Fan Phenomena The Rocky Horror Picture Show

When 'The Rocky Horror Picture Show' was released in 1975, it initially received an indifferent reception in movie theaters, but began to gain notoriety after it was embraced by audiences at midnight screenings in New York City and elsewhere. The movies tells the misadventures of newly engaged Brad and Janet whose car breaks down in a rainstorm forcing them to seek refuge in the castle of the bizarre and flamboyant Dr. Frank-N-Furter. An homage to campy B-movies, sci-fi, and horror films, the movie was - and still is - more than the sum of its parts. Participatory and party-like, midnight showings attract moviegoers who dress as film characters, sing along with the catchy show tunes, and interact with the action on screen. In the four decades since its release, it has become a cultural phenomenon, not to mention one of the most commercially successful films of all time. 0In 'Fan phenomena: "The Rocky Horror Picture Show, "' editor Marisa C. Hayes brings together a diverse group of writers who explore the film's influence on the development of the pastiche tribute film, emerging queer activism of the 1970s, glam rock style, and the creative use of audience dialogue in recreating and interacting with the spoken and sung language of the film. Spotlighting a cult phenomenon and its fans, who count the number of times they've seen the movie in the hundreds, this contribution to the 'Fan phenomena' series covers never before explored topics related to 'The Rocky Horror Picture Show'. For anyone who has ever done the "Time Warp," this will be an essential reading.

When 'The Rocky Horror Picture Show' was released in 1975, it initially received an indifferent reception in movie theaters, but began to gain notoriety after it was embraced by audiences at midnight screenings in New York City and elsewhere. The movies tells the misadventures of newly engaged Brad and Janet whose car breaks down in a rainstorm forcing them to seek refuge in the castle of the bizarre and flamboyant Dr. Frank-N-Furter. An homage to campy B-movies, sci-fi, and horror films, the movie was - and still is - more than the sum of its parts. Participatory and party-like, midnight showings attract moviegoers who dress as film characters, sing along with the catchy show tunes, and interact with the action on screen. In the four decades since its release, it has become a cultural phenomenon, not to mention one of the most commercially successful films of all time. 0In 'Fan phenomena: "The Rocky Horror Picture Show, "' editor Marisa C. Hayes brings together a diverse group of writers who explore the film's influence on the development of the pastiche tribute film, emerging queer activism of the 1970s, glam rock style, and the creative use of audience dialogue in recreating and interacting with the spoken and sung language of the film. Spotlighting a cult phenomenon and its fans, who count the number of times they've seen the movie in the hundreds, this contribution to the 'Fan phenomena' series covers never before explored topics related to 'The Rocky Horror Picture Show'. For anyone who has ever done the "Time Warp," this will be an essential reading.

Sal Piro, President of the International Rocky Horror Picture Show Fan Club looks at the first 15 years of The Rocky Horror Picture Show fandom and how the quirky film became an international phenomena. This edition presents in its entirety, the original book from 1990 (Stabur) with all the pictures and narratives from the beginning to the celebration of the 15th Anniversary. Time was...and is...fleeting...come, join in....

Society has long been fascinated with the freakish, shocking and strange. In this book Gary Cross shows how freakish elements have been embedded in modern popular culture over the course of the 20th century despite the evident disenchantment with this once widespread cultural outlet. Exploring how the spectacle of freakishness conflicted with genteel culture, he shows how the condemnation of the freak show by middle-class America led to a transformation and merging of genteel and freak culture through the cute, the camp and the creepy. Though the carnival and circus freak was marginalised by the 1960s and had largely disappeared by the 1980s, forms of freakish culture survived and today appear in reality TV, horror movies, dark comedies and the popularity of tattoos. Freak Show Legacies will focus less on the individual 'freak' as 'the other' in society, and more on the audience for the freakish and the transformation of wonder, sensibility and sensitivity that this phenomenon entailed. It will use the phenomenon of 'the freak' to understand the transformation of American popular culture across the 20th century, identify elements of 'the freak' in popular culture both past and present, and ask how it has prevailed despite its apparent unpopularity.

SHAW ON SHAKESPEARE

People Like Us is a photographic documentation of the tight-knit community of dedicated fans who perform in and produce weekly shows of The Rocky Horror Picture Show in theaters around the country, and who in doing so, have kept the film on screens in the pop-culture collective consciousness for forty years. These "shadow cast" performers spend countless hours on painstakingly accurate reproductions of their characters' costumes, special theme nights, set fabrication, and promotions. The film becomes an anchor for their world, with its gently satirical silver screen archetypes and saucy one-liners lending themselves to an abundance of internet memes and fan fiction.

Few contemporary television shows have been subjected to the critical scrutiny that has been brought to bear on David Lynch and Mark Frost's Twin Peaks since its debut in 1990. Yet the series, and the subsequent film, Fire Walk With Me, are sufficiently rich that it's always possible for a close analysis to offer something new – and that's what Franck Boulègue has done with Twin Peaks: Unwrapping the Plastic. Through Boulègue's eyes, we see for the first time the world of Twin Peaks as a coherent whole, one that draws on a wide range of cultural source material, including surrealism, transcendental meditation, Jungian psychoanalysis, mythology, fairy tales, and much, much more. The work of a scholar who is also a fan, the book should appeal to any hardcore Twin Peaks viewer.

Morgan-Ellis brings the era of movie palaces to life. She presents the origins of theater sing-alongs in the prewar community singing movement, describes the components of a sing-along, explores the styles of several organists, and assesses the aftermath of sound technology, including the sing-along films and children's matinees of the 1930s.