Faith Encounters Of The Third Kind

Interreligious dialogue that strives for both hospitality and honest discussion of difference! Is it possible to have both? Is it possible for religious traditions to engage one another in a spirit of humility, while also working together toward mutual descriptions of God and the world? This is the goal of this book, to find points at which each of the religious traditions are vulnerable and open enough to listen to each other and to help each other toward a shared description of reality. If you share these concerns—concerns for interfaith dialogue as well as for deeply held notions of conviction and truth—then the invitation is open for mutual constructive engagement.

Interreligious dialogue that strives for both hospitality and honest discussion of difference! Is it possible to have both? Is it possible for religious traditions to engage one another in a spirit of humility, while also working together toward mutual descriptions of God and the world? This is the goal of this book, to find points at which each of the religious traditions are vulnerable and open enough to listen to each other and to help each other toward a shared description of reality. If you share these concerns--concerns for interfaith dialogue as well as for deeply held notions of conviction and truth--then the invitation is open for mutual constructive engagement.

Bryan Stone engages the cinema to open a discussion of theology and the culture of our time by pairing specific Christian doctrines found in the Apostles' Creed with popular movies and videos.

How major-release films use religion to tell stories and convey messages Focusing on American major-release films since World War II, the authors show how films use religious imagery, characters, and symbolism from primarily Christian, but also, Buddhist, Hindu, Jewish, and Islamic traditions. Ideal for classroom use, each chapter analyzes significant contextual issues through the lens of select films. The authors post their ongoing ideas in their blog at http://filmandreligion.blogspot.com.

In this new book in the Gospel According To series, Garrett looks at the theological elements in dozens of classic Hollywood films, including a discussion about what the new openness to spirituality in the movies might mean for the future of American cinema and American religion. (Biblical Studies)

This book explores the concept that, as participation in traditional religion declines, the complex and fantastical worlds of speculative television have become the place where theological questions and issues are negotiated, understood, and formed. From bodies, robots, and souls to purgatories and post-apocalyptic scenarios and new forms of digital scripture, the shows examined – from Buffy the Vampire Slayer to Westworld – invite their viewers and fans to engage with and imagine concepts traditionally reserved for religious spaces. Informed by recent trends in both fan studies and religious studies, and with an emphasis on practice as well as belief, the thematically focused narrative posits that it is through the intersections of these shows that we find the reframing and rethinking of religious ideas. This truly interdisciplinary work will resonate with scholars and upper-level students in the areas of religion, television studies, popular culture, fan studies, media studies, and philosophy.

(Applause Books). "Morton has written the definitive book on this innovative movie by Steven Spielberg...Meticulous research of this caliber is not found in other books on Close Encounters . Fans will find Morton's take informative and fascinating." Library Journal . Steven Spielberg's 1977 masterpiece used all of the power and magic of cinema to tell a story of man's first meeting with extraterrestrial beings. Renouncing the fear and pessimism of the day, writer/director Spielberg boldly envisioned this as a peaceful, spiritual event full of hope and possibility. This awe-inspiring message made a powerful impact on audiences desperate for something to believe in. The film was a massive box-office hit and revolutionized the movie industry; along with Star Wars , it helped to create the modern blockbuster and ushered in a new era of hi-tech effects. Based on in-depth research and the recollections of many of the film's principal creators, Close Encounters is the first book to chronicle the making of this classic film from its inception through its tumultuous production to its many releases in "special" editions. The book features new interviews with star Teri Garr, producer Michael Phillips, photographic effects supervisor Douglas Trumbull, production designer Joe Alves, and several cinematographers, screenwriters, and special-effects legends. John Hill, Jerry Belson, Hal Barwood, and Matthew Robbins; and special effects legends Richard Yuricich, Robert Swarthe, Dennis Muren, Scott Squires, Greg Jein, and Rocco Gioffre.

Choice Outstanding Academic Title 2003 Film as Religion argues that popular films perform a religious function in our culture. Like more formal religious institutions, films can provide us with ways to view the world and values to confront it. Lyden contends that approaches which interpret films only ideologically or theologically miss the mark in understanding their appeal to viewers. He develops an alternative method which shows how films can be understood as representing a “religious” worldview in their own right. Lyden surveys the state of the study of religion and film, offering an overview of previous methods before presenting his own. Rather than seeking to uncover hidden meanings in film detectable only to scholars, Lyden emphasizes how film functions for its audiences?the beliefs and values it conveys, and its ritual power to provide emotional catharsis. He includes a number of brief cases studies in which he applies this method to the study of film genres—including westerns and action movies, children's films, and romantic comedies—and individual films from The Godfather to E.T., showing how films can function religiously.