Fairy

Edited by David Larkin. Two talented artists explore the world of faeries in myths, legends, and folklore.

The Red Fairy Book was the second of the series of Fairy Books by Andrew Lang. Stories in this collection include: The Twelve Dancing Princesses; The Princess Mayblossom; The Death Of Koshchei The Deathless; The Black Thief And Knight Of The Glen; Princess Rosette; The Norka; Jack And The Beanstalk; Graciosa And Percinet; The Three Princesses Of Whiteland; The Voice Of Death; The True History Of Little Golden Hood; The Three Dwarfs; Rapunzel; Farmer Weatherbeard, and many more.

Also known as 'The Libation Bearers' this is the second play of Aeschylus' Oresteia trilogy. Many years after king Agamemnon's murder at the hands of his wife Clytamnestra and her lover Aigisthos, his son Orestes returns home with Pylades to mourn at his grave. He has been living in exile and has come back to Argos in secret; his mission is to avenge Agamemnon's death.

Lora S. Irish, author of Great Book of Dragon Patterns and other useful reference guides for artists, proudly introduces her latest book for Fox Chapel Publishing - with more than 100 patterns of those most mystical and elusive beings called "Fairies." The folklore of fairies - sometimes referred to as faes and flutterbyes - has been passed down through the generations, and they have captured the hearts and minds of artists for centuries. This book is brimming with tips and techniques for artists and craftspeople with any number of projects, including painting, woodworking, quilts, garden decorations, needlepoint, ceramics and more. Bring the magic of fairies to your art. Features dozens of original fairy patterns and the expert tips and techniques for successfully incorporating them into any medium or craft. Inside, you'll find the history of fairies in legends, and clear descriptions of the various fairy types and their appearances. - Wing patterns: Including bee wings, dragonfly wings, butterfly wings, moth wings, and modern options - Poses: Handy tips on creating one fairy manikin and turning it into dozens of poses - it's easier than you think! - Outfits: Dress your fairy in the best and brightest fashions - Settings: From ponds to flower gardens to forest floors, you'll learn how to place your fairy in your favorite scenes and backgrounds

This beautiful book contains a group of fairy tales redolent of the charm of the seventeenth century, told with that delicacy so characteristic of the French. The illustrations, by Virginia Sterrett, are unusual for their beauty and artistic finish. The fairy tales included are. The Story Of Blondine Good Little Henry History Of Princess Rosette The Little Grey Mouse Ourson

Richard Dadd is a trickster, a pre-post-modern enigma wrapped in a Shakespearean Midsummer Night’s Dream; an Elizabethan Puck living in a smothering Victorian insane asylum, foreshadowing and, in brilliant, Mad Hatter conundrums, entering the fragmented shards of today’s nightmarish oxymorons long before the artists currently trying to give them the joker’s ephemeral maps of discourse. The author thinks of Bob Dylan’s “Ballad of a Thin Man,” that cryptic refusal to reduce the warped mirrors of reality to prosaic lies, or, perhaps “All Along the Watchtower” or “Mr Tambourine Man.” Even more than Samuel Beckett’s Waiting for Godot, which curiously enough comes off as overly esoteric, too studied, too conscious, Dadd’s entire existence foreshadows the forbidden entrance into the numinous, the realization of the inexplicable labyrinths of contemporary existence, that wonderfully rich Marcel Duchamp landscape of puns and satiric paradigms, that surrealistic parallax of the brilliant gamester Salvador Dali, that smirking irony of the works of Roy Lichtenstein, Robert Rauschenberg, John Cage, and Robert Indiana; that fragmented, meta-fictional struggle of Kurt Vonnegut’s Slaughterhouse Five. John Lennon certainly sensed it and couldn’t help but push into meta-real worlds in his own lyrics. Think of “Strawberry Fields Forever,” “I Am the Walrus,” and the more self-conscious “Revolution Number 9.” In “Yer Blues,” he even refers to Dylan’s main character, Mr Jones from “Ballad of a Thin Man.” If Lennon’s song is taken seriously, literally, then it is a dark crying out by a suicidal man, “Lord, I’m lonely, wanna die”; or, if taken as a metaphor for a lover’s lost feelings about his unfulfilled love, it falls into the romantic rant of a typical blues or teenage rock-and-roll song. However, even on this level, it has an irony about it, a sense of laughing at itself and at Dylan’s Mr Jones, who knows something is going on but just not what it is, and then, by extension, all of us who have awakened to the fact that the studied Western world doesn’t make sense, all of us who struggle to find meaning in the nonsense images, characters, and happenings in the song, and perhaps, coming to a conclusion that the nonsense is the sense.

THE BRONZE RING PRINCE HYACINTH AND THE DEAR LITTLE PRINCESS EAST OF THE SUN AND WEST OF THE MOON THE YELLOW DWARF LITTLE RED RIDING HOOD THE SLEEPING BEAUTY IN THE WOOD CINDERELLA, OR THE LITTLE GLASS SLIPPER ALADDIN AND THE WONDERFUL LAMP THE TALE OF A YOUTH WHO SET OUT TO LEARN WHAT FEAR WAS RUMPELSTILTZKIN BEAUTY AND THE BEAST THE MASTER-MAID WHY THE SEA IS SALT THE MASTER CAT; OR, PUSS IN BOOTS FELICIA AND THE POT OF PINKS THE WHITE CAT THE WATER-LILY. THE GOLD-SPINNERS THE TERRIBLE HEAD THE STORY OF PRETTY GOLDILOCKS THE HISTORY OF WHITTINGTON THE WONDERFUL SHEEP LITTLE THUMB THE FORTY THIEVES HANSEL AND GRETTEL SNOW-WHITE AND ROSE-RED THE GOOSE-GIRL TOADS AND DIAMONDS PRINCE DARLING BLUE BEARD TRUSTY JOHN THE BRAVE LITTLE TAILOR A VOYAGE TO LILLIPUT CHAPTER I CHAPTER II CHAPTER III CHAPTER IV CHAPTER V THE PRINCESS ON THE GLASS HILL THE STORY OF PRINCE AHMED AND THE FAIRY PARIBANOU THE HISTORY OF JACK THE GIANT-KILLER THE BLACK BULL OF NORROWAY THE RED ETIN