Fast Fiction

Set a timer for five minutes, select one of the more than 300 "prompts" at random, then immediately start writing and don't stop until time is up. The rules of Fast Fiction are simple; the results, liberating. By telling you what to write about ("write a story about a coward", "...warmth", or "...a whisper"), the timed exercises focus all your energies on the telling. By imposing a deadline, they force you to write spontaneously, bypassing the inner critic and allowing your voice - as well as surprising images and associations - to emerge on the page. Step by step, Allen shows how to turn your five-minute writings into short short stories - intense fictions that use language with power and precision. She then shows you how to use the timed exercises to built longer stories and novels. You'll see, for example, how one of her students turned eight of his exercises into a chapter for his novel. By looking at your fiction a piece at a time, the writing process becomes less intimidating and more open to experiment. Allen illustrates all the possibilities with examples of students' work, as well as a variety of published shorts - from classics by Anton Chekhov and Robert Walser to contemporary pieces by Joyce Carol Oates and Mark Strand.

"These stories are not merely flashes in the pan; there's pay dirt here!" ―DeWitt Henry, editor of Ploughshares

Writers flock to National Novel Writing Month (NaNoWriMo) each November because it provides a procrastination-busting deadline. But only a fraction of the participants meet their goal. Denise Jaden was part of that fraction, writing first drafts of two subsequently published novels in that tight time frame. In Fast Fiction, she shows other writers how to do what she did, step-by-step, writer to writer. To ensure success, her program begins a month before the month of drafting. During this prep period writers think through plot, theme, characters, setting, etc. Then Jaden provides day-by-day coaching for the thirty-day drafting period. After writers “race to the finish,” they are not left high and dry. Jaden's “After the Draft” revision tips allow writers to determine if a draft is not just workable but compelling, so that they don't waste months or years developing it. Her camaraderie and skill allow Jaden to both instruct and inspire.

At only a page each in length, Richard Mallinson's elegantly structured short stories are a pithy fast fiction for a modern multimedia age. A rapid succession of carefully worked observations, the stories read like a dynamic anthology of life's collisions and interactions, its projected plans and unexpected rotations. There is a great joy in the subverted (the interviewer becomes the interviewee; the private detective becomes the conspirator) as well as an interest in the open-ended. Possibility abounds, for these are always tales of the present; the past is unclear and the future unwritten. Adhering to the strict one-page format, the writing is marvelously precise: it is highly disciplined, but infinitely rich, conjuring the most unique and sharply observed characters with remarkably few words. If indeed "we read fiction . . . in order to meet individuals" as the character Tolson declares in Mallinson's "Tolson's Creed," then in this anthology we are introduced to a plethora of distinct personalities, rendered all the more compelling by their relentless unpredictability.

At 68, Meriel is trying to find her artistic voice and to discover things she should have at a much younger age. Her son, Philip is struggling with loss and to this day, hasn't come to terms with his mother's emotional distance. Samuel has taken refuge in a small English seaside town to escape the demons of his past.Unavoidable encounters and inescapable realizations result in the unfolding of their respective fates and events that will leave them all shattered.The story builds on human relationships and the mistakes which make us miserable, but which will, eventually, lead to understanding.

A dazzling new anthology of the very best very short fiction from around the world. What is a flash fiction called in other countries? In Latin America it is a micro, in Denmark kortprosa, in Bulgaria mikro razkaz. These short shorts, usually no more than 750 words, range from linear narratives to the more unusual: stories based on mathematical forms, a paragraph-length novel, a scientific report on volcanic fireflies that proliferate in nightclubs. Flash has always—and everywhere—been a form of experiment, of possibility. A new entry in the lauded Flash and Sudden Fiction anthologies, this collection includes 86 of the most beautiful, provocative, and moving narratives by authors from six continents, including best-selling writer Etgar Keret, Zimbabwean writer Petina Gappah, Korean screenwriter Kim Young-ha, Nobel Prize winner Czeslaw Milosz, and Argentinian “Queen of the Microstory” Ana María Shua, among many others. These brilliantly chosen stories challenge readers to widen their vision and celebrate both the local and the universal.

An anthology of bite-sized tales represents the work of some of today's best fiction writers and includes Rick Moody's definition of an armoire, Lydia Davis's sojourn into the world of cats, and Dave Eggers's exploration of narrow escapes. Original.

Writing flash fiction is a fun, easy way to break into print and quickly establish yourself as a professional author. This book shows you everything you need to write great stories under 1,000 words, as well as how and where to get them published. It concludes with tips for re-publishing those stories all together as a book.