False Colors

What you’re starting to read now is called a jacket blurb. Its purpose is to tell you enough about the book to steam you up into reading it. Jacket blurbs are usually written by publishers, and sometimes they fib a little about how wonderful the book is. But this time the publisher asked me, the author, to write the blurb. I suppose that, after publishing nine other Powell novels, Simon and Schuster feel I ought to do my own exaggerating for a change. So let’s get that over with: “This is a magnificent book and you’ll love every word of it.” Now we can relax. This is a mystery novel. The hero is a young Philadelphia art dealer who gets mixed up in dirty work in the field of art collecting. Maybe I shouldn’t call him a hero. If he ever did have the usual mystery story hero’s nerves of steel and muscles of iron, they certainly got badly rusted. He’s slow and cautious. In fact the guy admits that, in the great race of life, he’s just along for the walk. He gets scared in tough spots. I felt sorry about shoving him into so much trouble, even though I did give him a jet-propelled blonde heroine as a sort of workmen’s compensation for his injuries. Still and all, there are easier ways of winning a pretty blonde than by battling strong-arm guys, gunmen and a murderer, and I think my hero would have preferred them. I know I would. This story took a lot of research. I read stacks of art books, and talked to artists and dealers. I prowled through museums peering at famous paintings through a magnifying glass. My new knowledge even impresses my artist friends, and it’s mighty hard for a writer to impress an artist. To most artists, a writer is a vandal who takes white space that could be used for pictures and clutters it up with words. I’ve tried to get some of the flavor of Philadelphia into the book. That’s an elusive thing to pin down in words, but here’s an example of what Philadelphia is like. In most cities, if you owned a valuable old Chippendale chair, you would call everyone’s attention to your prize. In Philadelphia, you would sit in it. I hope you like the book. Don’t try to please me by saying you stayed up after midnight finishing it, though. It never seems fair to me that people can read in just a few hours something that took me a year to write. --Richard Powell

1762, The Georgian Age of Sail: For his first command, John Cavendish is given a ship—the HMS Meteor—and a crew, both in need of repair and discipline. He's determined to make a success of their first mission, and hopes the well-liked lieutenant Alfred Donwell will stand by his side as he leads his new crew into battle: stopping the slave trade off the coast of Algiers. Alfie knows their mission is futile, and that their superiors back in England will use the demise of this crew as impetus for war with the Ottoman Empire. But the darker secret he keeps is his growing attraction for his commanding officer—a secret punishable by death. With the arrival of his former captain—and lover—on the scene of the disastrous mission, Alfie is torn between the security of his past and the uncertain promise of a future with the straight-laced John. Against a backdrop of war, intrigue, and personal betrayal, the high seas will carry these men through dangerous waters from England to Africa to the West Indies in search of a safe harbor.

When a desperate attack on the Kilrathi homeworld destroyed the entire planet, with the Emperor and his warlords, the demoralized Kilrathi colony worlds surrendered. After thirty-five years of war, Earth and its own colonies welcomed peace in our time. But the ominous reality was that plenty of independent Kilrathi warlords survived and commanded a formidable array of warships and weaponry. War weary Earth turned a deaf ear to reports of Kilrathi belligerence, preferring to look forward to a tranquil and prosperous future. But it was only the calm before a new storm....

Acting for the Admiralty's Secret Department, Captain Nathaniel Drinkwater advertises his cargo of Russian military stores, thus embarking on a scheme to flout Napoleon's Continental System and antagonize the French Emperor's new ally, Czar Alexander.

This fully revised and updated fourth edition of Motion Picture and Video Lighting explores the technical, aesthetic, and practical aspects of lighting for film and video. It covers not only how to light, but also why. The process of lighting is emphasized, as well as practical techniques and visual storytelling with light. Written by experienced filmmaker, film school teacher, and author Blain Brown, this book emphasizes how the image, the mood, and the visual impact of a film are, to a great extent, determined by the skill and sensitivity of the director of photography in using lighting. It provides an indispensable, highly illustrated, and comprehensive guide to making every scene look its best. This new edition has been expanded to provide further guidance at the introductory level for students, those just starting their careers, and people already working in the business who want to move up. Topics include: Lighting Sources LEDs The Lighting Process Lighting Basics Controlling Light Lighting Scenes A Lighting Playbook Storytelling With Light Electricity and Distribution Gripology Set Operations Technical Issues A robust accompanying companion website also includes video tutorials and other resources for students and professionals alike, including lighting demonstrations, basic methods of lighting, using diffusion, color control, and other topics.

The 12th Congress of SIDUO took place in Iguazu Falls, Argentina, where participants could enjoy the scenery of the magnificent Falls. The organization was sponsored by the University Department of Oph thalmology, Buenos Aires; the University Department of Ophthalmology, EI Salvador; SAUMB (Socieded Argentina de Ultrasonografia en Medecina y Biologia) and CLEO (Club Latinoamericano de Ecografia OftalmoI6gica). The Honorary President was Professor Horacio Soriano from Buenos Aires. The local organizing committee consisted of the following persons: President Roberto Sampaolesi Vice President Atilio Lombardi Scientific Secretary: Eduardo Mayorga Treasurers Guillermo Iribarren Abelardo Cavatorta We are particularly grateful to Doctor J S Hillmann, Professor K C Ossoinig and Doctor nvf Thijssen, who have helped with their counsel and advice. I would also like to thank our congress secretaries Graciela Massonat and Cristina Taegl for their enormous help in organizing SIDUO XII. To Doctor Javier Cassiraghi and Doctor Walter de Gregory our thanks for their outstanding help in organizing the scientific sessions. Thanks are due to the commercial exhibitors and most of all to our sponsors: Laboratorios Pfoertner Cornealent and Biophysic Medical. Our special thanks to Doctor Tomas Pfoertner for his great administrative expertise and counsel and to Christine Warren from Biophysic for her help in financing these proceedings. The 12th SIDUO thanks for their generous support: Pupilent Plastic Lens Argentina, Grafica SA and Laboratorio Optico Santamarina.