Fashion Museum Treasures

Highlights important items from the collection at the Fashion Museum, Bath, from the late 16th century to the present day.

The Fashion Museum, located in Bath's grand Assembly Rooms, is a world-class collection of contemporary and historical dress that is second to none. The Fashion Museum came to Bath as the Museum of Costume in 1963, and was the brainchild of Doris Langley Moore, an inspired collector, writer, scholar and costume designer who was passionate about fashions of the past. This souvenir book showcases treasures in the collection, from the beautiful embroidered pieces of the 17th century to the show-stopping ensembles from the world's most famous fashion designers at the beginning of the 21st century. Beautifully designed and with an expert commentary, it celebrates the beauty of the design and the exquisite craftsmanship of the work. AUTHOR: Rosemary Harden is the Manager of the Fashion Museum, Bath. SELLING POINTS: *Stunning presentation of an outstanding collection of national pre-eminence *Fascinating overview of fashionable dress for men, women and children from sixteenth century to the present day 55 colour illustrations

A visual history of fashion that fits in the palm of your hand Drawing from the extensive Textile and Fashion Arts Collection of the Museum of Fine Arts, this miniature history of European and American fashion features some 275 garments, accessories, and related works of art from the seventeenth century to the present. Dress historian Allison Taylor introduces each new era with a concise overview of the period’s fashionable styles and silhouettes, as well as the underlying historical and cultural influences. This chic Tiny Folio™ is the perfect gift for fashionistas and fashion historians alike.

Tells the remarkable story of Chicago women who purchased and wore high fashion in the hope of claiming Chicago as chic.

The Natural History Museum, London is home to one of the world's most important collections of natural history specimens, literature and artworks. This book showcases treasures, selected both from objects on display and those stored behind the scenes. Each one is chosen for its scientific importance, striking beauty or intriguing story - and sometimes all three. Among the many exceptional natural wonders featured are: a rare meteorite from Mars; Darwin's celebrated finch specimens; a lethal claw from the dinosaur Baryonyx; one of the first forms of life on Earth; and some immaculately dressed fleas. The book also includes many architectural treasures from the magnificent Museum building itself. With intriguing stories behind each entry, this is a fascinating insight into the Museum's unrivalled collections.

This book is available as open access through the Knowledge Unlatched programme and is available on www.bloomsburycollections.com. "A remarkable resource for the field of fashion studies suitable for both newcomers ... {and] seasoned practitioners." - Fashion Historia "A precious source in the study of the subject ... inspiring." - The Journal of Dress History The last decade has seen the growing popularity and visibility of fashion as a cultural product, including its growing presence in museum exhibitions. This book explores the history of fashion displays, highlighting the continuity of past and present curatorial practices. Comparing and contrasting exhibitions from different museums and decades-from the Paris Exposition Universelle of 1900 to the Alexander McQueen Savage Beauty show at the Metropolitan Museum of Art in 2011, and beyond-it makes connections between museum fashion and the wider fashion industry. By critically analyzing trends in fashion exhibition practice over the 20th and early 21st centuries, Julia Petrov defines and describes the varied representations of historical fashion within British and North American museum exhibitions. Rooted in extensive archival research on exhibitions by global leaders in the field-from the Victoria and Albert and the Bath Fashion Museum to the Brooklyn and the Royal Ontario Museums-the work reveals how fashion exhibitions have been shaped by the values and anxieties associated with fashion more generally. Supplemented by parallel critical approaches, including museological theory, historiography, body theory, material culture, and visual studies, Fashion, History, Museums demonstrates that in an increasingly corporate and mass-mediated world, fashion exhibitions must be analysed in a comparative and global context. Richly illustrated with 70 images, this book is essential reading for students and scholars of fashion history and museology, as well as curators, conservators, and exhibition designers.

Why is fashion "in fashion" in museums today? This timely volume brings together expert scholars and curators to examine the reasons behind fashion's popularity in the twenty-first century museum and the impact this has had on wider museum practice. Chapters explore the role of fashion in the museum across a range of international case studies including the Costume Institute at the Metropolitan Museum of Art in New York, The Fashion Museum at Bath, ModeMuseum in Antwerp and many more. Contributions look at topics such as how fashion has made museums accessible to diverse audiences and how curators present broader themes and issues such as gender, class and technology innovatively through exhibiting fashion. Drawing on approaches from dress history, fashion studies, museum studies and curatorship, this engaging book will be key reading for students and scholars across a range of disciplines.

A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR