Fact Fiction Faction

This collection of articles analyzes important aspects of the complex relationships in the contemporary world between fact on the one hand and fiction and faction, history and counterfactual history on the other. The borderline between the two realms has been increasingly complicated and blurred during recent decades. This does not make the distinction between what is real and what is fiction irrelevant but it now takes a lot more scholarly effort to make such a distinction or to figure out exactly to what extent and in what ways the border between the two has been blurred. --

Policing and the Media provides an up-to-date overview of the changing dynamics and dimensions of the relationships that exist on the British police-media nexus. Factual, fictional and factional representations of policing in the media are the major - and for a great many citizens probably the sole - influence in shaping their perceptions and opinions about crime, law and order, community safety, police efficiency and integrity, not to mention the efficacy of criminal justice and penal policy. This book deals with all three representations, noting the lines between such clear divisions are increasingly blurred and the concepts of reality, realism and representation, slippery and complex.

A brilliant collection of untold stories from a by-invitation-only set of Bollywood film personalities. A first in the history of Indian fiction Collection edited by Khalid Mohamed, veteran film critic, film director, documentary filmmaker, playwright and author. Features fictional and factional stories by 22 Bollywood stars. Worldwide readership/market for all fiction and short story lovers, cinema buffs, directors, actors, film historians, artists, teachers and students of film studies, special edition collectors, libraries, museums, cultural and educational institutions, general trade readers.

This is the diary... of a spider. But don’t be worried – he’s more scared of you and your gigantic shoes than you will be of him! Actually he’s a lot like you. He goes to school and enjoys playing in the park. But he also spins sticky webs, scales walls and takes wind-catching lessons. And his best friend is a fly!

October 21, 1967, Washington, D.C. 20,000 to 200,000 protesters are marching to end the war in Vietnam, while helicopters hover overhead and federal marshals and soldiers with fixed bayonets await them on the Pentagon steps. Among the marchers is Norman Mailer. From his own singular participation in the day's events and his even more extraordinary perceptions comes a classic work that shatters the mould of traditional reportage. Intellectuals and hippies, clergymen and cops, poets and army MPs crowd the pages of a book in which facts are fused with techniques of fiction to create the nerve-end reality of experiential truth. The Armies of the Night uniquely and unforgettably captures the Sixties' tidal wave of love and rage at its crest and a towering genius at his peak.

This book pursues an interdisciplinary approach to open a discourse on innovative methodologies and practices associated with narrative and metaphor. Scholars from diverse fields in the humanities and social sciences report on how they use narrative and/or metaphor in their scholarship/research to arrive at new ways of seeing, thinking about and acting in the world. The book provides a range of methodological chapters for academics and practitioners alike. Each chapter discusses various aspects of the author’s transformative methodologies and practices and how they contribute to the lives of others in their field. In this regard, the authors address traditional disciplines such as history and geography, as well as professional practices such as counselling, teaching and community work.