Fantastic Tales

Lawrence Venuti, winner of a Guggenheim fellowship and the Global Humanities Translation Prize, among many other awards, has translated into English these Italian Gothic tales of obsessive love, mysterious phobias, and the hellish curse of everlasting life. In this collection of nine eerie stories, Iginio Ugo Tarchetti switches effortlessly between the macabre and the breezily comical. Set in nineteenth-century Italy, his characters court spirits and blend in with the undead: passionate romances filled with jealousy and devotion are fueled by magic elixirs. Time becomes fluid as characters travel between centuries, chasing affairs that never quite prosper. First published by Mercury House in 1992.

In the first book of this full-color fantasy graphic novel series filled with humor and hijinks, the fate of the land of Nothing hinges on Nathan and an unlikely team of magical beings to save the day—perfect for fans of Amulet and Estranged. Welcome to Nothing! Despite its name, this is a fantastic land where humans and magical volken coexist peacefully—at least they try . . . This is the tale of Nathan, an ordinary human (or so he thinks) living an ordinary life (or so he wishes). Everything changes when he meets Haven, a mysterious creature who is neither human nor volken. Oh, and the two of them are being chased by volken mercenaries—a grumpy wolf named Bardou and a delightful crow named Sina. Nathan soon learns he has mysterious powers, even though humans aren’t supposed to have magic. But there’s no time to dwell on that because this discovery sets the group on a perilous quest across windswept terrain, through haunted forests, and in ancient tombs. Nathan and his unlikely friends must prevent an impending war and defeat a dark evil to save their land. No pressure, of course. If they fail, everything will turn into, well . . . nothing.

The acclaimed author presents “a rich and wide-ranging anthology” of 19th century fantasy and horror stories—with an original introduction for each (Library Journal). Vampires, ghosts, and other horrors abound in this collection of nineteenth-century fantastic literature, selected and edited by Italo Calvino, a twentieth-century master of the speculative. As Calvino explains in his introduction to this collection, “the true theme of the nineteenth-century fantastic tale is the reality of what we see: to believe or not to believe in phantasmagoric apparitions, to glimpse another world, enchanted or infernal, behind everyday appearances.” This anthology of twenty-six enchanting, uncanny, terrifying, and immortally entertaining short stories includes E.T.A. Hoffmann’s “The Sandman,” Nikolai Gogol’s “The Nose,” Edgar Allan Poe’s “The Tell-Tale Heart,” Robert Louis Stevenson’s “The Bottle Imp,” and many more, each with a introduction by Calvino. “Impressive and utterly pleasing…Each story [Calvino] picks is absorbing, unique, and continually surprising.”—Los Angeles Times

In the field of supernatural and fantastic literature, certain names come readily to mind – E.T.A. Hoffmann, Edgar Allan Poe, H.P. Lovecraft – but the name of Fitz-James O'Brien has been unjustly overlooked and nearly forgotten since his premature death in 1862 during the American Civil War. 'The Diamond Lens', O'Brien's most famous short story, can be regarded as a forerunner of the science-fiction genre; 'What Was It?' is alleged to have served as a model for H.G. Wells's 'The Invisible Man'; and 'The Wondersmith' is a marvellous tale of Hoffmannesque invention. Taken together, O'Brien's few surviving stories give him an important place in the development of American fiction and remain as fresh today as when they first written almost a hundred and fifty years ago.

The Wondersmith is a spooky Christmas story by Fitz-James O'Brien. O'Brien was an Irish author often considered one of the forerunners of the sci-fi genre. Excerpt: "Zonela was surely not of gypsy blood. That rich auburn hair, that looked almost black in the lamp-light, that pale, transparent skin, tinged with an under-glow of warm rich blood, the hazel eyes, large and soft as those of a fawn, were never begotten of a Zingaro. Zonela was seemingly about sixteen; her figure, although somewhat thin and angular, was full of the unconscious grace of youth."

As the first international anthology to cover the entire scope of fantastic narrative, Fantastic Worlds presents over fifty tales, myths, and stories, ranging from Genesis to Ovid, Hans Christian Andersen to J.R.R. Tolkien, Edgar Allan Poe to James Thurber, and Franz Kafka to Italo Calvino. Including tales of fairies and elves, ghost stories, high fantasy, and stories of social criticism and the conflict between science and religion, this volume presents a diverse selection of writings that all share the same capacity to liberate the human spirit through the wild mental acrobatics of fantasy.

"Originally published in France in 2009 by Albin Michel, S.A. as Dora magicienne"--P. facing t.p.