siberia as its focal points. Siberian exile was the antithesis of Foucault's modern prison. The State did not observe, monitor, and control its exiles closely; often not even knowing where the exiles were. Exiles were free to govern their daily lives; free of fences and free from close observation and supervision, but despite these freedoms, Siberian exile represented one of Russia's most feared punishments. In this volume, Sarah Badcock seeks to humanise the individuals who made up the mass of exiles, and the men, women, and children who followed them voluntarily into exile. A Prison Without Walls? is structured in a broad narrative arc that moves from travel to exile, life and communities in exile, work and escape, and finally illness in exile. The book gives a personal, human, empathetic insight into what exilic experience entailed, and allows us to comprehend why eastern Siberia was regarded as a terrible punishment, despite its apparent freedoms.

The Collected Critical Heritage II comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995. The Critical Heritage series gathers together a large body of critical figures in literature. These carefully selected sources include: * comtemporary reviews from both popular and literary media. In these students can read about how Lady Chatterly's Lover shocked contemporary reviewers or what Ibsen's Doll's House meant to the early women's movement. * little-known documentary material, such as diaries and correspondence - often between authors and their publishers and critics. * landmark essays in the history of criticism. * significant pieces of criticism from later periods to demonstrate how an author's reputation changed over time.

Digital technology has revolutionized connectivity, but it has also overcome spatial obstacles that used to shield people from subjugating gazes and unlimited exercise of power. The home as an auratic space is dead, and this alienation has hindered our democratic capacities and created complex crises. The Death of Home aims to intellectually engage readers via enhancing spatial literacy to critically confront today’s crises.

Here's a book for lovers of all things Italian. This city on the Adriatic has always tantalized Jan Morris with its moodiness and changeability. After visiting Trieste for more than half a century, she has come to see it as a touchstone for her interests and preoccupations: cities, seas, empires. It has even come to reflect her own life in its loves, disillusionments, and memories. Her meditation on the place is characteristically layered with history and sprinkled with stories of famous visitors from James Joyce to Sigmund Freud. A lyrical travelogue, Trieste and the Meaning of Nowhere is also superb cultural history and the culmination of a singular career-"an elegant and bittersweet farewell" (Boston Globe).