Familiar Letters Betwixt A Gentleman And A Lady

The Reform'd Coquette (1724) tells the story of Amoranda, a good but flighty young woman whose tendency toward careless behavior is finally tamed. Familiar Letters Betwixt a Gentleman and a Lady (1725), a satire of both political debate and women's place in society, portrays a Tory man and a Whig woman who find themselves discussing love, even though they have pledged to remain platonic friends. The Accomplish'd Rake (1727) follows the exploits of Sir John Galliard from youth to manhood, when he is forced to accept responsibility for his actions. Mary Davys (1674?-1732) was one of the earliest female novelists in Britain, and after the death of her husband she supported herself by writing and running a coffeehouse. Her writing sparkles, especially in its witty dialogue. Although these three short epistolary novels are framed in a clear moral universe in which virtue is rewarded and transgressions is punished, her works are not overtly religious and punishment is as likely to come from society as from providence.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library T117086 Title from half-title. First leaf signed S4. Vol.2, pp.265-308 of an unknown work. Contains letters between Berina and Artander. [London?, 1720?]. Pp.[2],265-308; 8°

Engendering Legitimacy: Law, Property, and Eighteenth-Century Fiction is a study of the intersecting of law, land, property, and gender in the prose fiction of Mary Davys, Daniel Defoe, Eliza Haywood, and Jonathan Swift. The law of property in early modern England established relations for men and women that artificially constructed, altered, and ended their connections with the material world, and the land they lived upon. The cultural role of land and law in a changing economy embracing new forms of property became a founding preoccupation around which grew the imaginative prose fiction that would develop into the English novel. Glover contends that questions of political and legal legitimacy raised by England's Revolution of 1688-89 were transposed to the domestic and literary spheres of the early 1700s.

In the preface to his edition of Shakespeare, Alexander Pope noted that his age was one of Parties, both in Wit and State. Much scholarship has been devoted to the complexities of the political parties of the eighteenth century, but there has been a surprising reluctance to explore what Pope implied were the corollaries of those parties, namely, parties in literature. The essays collected here explore the literary culture that arose from and supported what Pitt the Elder referred to as the great spirit of Whiggism that animated English politics during the eighteenth century. From the prehistory of Whiggism in the court of Charles II to the fractures opened up within it by the French Revolution in the 1790s, the interactions between Whiggish politics and literature are sampled and described in groundbreaking essays that range widely across the fields of eighteenth-century political prose, poetry, and the novel.