Eyes On The Prize In The Native South

A History of the Literature of the U.S. South provides scholars with a dynamic and heterogeneous examination of southern writing from John Smith to Natasha Trethewey. Eschewing a master narrative limited to predictable authors and titles, the anthology adopts a variegated approach that emphasizes the cultural and political tensions crucial to the making of this regional literature. Certain chapters focus on major white writers (e.g., Thomas Jefferson, William Faulkner, the Agrarians, Cormac McCarthy), but a substantial portion of the work foregrounds the achievements of African American writers like Frederick Douglass, Zora Neale Hurston, and Sarah Wright to address the multiracial and transnational dimensions of this literary formation. Theoretically informed and historically aware, the volume's contributors collectively demonstrate how southern literature constitutes an aesthetic, cultural and political field that richly repays examination from a variety of critical perspectives.

As of 2018 the United States federal authorities have a special government to government relationship with the 567 federally acknowledged Indian tribes. These tribal governments and that relationship have long been fundamental to the American Indian identity for more than two centuries. The constitution of the United States grants Congress the right to interact with tribes. The Supreme Court of the United States in United States v. Sandoval, 231 U.S. 28 (1913) revealed the seriousness of the relationship when it stated, "it is not... that Congress may bring a community or body of people within range of this power by arbitrarily calling them an Indian tribe, but only that in respect of distinctly Indian communities the questions whether, to what extent, and for what time they shall be recognized and dealt with as dependent tribes". Federal tribal acknowledgement grants to Native American nations the right to certain benefits, and the process is largely controlled by the Bureau of Indian Affairs (BIA), though petitioning tribes can go through congress to secure acknowledgement as well. To determine which petitioning groups seeking acknowledgment were appropriate for such status during the 1970's federal government authorities began to work to address the need for consistent established procedures and criteria for acknowledgement Adding impetus for such, several non-federally acknowledged tribes encountered difficulties in bringing land claims for redress. One such case was United States v. Washington (1974), which affirmed the fishing treaty rights of tribal groups in Washington State, and which led to other groups asserting that the federal government acknowledge their claims to aboriginal titles. These events led to the Indian Self-Determination and Education Assistance Act of 1975. This important federal legislation legitimized tribal governments by at least in part restoring aspects of Indian self-determination and governance which had in the past been ignored or suppressed. The Bureau of Indian Affairs in 1978 established a process of rules with seven core criteria that groups who sought to petition had to meet in order to secure federal tribal acknowledgment. Four of the criteria have repeatedly been difficult for many petitioners to document, including identity as a long-standing historical community, outside identification as Indians, continuity of political authority, and descent from a historical tribe.

Between 1500 and 1850, European traders shipped hundreds of thousands of African, Indian, Malagasy, and Southeast Asian slaves to ports throughout the Indian Ocean world. The activities of the British, Dutch, French, and Portuguese traders who operated in the Indian Ocean demonstrate that European slave trading was not confined largely to the Atlantic but must now be viewed as a truly global phenomenon. European slave trading and abolitionism in the Indian Ocean also led to the development of an increasingly integrated movement of slave, convict, and indentured labor during the late eighteenth and early nineteenth centuries, the consequences of which resonated well into the twentieth century. Richard B. Allen’s magisterial work dramatically expands our understanding of the movement of free and forced labor around the world. Drawing upon extensive archival research and a thorough command of published scholarship, Allen challenges the modern tendency to view the Indian and Atlantic oceans as self-contained units of historical analysis and the attendant failure to understand the ways in which the Indian Ocean and Atlantic worlds have interacted with one another. In so doing, he offers tantalizing new insights into the origins and dynamics of global labor migration in the modern world.

