Fatally Haunted

Haunted. This word lurks within our deepest emotions. It’s a fear we can’t let go of, or that won’t let go of us. It’s a place we dream of going, or a place we can never leave. An LAPD detective is haunted by the case she never solved. A Century City financial advisor is haunted by the greed he cannot escape. A bridge is haunted by ghosts of despair. In a city of 10 million people, the haunted could be the man waiting to cross the street, or the memory that keeps you awake at night. Fatally Haunted, a Sisters in Crime/Los Angeles anthology, includes original stories by Julie G. Beers, Julia Bricklin, Roger Cannon, Tony Chiarchiaro, Lisa Ciarfella, Cyndra Gernet, B. J. Graf, Mark Hague, A. P. Jamison, Micheal Kelly, Alison McMahan, Peter Sexton, Gobind Tanaka, and Jennifer Younger.

Despite the much vaunted ’end of religion’ and the growth of secularism, people are engaging like never before in their own ’spiritualities of life’. Across the West, paranormal belief is on the rise. The Ashgate Research Companion to Paranormal Cultures brings together the work of international scholars across the social sciences and humanities to question how and why people are seeking meaning in the realm of the paranormal, a heretofore subjugated knowledge. With contributions from the UK and other European countries, the USA, Australia and Canada, this ground-breaking book attends to the paranormal as a position from which to critique dominant forms of knowledge production and spirituality. A rich exploration of everyday life practices, textual engagements and discourses relating to the paranormal, as well as the mediation, technology and art of paranormal activity, this book explores themes such as subcultures and mainstreaming, as well as epistemological, methodological, and phenomenological questions, and the role of the paranormal in social change. The Ashgate Research Companion to Paranormal Cultures constitutes an essential resource for those interested in the academic study of cultural engagements with paranormality; it will appeal to scholars of cultural and media studies, popular culture, sociology, cultural geography, literature, film and music.

Named one of the best books of 2017 by The Guardian, NPR, GQ, The Economist, Bookforum, Amazon, and Lit Hub The definitive account of what happened, why, and above all how it felt, when catastrophe hit Japan—by the Japan correspondent of The Times (London) and author of People Who Eat Darkness On March 11, 2011, a powerful earthquake sent a 120-foot-high tsunami smashing into the coast of northeast Japan. By the time the sea retreated, more than eighteen thousand people had been crushed, burned to death, or drowned. It was Japan’s greatest single loss of life since the atomic bombing of Nagasaki. It set off a national crisis and the meltdown of a nuclear power plant. And even after the immediate emergency had abated, the trauma of the disaster continued to express itself in bizarre and mysterious ways. Richard Lloyd Parry, an award-winning foreign correspondent, lived through the earthquake in Tokyo and spent six years reporting from the disaster zone. There he encountered stories of ghosts and hauntings, and met a priest who exorcised the spirits of the dead. And he found himself drawn back again and again to a village that had suffered the greatest loss of all, a community tormented by unbearable mysteries of its own. What really happened to the local children as they waited in the schoolyard in the moments before the tsunami? Why did their teachers not evacuate them to safety? And why was the unbearable truth being so stubbornly covered up? Ghosts of the Tsunami is a soon-to-be classic intimate account of an epic tragedy, told through the accounts of those who lived through it. It tells the story of how a nation faced a catastrophe, and the struggle to find consolation in the ruins.

The Malice Domestic anthology series returns with a new take on mysteries in the Agatha Christie tradition—original tales with a theatrical bent! Included are: Preface, by Ellen Hart The Rock Star, by Frances Aylor Perfectly Awry, by Anne Louise Bannon The Ghost in Balcony B, by Michele Bazan Reed Drama-Rama Flip Flop, by Cindy Brown It’s Not O.K. Corral, by M. E. Browning Mary-Alice Imagines Her Life as a Movie, by Karen Cantwell The Ghost of Hamnet, by R. M. Chastleton When the Wind is Southerly, by Leone Ciporin Raising Cain, by Carla Coupe Death of Another Hero, by Susan Daly The Stars Are Fire, by Phillip DePoy Death Plays the Palace, by Margaret Dumas The Homicidal Understudy, by Elizabeth Elwood No Final Act, by Daryl Wood Gerber Deus Ex Machina, by B. J. Graf The Nine Deaths in Hamlet?, by A. P. Jamison Heat Wave, by Maureen Jennings Thus With a Kiss, by Margaret Lucke Such Tricks As These, by Jaquelyn Lyman-Thomas Final Curtain, by Sharon Lynn The Mask, by Cheryl Marceau The Ultimate Tie-Breaker, by Deborah Maxey True Crime, by Adam Meyer A Star Goes Dark, by Raquel V. Reyes Not Your Lolita, by Merrilee Robson A Death in Shubert Alley, by Lee Sauer Dance on Fire, by Shawn Reilly Simmons Missed Cue, by Lynn Slaughter You Know How Actresses Are, by C. M. Surrisi Five Words, by Elaine Togneri Ask Fred the Usher, by Arthur Vidro Death Takes a Bow, by Mo Walsh Deal With the Devil, by James Lincoln Warren Method for Murder, by Carol L. Wright

The noted English actor recounts his travels to some big American theatre towns with his theatre company and co-star Ellen Terry.

Friedrich Nietzsche believed his own work represented the dawning of a new historical era, and, despite the fact that he lived most of his sane life suffering in obscurity, it is not an exaggeration to say that his vision helped lay the foundations for modernism in style, substance and attitude. Nietzsche was himself devoted to the modern, for he reinterpreted every philosophy, every historical figure and event, every movement that came before him. This reconceptualization of the past through new, modern eyes opened up Nietzsche's thinking to exploring daring possibilities for the future. This prophetic boldness, which is so unique to his style, seduced the modernist generation across the spectrum. He was read by early Zionists as well as by Nazi racial theorists; by Thomas Mann and as well as by Salvador Dali. His influence stretched from psychoanalysis to anarchist politics. Understanding Nietzsche, Understanding Modernism traces the effect of Nietzsche's thinking upon a diverse set of problems: from ontology, to politics, to musical and literary aesthetics. The first section of the volume is a series of essays, each exploring a major work of Nietzsche's, explaining its significance while contributing new interpretations of the text. The middle portion connects Nietzsche's thought to the various strands of modernism in which it reveals itself. The final section is a glossary of key terms that Nietzsche uses throughout his works. An excellent resource for any scholar attempting to conceptualize the foundations of modernism or the historical importance of Nietzsche, this volume seeks to outline the philosopher's works and their reception amongst the generations that immediately followed his passing.

Things that go bump in the night, disembodied voices, footsteps in an empty stairwell, an icy hand on your shoulder ... let your imagination run wild as you read about Texas's most extraordinary apparitions, sinister spooks, and bizarre beasts. You may know of Crazy Man's Tower or San Antonio's haunted railroad crossing, but perhaps you haven't heard about: the White Sanitarium, an abandoned mental institution in Wichita Falls plagued by ghostly forms and spectral noises; the Lady in Green of the McGloin house, who floats persistently over the lake, spurned from unrequited love; and Lake Worth's monster, a mysterious creature inhabiting the area that looks half-human but acts like a feral animal.