Faces Of Pharaohs

At the end of the 19th century Egyptologists discovered, in two robbed tombs at Luxor, the remains of over 40 mummies dating from the 17th to the 21st Dynasties (1580 BC to 940 BC). These included the bodies of Ahmose, Thutmose III, Amenhotep II and III, Seti I, Ramesses II and III, and Merneptah. This book brings together for the first time all the photographs of the unique collection of mummies and coffins found in the two `Royal Caches' and other royal burials which include Yuya, Thuya and Tutankhamun. Each mummy and coffin is described in detail with brief information about the tomb. Diseases and ailments, mummification techniques and the very origins of the process are covered. Other topics featured are the problems of identification, conservation of remains, and reconstructing lifetime appearance.

The principal aim of this study is to present a novel method for exploiting a grid of 256 (16x16) square modules used to measure two-dimensional human face, with implementation to the Egyptian royal portrait in relief. Most of the underlying principles of the proposed method, in particular, the use of a square grid understood as a uniform measuring tool of a standardised internal structure and a set of constant points of measurement, are connected with the research conducted by Erik Iversen, Roland Tefnin and Gay Robins. The major part of the study shows a detailed description of the proposed research method and an analysis of the measurements taken in compliance with the criteria stipulated therein. Comparison of the values of all selected measurements within a given portrait of a ruler with the values of corresponding points from other portraits dated to the same period constitutes the key element of the analysis. The results are then compared with the values of the measurements of reliefs of the remaining Eighteenth Dynasty kings acquired according to the same method. In order to expand the research perspective selected examples of application of the hypothetical square grid for the analysis of painted royal portrait are presented. The concluding remarks have been formulated in a relevant manner to answer the fundamental question of this study, namely, whether and to what extent the method could serve as an auxiliary tool for dating and identification of pharaohs' portraits carved in relief or made with the use of painting technique.

In an impressive special exhibition the Glyptotek gives a glimpse into the power structures, god-worship and everyday life in Ancient Egypt when Pharaoh reigned as a personified god and undisputed authority.00Ancient Egypt has always fascinated us. Not least the legendary pharaohs ? the kings who ruled over them all, who were more gods than human beings ? were the subject of many tales through the ages. In the exhibition, ?Pharaoh ? the Face of Power? we examine the period 2000-1700 BC, known as the ?Middle Kingdom? when the Egyptian realm rose again after a period of decline, and strong pharaohs united the country with centralised power. Here visitors can experience how, 4000 years ago, it was possible to construct personal myths and manage to rule a people ? with absolutely no help from spin doctors, the press or the social media.00Exhibition: Ny Carlsberg Glyptotek, Copenhagen, Denmark (12.10.2017-25.02.2018).

Who Killed the High Priestess Thermafi? Palace intrigue...sibling rivalries...mysticism...murder. Hidden From the Face of Humans is a sweeping epic that brings to vivid life the last native Egyptian dynasty of 400 BCE. Behind the banquets and the festivities, the world-changing battles and maneuvers, are the great powers of the day: the pharaohs of Egypt, Plato of Athens, Persian King Artaxerxes, and Spartan King Agesilaus. Moving serenely amidst the political turmoil is Thermafi, an Egyptian Priestess of Isis who, like the Magi of the Middle Eastern deserts and the oracles at Delphi, travels the ancient, timeless path of the unseen. Thermafi seeks no power for herself, but she is privy to the secrets of the powerful. As the beloved confidante of the pharaoh and revered teacher of the heirs to the Egyptian throne, Thermafi has hidden enemies-and someone wants her dead.A tour de force dramatizing actual events and characters, Hidden from the Face of Humans offers ingenious solutions to longtime historical mysteries-and a page-turning entertainment.

A fresh look at the British Museum's celebrated and extensive ancient Egyptian collection from across three thousand years Pharaoh: King of Ancient Egypt introduces readers to three thousand years of Egypt's ancient history by unveiling its famous rulers--the pharaohs--using some of the finest objects from the vast holdings of the British Museum, along with masterworks from the collection fo the Cleveland Museum of Art.. In an introductory essay, Margaret Maitland looks at Egyptian kingship in terms of both ideology and practicality. Then Aude Semat considers the Egyptian image of kingship, its roles and its uses. In ten additional sections, Marie Vandenbeusch delves into themes related to the land of ancient Egypt, conceptions of kingship, the exercise of power, royal daily life, war and diplomacy, and death and afterlife. Detailed entries by Vandenbeusch and Semat cover key works relating to the pharaohs. These objects, beautifully illustrated in 180 photographs, include monumental sculpture, architectural pieces, funerary objects, exquisite jewelry, and papyri. The rulers of ancient Egypt were not always male, or even always Egyptian. At times, Egypt was divided by civil war, conquered by foreign powers, or ruled by competing kings. Many of the objects surviving from ancient Egypt represent the image a pharaoh wanted to project, but this publication also looks past the myth to explore the realities and immense challenges of ruling one of the greatest civilizations the world has seen.

Written in the tradition of historians like Stacy Schiff and Amanda Foreman who find modern lessons in ancient history, this provocative narrative explores the lives of five remarkable pharaohs who ruled Egypt with absolute power, shining a new light on the country's 3,000-year empire and its meaning today.