Faulkner S World

In centennial celebration of William Faulkner's birth, a photographic record of the land his fiction turned into legend

William Faulkner (1897-1962) once said of his novels and stories, "I am telling the same story over and over, which is myself and the world." This biography provides an overview of the life and career of the famous author, demonstrating the interrelationships of that life, centered in Oxford, Mississippi, with the characters and events of his fictional world. The book begins with a chapter on Faulkner's most famous ancestor, W. C. Falkner, "the Old Colonel," who greatly influenced both the content and the form of Faulkner's fiction. Robert W. Hamblin then proceeds to examine the highlights of Faulkner's biography, from his childhood to his youthful days as a fledgling poet, through his time in New Orleans, the creation of Yoknapatawpha, the years of struggle and his season of prolific genius, and through his time in Hollywood and his winning of the Nobel Prize. The book concludes with a description of his last years as a revered author, cultural ambassador, and university writer-in-residence. In his Nobel Prize acceptance speech, Faulkner spoke of "the agony and sweat of the human spirit" that goes into artistic creation. For Faulkner, that struggle was especially acute. Poor and neglected for much of his life, suffering from chronic depression and alcoholism, and unhappy in his personal life, Faulkner overcame tremendous obstacles to achieve literary success. One of the major themes of his novels and stories remains endurance, and his biography exhibits that quality in abundance. Faulkner the man endured and ultimately prevailed.

From the hunter-gatherers two million years ago to the ancient empires of Persia and China, and from the Russian Revolution to modern imperialism, humans have always struggled to create a better society than what came before. All over the world at numerous points in the past, a different way of life has become an absolute necessity, over and over again. This is a history of the humans in these struggles--the hominid and the hunter, the emperor and the slave, the dictator and the revolutionary. Reading against the grain of mainstream histories, Neil Faulkner reveals that what happened in the past has never been predetermined. From antiquity to feudalism, and from fascism to our precarious political present, choices have always been numerous and complex, and the possible outcomes have ranged broadly between liberation and barbarism. Rejecting the top-down approach of conventional history, Faulkner contends that it is the mass action of ordinary people that drives the transformative events of our many histories. This is a history of power, abuse, and greed, but also one of liberation, progress, and solidarity. In our fraught political present--as we face the loss of civil liberties and environmental protections, the rise of ethnonationalism, and the looming threat of nuclear war--we need the perspective of these histories now more than ever. The lesson of A Radical History of the World is that, if we created our past, we can also create a better future.

Charles S. Aiken, a native of Mississippi who was born a few miles from Oxford, has been thinking and writing about the geography of Faulkner's Yoknapatawpha County for more than thirty years. William Faulkner and the Southern Landscape is the culmination of that long-term scholarly project. It is a fresh approach to a much-studied writer and a provocative meditation on the relationship between literary imagination and place. Four main geographical questions shape Aiken's journey to the family seat of the Compsons and the Snopeses. What patterns and techniques did Faulkner use--consciously or subconsciously--to convert the real geography of Lafayette County into a fictional space? Did Faulkner intend Yoknapatawpha to serve as a microcosm of the American South? In what ways does the historical geography of Faulkner's birthplace correspond to that of the fictional world he created? Finally, what geographic legacy has Faulkner left us through the fourteen novels he set in Yoknapatawpha? With an approach, methodology, and sources primarily derived from historical geography, Aiken takes the reader on a tour of Faulkner's real and imagined worlds. The result is an informed reading of Faulkner's life and work and a refined understanding of the relation of literary worlds to the real places that inspire them.

A systematic approach to using currently available techniques of artificial intelligence to develop computer programs for commercial use. From basic concepts of knowledge engineering through managing a complete system. Schwartz (English, Montclair State College-NJ) asks: How was it possible for a writer, out-of-print and generally ignored in the early 1940s, to be proclaimed a literary genius in 1950? His research illuminates the process by which Faulkner was chosen to be revivified as an important American nationalist writer during the heating up of the Cold War. Annotation copyrighted by Book News, Inc., Portland, OR

In response to the devastating trauma of World War I, British and American authors wrote about grief. The need to articulate loss inspired moving novels by Virginia Woolf and William Faulkner. Woolf criticized the role of Britain in the "war to end all wars," and Faulkner recognized in postwar France a devastation of land and people he found familiar from his life in a Mississippi still recovering from the American Civil War. In Character and Mourning, Erin Penner shows how these two modernist novelists took on the challenge of rewriting the literature of mourning for a new and difficult era. Faulkner and Woolf address the massive war losses from the perspective of the noncombatant, thus reimagining modern mourning. By refusing to let war poets dominate the larger cultural portrait of the postwar period, these novelists negotiated a relationship between soldiers and civilians—a relationship that was crucial once the war had ended. Highlighting their sustained attention to elegiac reinvention over the course of their writing careers—from Jacob’s Room to The Waves, from The Sound and the Fury to Go Down, Moses—Penner moves beyond biographical and stylistic differences to recognize Faulkner and Woolf’s shared role in reshaping elegiac literature in the period following the First World War.

A New York Times Notable Book of 2020 How do we read William Faulkner in the twenty-first century? asks Michael Gorra, in this reconsideration of Faulkner's life and legacy. William Faulkner, one of America’s most iconic writers, is an author who defies easy interpretation. Born in 1897 in Mississippi, Faulkner wrote such classic novels as Absolom, Absolom! and The Sound and The Fury, creating in Yoknapatawpha county one of the most memorable gallery of characters ever assembled in American literature. Yet, as acclaimed literary critic Michael Gorra explains, Faulkner has sustained justified criticism for his failures of racial nuance—his ventriloquism of black characters and his rendering of race relations in a largely unreconstructed South—demanding that we reevaluate the Nobel laureate’s life and legacy in the twenty-first century, as we reexamine the junctures of race and literature in works that once rested firmly in the American canon. Interweaving biography, literary criticism, and rich travelogue, The Saddest Words argues that even despite these contradictions—and perhaps because of them—William Faulkner still needs to be read, and even more, remains central to understanding the contradictions inherent in the American experience itself. Evoking Faulkner’s biography and his literary characters, Gorra illuminates what Faulkner maintained was “the South’s curse and its separate destiny,” a class and racial system built on slavery that was devastated during the Civil War and was reimagined thereafter through the South’s revanchism. Driven by currents of violence, a “Lost Cause” romanticism not only defined Faulkner’s twentieth century but now even our own age. Through Gorra’s critical lens, Faulkner’s mythic Yoknapatawpha County comes alive as his imagined land finds itself entwined in America’s history, the characters wrestling with the ghosts of a past that refuses to stay buried, stuck in an unending cycle between those two saddest words, “was” and “again.” Upending previous critical traditions, The Saddest Words returns Faulkner to his sociopolitical context, revealing the civil war within him and proving that “the real war lies not only in the physical combat, but also in the war after the war, the war over its memory and meaning.” Filled with vignettes of Civil War battles and generals, vivid scenes from Gorra’s travels through the South—including Faulkner’s Oxford, Mississippi—and commentaries on Faulkner’s fiction, The Saddest Words is a mesmerizing work of literary thought that recontextualizes Faulkner in light of the most plangent cultural issues facing America today.