Family Expositions

Over three generations, the Sobey family of Nova Scotia has demonstrated their discerning and enthusiastic commitment to Canadian art. Accompanying a major exhibition at the McMichael Canadian Art Collection and timed to coincide with the 20th anniversary of the prestigious Sobey Art Award, Generations tells the story of a visionary family and their engagement with Canadian and Indigenous art. This sweeping survey encompasses works by the beloved leaders of Canadian 20th-century art -- the Group of Seven, Tom Thomson, David Milne, and Emily Carr -- as well as offering a rich display of works by Cornelius Krieghoff, the Quebec Impressionists, Automatiste painters Jean Paul Riopelle and Paul-Émile Borduas, and Ukrainian Canadian artist William Kurelek, before moving onward to showcase leading contemporary artists. Among them are international artist Peter Doig, whose works draw on the legacies of Canadian art, and Indigenous artists Brenda Draney, Ursula Johnson, Kent Monkman, and Brian Jungen. Featuring more than 200 full-colour images, Generations includes an introduction by McMichael Chief Curator Sarah Milroy, essays by McMichael Executive Director Ian A.C. Dejardin, art historians Jocelyn Anderson, John Geoghegan, and Michèle Grandbois, and an interview with contemporary artist Kent Monkman.

At last! Here is a clear, concise, and highly readable explanation of how to write your family history. This book was written for the genealogist who has compiled scores of pedigree charts and family group sheets, has spent years poring over forgotten manuscripts and staring into dimly-lit microfilm readers, and who now wants to bring it all together into a final narrative form. In a timely and interesting manner, the author shows how you can compose a controlled and focused rendition of your family's story.

This book tells the stranger-than-fiction story of how a poor white family from Indiana was scapegoated into prominence as America's "worst" family by the eugenics movement in the early twentieth century, then "reinvented" in the 1970s as part of a vanguard of social rebellion. In what becomes a profoundly unsettling counter-history of the United States, Nathaniel Deutsch traces how the Ishmaels, whose patriarch fought in the Revolutionary War, were discovered in the slums of Indianapolis in the 1870s and became a symbol for all that was wrong with the urban poor. The Ishmaels, actually white Christians, were later celebrated in the 1970s as the founders of the country's first African American Muslim community. This bizarre and fascinating saga reveals how class, race, religion, and science have shaped the nation's history and myths.