Family Folktales

Thanks to these generous donors for making the publication of the books in this series possible: Lloyd E. Cotsen; The Maurice Amado Foundation; National Endowment for the Humanities; and the National Foundation for Jewish Culture Tales from Arab Lands presents tales from North Africa, Yemen, Lebanon, Syria, and Iraq in the latest volume of the most important collection of Jewish folktales ever published. This is the third book in the multi-volume series in the tradition of Louis Ginzberg?s timeless classic, Legends of the Jews. The tales here and the others in this series have been selected from the Israel Folktale Archives (IFA), named in Honor of Dov Noy, at The University of Haifa, a treasure house of Jewish lore that has remained largely unavailable to the entire world until now. Since the creation of the State of Israel, the IFA has collected more than 20,000 tales from newly arrived immigrants, long-lost stories shared by their families from around the world. The tales come from the major ethno-linguistic communities of the Jewish world and are representative of a wide variety of subjects and motifs, especially rich in Jewish content and context. Each of the tales is accompanied by in-depth commentary that explains the tale's cultural, historical, and literary background and its similarity to other tales in the IFA collection, and extensive scholarly notes. There is also an introduction that describes the culture and its folk narrative tradition, a world map of the areas covered, illustrations, biographies of the collectors and narrators, tale type and motif indexes, a subject index, and a comprehensive bibliography. Until the establishment of the IFA, we had had only limited access to the wide range of Jewish folk narratives. Even in Israel, the gathering place of the most wide-ranging cross-section of world Jewry, these folktales have remained largely unknown. Many of the communities no longer exist as cohesive societies in their representative lands; the Holocaust, migration, and changes in living styles have made the continuation of these tales impossible. This series is a monument to a rich but vanishing oral tradition. This series is a monument to a rich but vanishing oral tradition.

From the Family Folklore Program of the Smithsonian's Folklife festival.

This anthology gathers a broad selection of Russian folktales, legends, and anecdotes, and includes helpful features that make them more accessible and engaging for English-language readers. Editor Jack V. Haney has selected some of the best tales from his seven-volume "Complete Russian Folktale" collection and added examples of anecdotes and the long 'serial tales' told in the far north.The 114 tales included here represent every genre found in the Russian tradition. They date from the eighteenth through the twentieth centuries and come from all geographic regions of the Russian-speaking world. The collection is enhanced by a detailed introduction to the folktale and its types, brief introductions to each grouping of tales, head notes with interesting background for individual tales, and a glossary explaining Russian terms.

This book challenges us to take a cursory glance at our contemporary world, where modern mans scientific and technological ingenuity has led him to soar thorough the galaxy and made the heavens part of his domain; and contrast that with his level of morality today. Open any newspaper or listen to the radio and television news and you cant help but lament on the appalling moral depravity and obscene behavior of our contemporary man. With this intractable moral depravity on the ascendancy, the author nostalgically reminiscences the upright morality of yesteryears, and admonishes us to heed Platos philosophical advice: now since men are by nature acquisitive, jealous, combative, and erotic, how shall we persuade them to behave themselves? By the policemans omnipresent club? {now, AK 47}. It is a brutal method, costly and irritating. There is a better way, and this is by lending to the moral requirements of the community. Throughout this book the author emphasizes the significance of proper moral education in shaping the character of children, youngsters and even adults, and reminds us: morals are the rules by which society exhorts its members and associations to behavior consistent with its 'order, security and growth {Will & Ariel Durant}. The author noted that in traditional African societies, the wise elders, like the ancient Greek philosophers, strongly emphasized the teachability of moral values and deliberately inculcated them into their youngsters. The stories in this book are folktales filled with moral lessons that have been handed down from many generations to the present in many African countries from Ghana, Nigeria, Cameroons, Liberia, the Gambia, Kenya, Ethiopia, Tanzania to Zimbabwe. The traditional African elders successfully utilized these folktales to socialize their youngsters to the moral requirements of their society to insure stability, harmonious relations, order, security and growth.

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Contains over 500 articles Ranging over foodways and folksongs, quiltmaking and computer lore, Pecos Bill, Butch Cassidy, and Elvis sightings, more than 500 articles spotlight folk literature, music, and crafts; sports and holidays; tall tales and legendary figures; genres and forms; scholarly approaches and theories; regions and ethnic groups; performers and collectors; writers and scholars; religious beliefs and practices. The alphabetically arranged entries vary from concise definitions to detailed surveys, each accompanied by a brief, up-to-date bibliography. Special features *More than 2000 contributors *Over 500 articles spotlight folk literature, music, crafts, and more *Alphabetically arranged *Entries accompanied by up-to-date bibliographies *Edited by America's best-known folklore authority

'Engaging, modern fables with a feminist tang' Sunday Times DARK, POTENT AND UNCANNY, HAG BURSTS WITH THE UNTOLD STORIES OF OUR ISLES, CAPTURED IN VOICES AS VARIED AS THEY ARE VIVID. Here are sisters fighting for the love of the same woman, a pregnant archaeologist unearthing impossible bones and lost children following you home. A panther runs through the forests of England and pixies prey upon violent men. From the islands of Scotland to the coast of Cornwall, the mountains of Galway to the depths of the Fens, these forgotten folktales howl, cackle and sing their way into the 21st century, wildly reimagined by some of the most exciting women writing in Britain and Ireland today. 'A thoroughly original package that has a hint of Angela Carter' The Times 'Sharp writing and cleverly done' Spectator

Poems of serious wordplay--an affirmation and celebration of the spectacles we make of our lives. On-stage in Matthew Gwathmey's debut collection are agitated 19th century horsemen, 80s comic book beetles, plaid-clad suburban grunge enthusiasts, Korean aunts turned traffic cops, Parisian mimes--in short, "a multitude of horns." Meanwhile, the "understories," the sub-spectacles of these poems, are the everyday trials and thrills of marriage and family, the search for meaningful love and friendship, and the palpable relief at being able to perform not as a primary character in the cultural narrative, but as a member of an elemental audience, as "water/ at the bottom of the wind." Working a hand-mixer in one hand and a spade in the other, Gwathmey writes formally accomplished, linguistically playful poems with deep roots. He couples an implicit understanding of the stories passed down to us as necessary blueprints, with an occasionally nihilistic (in the spirit of the modernists) and occasionally giddy (in the spirit of the New York School) pull toward embellishment and reinvention, making these folktales rhythmic, humorous, and full of unexpected turns. "Down out of the pilgrim wilderness of the shapeshifting, apocalyptic carnival midway of Parnassus, trailed by an entourage of troubadours, poet pro-wrestlers, lunatics, comic strip superheroes, brain scientists, cyberpyrotechnicats, emoticons, coders, and a covey of Acadian midwives spouting ancient spells, comes Matthew Gwathmey, twenty-first-century soothsayer...." --Lisa Russ Spaar "Our latest in poetry, Matthew Gwathmey's debut is a mishmash in the best sense, smushing superheroes, Mars colonies, psych wards, Radiohead, and a hundred other eclectic subjects into a blender for your poetry protein shake. Regardless of the reference, Gwathmey clicks words into place like Lego bricks, for precise, fun, colourful poems." --Jonathan Ball