Farmers Bride

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From bestselling author, Kathleen Fuller, comes another heartwarming romantic comedy set in the beloved Amish community of Birch Creek. “Once you open the book, you won’t put it down until you’ve reached the end.”—Amy Clipston, bestselling author of A Seat by the Hearth, for The Teacher’s Bride They promised to keep each other’s secrets . . . not realizing they were about to make some of their own. Martha Detweiler has a problem many Amish women her age would envy: she’s the only single woman in a community of young men, and they’re all competing for her favor. Overwhelmed by the unwanted attention, Martha finds herself constantly fleeing from her would-be suitors, dismayed at what her life has come to. Birch Creek’s resident matchmaker, Cevilla Schlabach, suggests a solution: Martha and the bishop’s son, Seth Yoder, should pretend they are dating. What better way to keep the other young men away? But Seth is the only man around not interested in Martha. He has a secret hobby that keeps him away from social gatherings: woodcarving. Having grown up in poverty, he’s determined to keep his father’s farm successful, even if it means he has no time for dating. Then Delilah Stoll, a new resident of Birch Creek, eyes Seth as the perfect man for her granddaughter. Suddenly Cevilla’s proposition doesn’t seem all that ludicrous. Can Seth and Martha convince their family and friends to leave them alone? The second book in bestselling author Kathleen Fuller’s Amish Brides of Birch Creek series, The Farmer’s Bride celebrates the unexpected power of love and the joy of discovering God’s calling.

This Is A New Release Of The Original 1921 Edition.

A fun and heartwarming Amish rom-com where opposites really do attract. If there is one thing Christian Ropp will not allow in his classroom—or his life—it’s chaos. So why is he drawn to Ruby Glick, a woman who seems to bring mayhem wherever she goes? Christian Ropp moves to Birch Creek to accept a teaching position in the rapidly growing Amish community. He’s determined to put the rambunctious school in order as well as check another task off his list: finding a wife. Of course, that would be much easier if women were like textbooks, straightforward and logical. When an accident puts Christian out of commission, a new community member named Ruby Glick takes over his classroom. But Ruby’s exuberant teaching style clashes with Christian's careful methods and he worries his students will never be the same. With a track record of catastrophe, Ruby always feels too clumsy, too distracted, too . . . much. Desperate for a chance to prove that she can do more than make mistakes in her life, she throws herself into her new teaching position. But when Christian can’t seem to stay out of her way, she finds herself slipping into old, chaotic tendencies. What she doesn’t anticipate is that Christian's heart is slowly catching up with his mind—and she, too, must decide whether to follow logic or love. The first in the Amish Brides of Birch Creek series (followed by The Farmer’s Bride and The Innkeeper’s Bride) A full-length novel, approximately 78,000 words A sweet and wholesome Amish romance Catch up on the Birch Creek community with the Amish of Birch Creek series and Amish Letters series Praise for The Teacher’s Bride: "A heartwarming story of unexpected romance woven with fun and engaging characters who come to life on every page." --Amy Clipston, bestselling author of A Seat by the Hearth "Kathleen Fuller has written a sweet, oftentimes humorous, romance that reminds readers that the perfect match might be right in front of their noses." --Kelly Irvin, bestselling author of the Every Amish Season series "Kathleen Fuller is a master storyteller and fans will absolutely fall in love with Ruby and Christian in The Teacher's Bride." --Ruth Reid, bestselling author of the Amish Mercies series "Kathy Fuller's characters leap off the page with subtle power as she uses both wit and wisdom to entertain!" --Kelly Long, national bestselling author "The story will captivate you from the first page to the last with Ruby, Christian, and engaging characters. You’ll laugh, gasp, and wonder what will happen next." --Molly Jebber, Speaker and Award Winning Author of Grace’s Forgiveness and the Amish Keepsake Pocket Quilt Series

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

In 1860s Seattle, a man with a wife could secure himself 640 acres of timberland. But because of his wife's untimely death, Joe Denton finds himself about to lose half of his claim. Still in mourning, his best solution is to buy one of those Mercer girls arriving from the East. A woman he'll marry in name but keep around mostly as a cook. Anna Ivey's journey west with Asa Mercer's girls is an escape from the griefs of her past. She's not supposed to be a bride, though, just a cook for the girls. But when they land, she's handed to Joe Denton and the two find themselves in a knotty situation. She refuses to wed him and he's about to lose his land. With only a few months left, can Joe convince this provoking--but beguiling--easterner to be his bride?

Primarily a literary history, Women, Modernism and British Poetry, 1910-1939 provides a timely discussion of individual women poets who have become, or are becoming, well-known as their works are reprinted but about whom little has yet been written. This volume recognizes the contributions, overlooked previously, of such British poets as Anna Wickham, Nancy Cunard, Edith Sitwell, Mina Loy, Charlotte Mew, May Sinclair, Vita Sackville-West and Sylvia Townsend Warner; and the impact of such American poets as H.D., Amy Lowell, Edna St. Vincent Millay, Marianne Moore and Laura Riding on literary practice in Britain. This book primarily maps the poetry scene in Britain but identifies the significance of the network of writers between London, New York and Paris. It assesses women's participation in the diversity of modernist developments which include avant-garde experiments, quiet, but subtly challenging, formalism and assertive 'new woman' voices. It not only chronicles women's poetry but also their publications and involvement in running presses, bookshops and writing criticism. Although historically situated, it is written from the perspective of contemporary debates concerning the interface of gender and modernism. The author argues that a cohering aesthetic of the poetry is a denial of femininity through various evasions of gendered identity such as masking, male and female impersonations and the rupturing of realist modes.