Ezra Pound And The Spanish World

This collection offers for the first time criticism, biographical essays, analysis, translation studies, and reminiscences of Ezra Pound’s extensive interaction with Spain and Spanish culture, from his earliest visits to Spain in 1902 and 1906 and his study of significant Spanish writers to the dedication of the first monument erected anywhere to Pound in the small Spanish village of Medinaceli in 1973. Divided into two sections, Part One: “ON EZRA POUND AND THE SPANISH WORLD” includes a general introduction on Pound’s lifelong involvement with Spain, together with chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, Pound’s contemporary Spanish connections, and his legacy in contemporary Spanish letters. Part Two: “EZRA POUND AND THE SPANISH WORLD: A READER,” then gathers for the first time Pound’s own writings (postcards, letters, and essays) concerning Spain and Spanish writers, as well as his correspondence with Spanish poets Migeul de Unamuno and Juan Ramón Jiménez and with José Vázquez Amaral, the first Spanish translator of The Cantos in its entirety. The volume includes reminiscences by Spanish Novísimos poets, Antonio Colinas and Jaime Siles, written explicitly for this collection. Besides providing a thorough exploration into Pound’s engagement with Spain, this volume pays homage to Pound’s considerable influence on Spanish culture.

This collection offers for the first time criticism, biographical essays, analysis, translation studies, and reminiscences of Ezra Pound’s extensive interaction with Spain and Spanish culture, from his earliest visits to Spain in 1902 and 1906 and his study of significant Spanish writers to the dedication of the first monument erected anywhere to Pound in the small Spanish village of Medinaceli in 1973. Divided into two sections, Part One: “ON EZRA POUND AND THE SPANISH WORLD” includes a general introduction on Pound’s lifelong involvement with Spain, together with chapters on Pound’s study of classical Spanish literature, the Spanish dimension in The Cantos, Pound’s contemporary Spanish connections, and his legacy in contemporary Spanish letters. Part Two: “EZRA POUND AND THE SPANISH WORLD: A READER,” then gathers for the first time Pound’s own writings (postcards, letters, and essays) concerning Spain and Spanish writers, as well as his correspondence with Spanish poets Miguel de Unamuno and Juan Ramón Jiménez and with José Vázquez Amaral, the first Spanish translator of The Cantos in its entirety. The volume includes reminiscences by Spanish Novísimos poets, Antonio Colinas and Jaime Siles, written explicitly for this collection. Besides providing a thorough exploration into Pound’s engagement with Spain, this volume pays homage to Pound’s considerable influence on Spanish culture.

Prompted by the occasion of a gala poetry reading at the University of Salamanca, Spain, in July 2019, this anthology is the first of its kind to comprise Anglophone and Spanish speaking poets breathing life into the multifarious poetic legacy of the poet Ezra Pound. Although Pound's influence on diverse Anglo-American poets is well-known, this collection further reveals his lesser known, yet equally vital impact on the Spanish speaking world, which has been immense. A bilingual anthology, it includes 29 poets, 13 of whom write in Spanish and 16 of whom are Anglophone. In recent decades, the Ezra Pound International Conferences taking place worldwide have featured poetry readings in what has become by a well-known tradition. In Salamanca, poets of older and younger generations from five continents paid tribute to Pound, with selections from their work now available in this volume. The anthology includes poems by the Spanish Novisimos poets ("The Newest Ones"), considered in Spain Pound's direct poetic heirs, such as Antonio Colinas, Jaime Siles, Luis Alberto de Cuenca, and José María Álvarez, but also included here are poems by Jorge Guillén from the Generation of '27, as well as Spanish American poets such as Ernesto Cardenal, Gonzalo Rojas Pizarro, Julián Herbert, and Jeannette Lozano Clariond; also represented are poets of a younger generation: Jordi Doce, Juan Antonio González-Iglesias, Ma Ángeles Pérez López, and Natalia Carbajosa. At the reading in Salamanca, the Anglophone poets, including many devoted Poundians among them, also offered a robust contribution. Still, in concert with their Spanish-speaking counterparts, these poets have also recreated the Spanish world in unusual ways, each reflecting a different, illuminating dimension of Pound's sensibility. Celebrated Anglophone poets present here include David Cappella, John Gery, Patrizia de Rachewiltz, Tony Lopez, Ron Smith, Clive Wilmer, Paul Scott Derrick, Jeff Grieneisen and Silvia Falsaperla, together with distinguished scholars such as David Moody, Alec Marsh, and John Beall, as well as promising voices of a new generation: Rhett Forman, Justin Kishbaugh, Chengru He, and Sean Mark. ______ Esta antología, la primera que reúne a poetas anglófonos e hispanohablantes, nació a raíz de un recital de poesía celebrado en la Universidad de Salamanca en julio de 2019, con el propósito de infundir nueva vida al valioso legado poético del poeta Ezra Pound. Si bien su influencia en la tradición angloamericana es indiscutible, esta antología revela la inmensa huella, menos conocida, aunque igualmente vital de Pound en los poetas del mundo hispano. Se trata por tanto de una colección bilingüe que incluye 29 poetas, de los cuales 13 escriben en español y 16 en inglés. En las últimas décadas, los congresos internacionales dedicados a la obra de Ezra Pound, celebrados por todo el mundo, han venido organizando recitales poéticos que ya se han convertido en tradición. En Salamanca, poetas de distintas generaciones y de cinco continentes rindieron homenaje a Pound con una selección de sus propias obras, recogida en este volumen. Así, se incluyen poemas de la generaci&#...