While tribal-state relationships have historically been characterized as tense, most southern tribesparticularly non-federally recognized onesfound that Indian affairs commissions offered them a unique position in which to negotiate power. Although individual tribal leaders experienced isolated victories and generated some support through the 1950s and 1960s, the creation of the intertribal state commissions in the 1970s and 1980s elevated the movement to a more prominent political level. Through the formalization of tribal-state relationships, Indian communities forged strong networks with local, state, and national agencies while advocating for cultural preservation and revitalization, economic development, and the implementation of community services.

From Filmmaker Warriors to Flash Drive Shamans broadens the base of research on Indigenous media in Latin America through thirteen chapters that explore groups such as the Kayapó of Brazil, the Mapuche of Chile, the Kichwa of Ecuador, and the Ayuuk of Mexico, among others, as they engage video, DVDs, photography, television, radio, and the internet. The authors cover a range of topics such as the prospects of collaborative film production, the complications of archiving materials, and the contrasting meanings of and even conflict over "embedded aesthetics" in media production—i.e., how media reflects in some fashion the ownership, authorship, and/or cultural sensibilities of its community of origin. Other topics include active audiences engaging television programming in unanticipated ways, philosophical ruminations about the voices of the dead captured on digital recorders, the innovative uses of digital platforms on the internet to connect across generations and even across cultures, and the overall challenges to obtaining media sovereignty in all manner of media production. The book opens with contributions from the founders of Indigenous Media Studies, with an overview of global Indigenous media by Faye Ginsburg and an interview with Terence Turner that took place shortly before his death.

This book assesses South African history within imperial and global networks of power, trade and communication. South African modernity is understood in terms of the interplay between internal and external forces. Key historical themes, including the emergence of an industrialised economy, the development of systematic racial discrimination and popular resistance against racial power, and the influence of national and ethnic identities on political and social organisation, are set out in relation to imperial and global influences. This book is central to our understanding of South Africa in the context of world history.

This edition brings the story of 20th-century Southern politics up to the present day and the virtual triumph of Southern Republicanism. It considers the changes in party politics, leadership, civil rights and black participation in Southern politics.

The debut memoir from award-winning journalist Morgan Campbell: an incredible history of a family’s battles across generations, a hilarious and emotional coming-of-age story, and a powerful reckoning with what it means to be Black in Canada—particularly when you have strong American roots. Morgan Campbell comes from “a fighting family,” a connection and clash that reaches back to the south side of Chicago in the 1930s. His father’s and mother’s families were both part of the Great Migration from the U.S. rural south to the industrial north, but a history of perceived slights and social-class differences solidified a great feud that only intensified over the course of the century after the families came together in marriage and split up across the border. Morgan’s maternal grandfather, Claude Jones—a legendary grudge-holder, as well was an accomplished musician, peer of Oscar Peterson, and fixture of the Chicago jazz scene—was recruited to play some shows in Toronto, fell in love with the city, and eventually settled in Canada in the mid-1960s, paving the way for Morgan’s parents to join him amid the tumult of the Vietnam War and the Civil Rights movement. Morgan’s paternal grandmother, Granny Mary, however, remained stateside, a distance her schemes and resentments would only grow to fill. That fighting spirit wasn’t limited to the family’s own squabbles, though—it animated the way every generation moved through the world. From battling back as a group against white supremacist newcomers who violently resisted Black neighbours, to Morgan’s pre-teen mother burnishing her own legend by cold-cocking some racist loudmouth bullies, the lesson was clear: sometimes words weren’t enough. In Canada, the Campbells started a family of their own, but the tensions between in-laws never ceased, even as divorce and disease threatened the very foundations of the life they’d built. Bearing witness to all of this was young Morgan, an aspiring writer, budding star athlete, and slow-jam scholar, whose deep American roots landed him an outsider status that led to its own schoolyard scraps and exposed the profound gap between Canada’s utopian multicultural reputation and the very different reality. Having grown up bouncing between these disparate identities and nationalities, real or imagined—Black and Canadian, Canadian and American, Campbell and Jones—My Fighting Family is a witty, wise, rich, and soulful illumination of the journey to find clarity in all that conflict.