Exotic Territory A Bilingual Anthology Of Contemporary Paraguayan Poetry

Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Poetry seeks to address a dearth of information in the English-speaking world about Paraguayan poetry of the past forty years. The twelve outstanding poets included hereJos Luis Appleyard, Moncho Azuaga, Gladys Carmagnola, Susy Delgado, Oscar Ferreiro, Rene Ferrer, Joaqun Morales, Amanda Pedrozo, Jacobo Rauskin, Elvio Romero, Ricardo de La Vega, Carlos Villagra Marsalrepresent a wide diversity of themes, styles, and perspectives in this little-known nation. Most of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing today. To contextualize the poets and their poetry for readers unfamiliar with Paraguay, the Introduction provides a brief background of its geography, history, government, economy, society, and artistic milieu. Following that is a wide selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet, followed by an unprecedented and extensive bibliography of primary and secondary sources intended to encourage those readers who might want to pursue further reading or research on any poet of interest.

Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Poetry seeks to address a dearth of information in the English-speaking world about Paraguayan poetry of the past forty years. The twelve outstanding poets included here José Luis Appleyard, Moncho Azuaga, Gladys Carmagnola, Susy Delgado, Oscar Ferreiro, Renée Ferrer, Joaquín Morales, Amanda Pedrozo, Jacobo Rauskin, Elvio Romero, Ricardo de La Vega, Carlos Villagra Marsal represent a wide diversity of themes, styles, and perspectives in this little-known nation. Most of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing today. To contextualize the poets and their poetry for readers unfamiliar with Paraguay, the Introduction provides a brief background of its geography, history, government, economy, society, and artistic milieu. Following that is a wide selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet, followed by an unprecedented and extensive bibliography of primary and secondary sources intended to encourage those readers who might want to pursue further reading or research on any poet of interest.

Andean Journeys: A Bilingual Anthology of Contemporary Bolivian Poetry is the fourth in a series of books that aspire to address a dearth of information in the English-speaking world about South American poetry of the past thirty years. The fourteen outstanding poets included here represent a diversity of themes, styles, and perspectives in one of South Americas more marginalized nations. All of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing and publishing today. For readers unfamiliar with Bolivia, the introduction provides a brief background of its geography, history, politics, economy, and society. This is followed by an ample selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet and an extensive bibliography of primary and secondary sources for readers wishing to pursue further reading or research. Contemporary Uruguayan Poetry: A Bilingual Anthology; Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Poetry; and Volcanic Reflections: A Bilingual Anthology of Contemporary Ecuadorian Poetry are companion volumes that offer similar exposure to poetry that deserves to be better known in the English-speaking world.

Volcanic Reflections: A Bilingual Anthology of Contemporary Ecuadorian Poetry is the third in a series of books that aspires to address a dearth of information in the English-speaking world about South American poetry of the past thirty years. The nineteen outstanding poets included here represent a wide diversity of themes, styles, and perspectives in one of South Americas smaller nations. All of them have published extensively, have been recognized through literary awards and inclusion in national and international anthologies, and continue writing and publishing today. For readers unfamiliar with Ecuador, the Introduction provides a brief background of its geography, history, politics, economy, and society. This is followed by an ample selection of representative poems published previously in Spanish, with translations in English on facing pages. The book concludes with a brief biographical sketch of each poet and an unprecedented bibliography of primary and secondary sources for those readers who might want to pursue further reading or research on any poet of interest. Contemporary Uruguayan Poetry: A Bilingual Anthology and Exotic Territory: A Bilingual Anthology of Contemporary Paraguayan Anthology are two companion volumes that offer similar exposure to poetry that deserves to be better known in the English-speaking world.

Mapuche poetry has flourished in recent decades and is now one of the most compelling neighbourhoods of contemporary Latin American literature. Incredibly, however, much of it remains untranslated into English. Not only does this anthology correct the situation, it goes far beyond the scale of anything published before. Some of the most important and exciting Mapuche poets are gathered here. Providing versions of each poem in Mapudungun, Spanish and English, Poetry of the Earth demonstrates how Mapuche poetry is so much more than just a collection of poems, or an act of writing. Rather, it is an expression of a long, rich and dynamic history, which at different times and places has made use of many kinds of musical, literary and linguistic forms. As the poems are often operatic in their scope and register, the anthology as a whole is also a sophisticated ensemble of languages, cultures, critics and poets. Translations by Mapuche and Settler Chileans meet the translations of Chileans and Australians on the other side of the Pacific Ocean. Then, Aboriginal, Mapuche and Settler scholars provide extremely useful introductory essays. Poetry of the Earth is a remarkable example of Australian-Chilean resonance, and of the shared history of European colonisation of indigenous peoples around the world. This is not just an anthology of poetry from a distant land and language; it’s an illustration of a vital, trans-Pacific force. - Stuart Cooke, Griffith University

I the Supreme imagines a dialogue between the nineteenth-century Paraguayan dictator known as Dr. Francia and Policarpo Patiño, his secretary and only companion. The opening pages present a sign that they had found nailed to the wall of a cathedral, purportedly written by Dr. Francia himself and ordering the execution of all of his servants upon his death. This sign is quickly revealed to be a forgery, which takes leader and secretary into a larger discussion about the nature of truth: “In the light of what Your Eminence says, even the truth appears to be a lie.” Their conversation broadens into an epic journey of the mind, stretching across the colonial history of their nation, filled with surrealist imagery, labyrinthine turns, and footnotes supplied by a mysterious “compiler.” A towering achievement from a foundational author of modern Latin American literature, I the Supreme is a darkly comic, deeply moving meditation on power and its abuse—and on the role of language in making and unmaking whole worlds.

Focusing on a period neglected by scholars, Higgins reconstructs how during the colonial period criollos - individuals identified as being of Spanish descent born in America - elaborated a body of knowledge, an "archive," in order to establish their intellectual autonomy within the Spanish colonial administrative structures." "This book opens up an important area of research that will be of interest to scholars and students of Spanish American colonial literature and history."--BOOK JACKET.

Over the past 20 years European theatre underwent fundamental changes in terms of aesthetic focus, institutional structure and in its position in society. The impetus for these changes was provided by a new generation in the independent theatre scene. This book brings together studies on the state of independent theatre in different European countries, focusing on the fields of dance and performance, children and youth theatre, theatre and migration and post-migrant theatre. Additionally, it includes essays on experimental musical theatre and different cultural policies for independent theatre scenes in a range of European countries.