Ezra Pound forever changed the course of poetry. The author of a vast body of literature, his enormous range of references and use of multiple languages make him one of the most obscure authors and—because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial. This encyclopedia is a concise yet comprehensive guide to his life and writings. Included are more than 250 alphabetically arranged entries on such topics as Arabic history, Chinese translation, dance, Hilda Doolittle, Egyptian literature, Robert Frost, and Pound's publications. The entries are written by roughly 100 expert contributors and cite works for further reading. Ezra Pound forever changed the course of poetry. His vast body of poetry and critical works make him one of the 20th century's most prolific writers, and his influence has shaped later poets, great and small. His enormous range of references, deliberate obscurity, and use of multiple languages make him one of the most difficult authors and— because of his Fascism, anti-Semitism, and questionable sanity—one of the most controversial figures in American literary history. This encyclopedia is a concise yet comprehensive guide to his life and writings.

The Spanish-American War of 1898 seems to mark a turning point in both geopolitical and literary histories. The victorious American empire ascended and began its cultural domination of the globe in the twentieth century, while the once-mighty Spanish empire declined and became a minor state in the world republic of letters. But what if this narrative relies on several faulty assumptions, and what if key modernist figures in both America and Spain radically rewrote these histories at a foundational moment of modern literary studies? Following networks of American and Spanish writers, translators, and movements, Gayle Rogers uncovers the arguments that forged the politics and aesthetics of modernism. He revisits the role of empire—from its institutions to its cognitive effects—in shaping a nation's literature and culture. Ranging from universities to comparative practices, from Ezra Pound's failed ambitions as a Hispanist to Juan Ramón Jiménez's multilingual maps of modernismo, Rogers illuminates modernists' profound engagements with the formative dynamics of exceptionalist American and Spanish literary studies. He reads the provocative, often counterintuitive arguments of John Dos Passos, who held that "American literature" could only flourish if the expanding U.S. empire collapsed like Spain's did. And he also details both a controversial theorization of a Harlem–Havana–Madrid nexus for black modernist writing and Ernest Hemingway's unorthodox development of a version of cubist Spanglish in For Whom the Bell Tolls. Bringing together revisionary literary historiography and rich textual analyses, Rogers offers a striking account of why foreign literatures mattered so much to two dramatically changing countries at a pivotal moment in history.

This volume offers new interpretations of Pound’s poetics, as well as new perspectives on his critical reception globally. It covers Pound’s work from his beginnings as a young poet in Philadelphia in the first decade of the century through his most productive years as a poet, critic, and translator to the first critical treatments of his work in the 1940s and 50s, and on to translations of The Cantos spanning the last fifty years.