Far From The Caliph S Gaze

How do you prove that you're Muslim? This is not a question that most believers ever have to ask themselves, and yet for members of India's Ahmadiyya Muslim Community, it poses an existential challenge. The Ahmadis are the minority of a minority—people for whom simply being Muslim is a challenge. They must constantly ask the question: What evidence could ever be sufficient to prove that I belong to the faith? In Far from the Caliph's Gaze Nicholas H. A. Evans explores how a need to respond to this question shapes the lives of Ahmadis in Qadian in northern India. Qadian was the birthplace of the Ahmadiyya community's founder, and it remains a location of huge spiritual importance for members of the community around the world. Nonetheless, it has been physically separated from the Ahmadis' spiritual leader—the caliph—since partition, and the believers who live there now and act as its guardians must confront daily the reality of this separation even while attempting to make their Muslimness verifiable. By exploring the centrality of this separation to the ethics of everyday life in Qadian, Far from the Caliph's Gaze presents a new model for the academic study of religious doubt, one that is not premised on a concept of belief but instead captures the richness with which people might experience problematic relationships to truth.

"This book presents readers with a new way of thinking about religious doubt through an ethnographic exploration of how Ahmadi Muslims in India--members of a minority's minority--confront an impossible question: how do I prove that I'm Muslim"--

Accounts of remarkable women at the world's most powerful court Consorts of the Caliphs is a seventh/thirteenth-century compilation of anecdotes about thirty-eight women who were consorts to those in power, most of them concubines of the early Abbasid caliphs and wives of latter-day caliphs and sultans. This slim but illuminating volume is one of the few surviving texts by the prolific Baghdadi scholar Ibn al-Sa'i, who chronicled the academic and political elites of his city in the final years of the Abbasid dynasty and the period following the cataclysmic Mongol invasion of 656/1258. In this work, Ibn al-Sa'i is keen to forge a connection between the munificent wives of his time and the storied lovers of the so-called golden age of Baghdad. Thus, from the earlier period, we find Harun al-Rashid pining for his brother’s beautiful slave, Ghadir, and the artistry of such musical and literary celebrities as Arib and Fadl, who bested the male poets and singers of their day. From times closer to Ibn al-Sa?i’s own, we meet women such as Banafsha, who endowed law colleges, had bridges built, and provisioned pilgrims bound for Mecca; slave women whose funeral services were led by caliphs; and noble Saljuq princesses from Afghanistan. Informed by the author’s own sources, his insider knowledge, and well-known literary materials, these singular biographical sketches bring the belletristic culture of the Baghdad court to life, particularly in the personal narratives and poetry of culture heroines otherwise lost to history. An English-only edition.

From the stony desolation of Jordan's desert, it is but a step through a doorway into the bath house of the Qusayr 'Amra hunting lodge. Inside, multicolored frescoes depict scenes from courtly life and the hunt, along with musicians, dancing girls, and naked bathing women. The traveler is transported to the luxurious and erotic world of a mid-eighth-century Muslim Arab prince. For scholars, though, Qusayr 'Amra, probably painted in the 730s or 740s, has proved a mirage, its concreteness dissolved by doubts about date, patron, and meaning. This is the first book-length contextualization of the mysterious monument through a compelling analysis of its iconography and of the literary sources for the Umayyad period. It illuminates not only the way of life of the early Muslim elite but also the long afterglow of late antique Syria.

Murder in the Name of Allah is the first translation into English of Mazhab Ke Nam Per Khoon, a re-affirmation of the basic tenets of Islam. Hardly a day passes on which an Islamic event does not make headlines. The president of a Muslim country is assassinated by the supporters of Muslim brotherhood; a European journalist is taken hostage by Islamic Jihad; a Pan-American aircraft is hijacked by another Muslim group; American university professors are taken into custody by Hezbullah; Two passenger carrying airplanes were slammed in to world trade center. The glare of 'Islamic' revolution in Iran is reflected through the flares of every gulf oil refinery. This book is a reminder that the purpose of any religion is the spread of peace, tolerance and understanding. It argues that the meaning of Islam—submission to the will of God—has been steadily corrupted by minority elements in the community. Instead of spreading peace, the religion has been abused by fanatics and made an excuse for violence and the spread of terror, both inside and outside the faith. In confirming the true spirit of Islam, it makes the point to followers of all religions that the future of mankind depends on the intrinsic values of love, tolerance, and freedom of conscience and of belief.

Consorts of the Caliphs is a seventh/thirteenth-century compilation of anecdotes about thirty-eight women who were, as the title suggests, consorts to those in power, most of them concubines of the early Abbasid caliphs and wives of latter-day caliphs and sultans. This slim but illuminating volume is one of the few surviving texts by Ibn al-Saʿi (d. 674 H/1276 AD). Ibn al-Saʿi was a prolific Baghdadi scholar who chronicled the academic and political elites of his city, and whose career straddled the final years of the Abbasid dynasty and the period following the cataclysmic Mongol invasion of 656 H/1258 AD.