Fascism Communism And The Consolidation Of Democracy

The authoritarian and totalitarian systems of individual countries have long been studied independently of each other. The separation of Eastern and Western Europe was used as a parameter by historians. This also applies to the analysis of Communism and Mussolini's Fascism. Only in recent years has the comparative perspective in the regional, chronological and system-oriented sense been applied, thus allowing many phenomena to be correctly understood and assessed. Central and Eastern Europe is tied to Western and Southern Europe by the experience of dictatorship and the ongoing need to evaluate and come to terms with these dictatorships. In the present anthology Mussolini's Fascism, National Socialism and Communism are examined comparatively. Similarities, connections and mutual influences in these dictatorships are sought. Finally, the transition from dictatorship to democracy is examined. With this collection of essays the editors intend to give impulse for inter-European comparative research on dictatorships and democracy.

Part Two, Fascism, presents central passages from notable Italian and German fascists not readily accessible elsewhere. In this third edition, Part Two is reorganized to exhibit more clearly the relation between the early theoretical defenses of irrationalism and nationalism and the manifestation of these themes in the politics of fascist Italy and Germany.

Why did democratization suffer reversal during the interwar years, while fascism and authoritarianism spread across many European countries?

In his major work on communism, the international bestseller The Passing of an Illusion, the eminent French historian Franöois Furet devoted a lengthy footnote to German historian Ernst Nolte?s interpretation of fascism. Nolte responded, a correspondence ensued, and the result was the remarkable exchange presented in this volume. Fascism and Communism offers readers the rare opportunity to witness and learn from a confrontation between two of the world?s most distinguished historians over one of the most serious subjects of our time. Each from a different perspective, Furet and Nolte offer compelling arguments for the common genealogy of these two ideologies as well as reasons for the intellectual community?s rejection of this explosive thesis throughout the twentieth century. This discussion leads to a deeper understanding of the nature of totalitarianism as well as the trajectory and interpretation of modern European history.

Freedom in the World is the standard-setting comparative assessment of global political rights and civil liberties. The methodology of this survey is derived in large measure from the Universal Declaration of Human Rights, and these standards are applied to all countries and territories.

"Covers territory from Russia in the east to Germany and Austria in the west, exploring the origins and evolution of modernity in this region"--Provided by the publisher.

From the critically-acclaimed author of The Vertigo Years comes a major new history of the interwar period, the few decades of peace that gave birth to the political and cultural movements that would define the twentieth century. When the Great War ended in 1918, the West was broken. Religious faith, patriotism, and the belief in human progress had all been called into question by the mass carnage experienced by both sides. Shell shocked and traumatized, the West faced a world it no longer recognized: the old order had collapsed, replaced by an age of machines. The world hurtled forward on gears and crankshafts, and terrifying new ideologies arose from the wreckage of past belief. In Fracture, critically acclaimed historian Philipp Blom argues that in the aftermath of World War I, citizens of the West directed their energies inwards, launching into hedonistic, aesthetic, and intellectual adventures of self-discovery. It was a period of both bitter disillusionment and visionary progress. From Surrealism to Oswald Spengler’s The Decline of the West; from Fritz Lang’s Metropolis to theoretical physics, and from Art Deco to Jazz and the Charleston dance, artists, scientists, and philosophers grappled with the question of how to live and what to believe in a broken age. Morbid symptoms emerged simultaneously from the decay of World War I: progress and innovation were everywhere met with increasing racism and xenophobia. America closed its borders to European refugees and turned away from the desperate poverty caused by the Great Depression. On both sides of the Atlantic, disenchanted voters flocked to Communism and fascism, forming political parties based on violence and revenge that presaged the horror of a new World War. Vividly recreating this era of unparalleled ambition, artistry, and innovation, Blom captures the seismic shifts that defined the interwar period and continue to shape our world today.

Re-examines the long and complex history of democracy and broadens the traditional view of this history by complementing it with examples from unexplored or under-examined quarters.