Faustian Bargain

Pre-publication subtitle: Soviet-German military cooperation in the interwar period.

Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose to pursue artistic ends through collaboration with diabolical forces. Readers meet Ernst Buchner, the distinguished museum director and expert on Old Master paintings who "repatriated" the Van Eyck brother's Ghent altarpiece to Germany, and Karl Haberstock, an art dealer who filled German museums with works bought virtually at gunpoint from Jewish collectors. Robert Scholz, the leading art critic in the Third Reich, became an officer in the chief art looting unit in France and Kajetan Muhlmann--a leading art historian--was probably the single most prolific art plunderer in the war (and arguably in history). Finally, there is Arno Breker, a gifted artist who exchanged his modernist style for monumental realism and became Hitler's favorite sculptor. If it is striking that these educated men became part of the Nazi machine, it is more remarkable that most of them rehabilitated their careers and lived comfortably after the war. Petropoulos has discovered a network of these rehabilitated experts that flourished in the postwar period, and he argues that this is a key to the tens of thousands of looted artworks that are still "missing" today. Based on previously unreleased information and recently declassified documents, The Faustian Bargain is a gripping read about the art world during this period, and a fascinating examination of the intense relationship between culture and politics in the Third Reich.

Nazi art looting has been the subject of enormous international attention in recent years, and the topic of two history bestsellers, Hector Feliciano's The Lost Museum and Lynn Nicholas's The Rape of Europa. But such books leave us wondering: What made thoughtful, educated, artistic men and women decide to put their talents in the service of a brutal and inhuman regime? This question is the starting point for The Faustian Bargain, Jonathan Petropoulos's study of the key figures in the art world of Nazi Germany. Petropoulos follows the careers of these prominent individuals who like Faust, that German archetype, chose to pursue artistic ends through collaboration with diabolical forces. Readers meet Ernst Buchner, the distinguished museum director and expert on Old Master paintings who "repatriated" the Van Eyck brother's Ghent altarpiece to Germany, and Karl Haberstock, an art dealer who filled German museums with works bought virtually at gunpoint from Jewish collectors. Robert Scholz, the leading art critic in the Third Reich, became an officer in the chief art looting unit in France and Kajetan Muhlmann--a leading art historian--was probably the single most prolific art plunderer in the war (and arguably in history). Finally, there is Arno Breker, a gifted artist who exchanged his modernist style for monumental realism and became Hitler's favorite sculptor. If it is striking that these educated men became part of the Nazi machine, it is more remarkable that most of them rehabilitated their careers and lived comfortably after the war. Petropoulos has discovered a network of these rehabilitated experts that flourished in the postwar period, and he argues that this is a key to the tens of thousands of looted artworks that are still "missing" today. Based on previously unreleased information and recently declassified documents, The Faustian Bargain is a gripping read about the art world during this period, and a fascinating examination of the intense relationship between culture and politics in the Third Reich.

A penetrating analysis of the controversial U.S. role in the 1990 Nicaraguan elections-the most closely monitored in history-this book exposes the intervention in the electoral process of a sovereign nation by the Central Intelligence Agency, the Department of State, the National Endowment for Democracy, and private U.S.-based organizations. Robins

Lyndon Johnson and Mac Wallace crossed paths only briefly; but Wallace's life, especially one violent episode and its intricate aftermath, illuminates the dark side of our 36th president. Perhaps no president has a more ambiguous reputation than LBJ. A brilliant tactician, he maneuvered colleagues and turned bills into law better than anyone. But he was trailed by a legacy of underhanded dealings, from his “stolen” Senate election in 1948 to kickbacks he artfully concealed from deals engineered with Texas wheeler-dealer Billie Sol Estes and defense contractors like his longtime supporter Brown & Root. On the verge of investigation, Johnson was reprieved when he became president upon JFK's assassination. Among the remaining mysteries has been LBJ's relationship to Mac Wallace who, in 1951, shot a Texas man having an affair with LBJ's loose-cannon sister Josefa, also Wallace's lover. When arrested, Wallace cooly said "I work for Johnson...I need to get back to Washington." Charged with murder, he was overnight defended by LBJ's powerful lawyer John Cofer, and though convicted, amazingly received a suspended sentence. He then got high-security clearance from LBJ friend and defense contractor D.H. Byrd, which the Office of Naval Intelligence tried to revoke for 11 years without success. Using crucial Life magazine and Naval Intelligence files and the unredacted FBI files on Mac Wallace, never before utilized by others, investigative writer Joan Mellen skillfully connects these two disparate Texas lives and lends stark credence to the dark side of Lyndon Johnson that has largely gone unsubstantiated.

When Nazi Germany invaded Poland on September 1, 1939, launching World War Two, its army seemed an unstoppable force. The Luftwaffe bombed towns and cities across the country, and fifty divisions of the Wehrmacht crossed the border. Yet only two decades earlier, at the end of World War One, Germany had been an utterly and abjectly defeated military power. Foreign troops occupied its industrial heartland and the Treaty of Versailles reduced the vaunted German army of World War One to a fraction of its size, banning it from developing new military technologies. When Hitler came to power in 1933, these strictures were still in effect. By 1939, however, he had at his disposal a fighting force of 4.2 million men, armed with the most advanced weapons in the world. How could this nearly miraculous turnaround have happened? The answer lies in Russia. Beginning in the years immediately after World War One and continuing for more than a decade, the German military and the Soviet Union--despite having been mortal enemies--entered into a partnership designed to overturn the order in Europe. Centering on economic and military cooperation, the arrangement led to the establishment of a network of military bases and industrial facilities on Soviet soil. Through their alliance, which continued for over a decade, Germany gained the space to rebuild its army. In return, the Soviet Union received vital military, technological and economic assistance. Both became, once again, military powers capable of a mass destruction that was eventually directed against one another. Drawing from archives in five countries, including new collections of declassified Russian documents, The Faustian Bargain offers the definitive exploration of a shadowy but fateful alliance.

About the Book On July 09, 2017, the History Channel aired a television documentary called Amelia Earhart: The Lost Evidence, which attracted a world-wide audience of 4.3 million views. The highlight of the History Channel’s Earhart documentary was a photograph discovered by retired federal agent Les Kinney in the National Archives stamped with official Office of Naval Intelligence (ONI) markings. In the photo, a ship can be seen towing a barge with an airplane on the back and on a nearby dock are several people, of which two of them resemble Amelia Earhart and Fred Noonan. For the truth seeker who is interested in understanding the “whole story” behind Earhart’s round-the-world flight, who earnestly desires to know who really sponsored and funded the flight; why the Electra was modified the way it was; why the plane crashed in Hawaii; why an identical plane of the same model was in Miami, the same week Earhart departed on her trip; what Earhart really did during the week she was in Bandoeng; why Earhart’s radio messages were crafted the way they were; and what really prevented Earhart and Noonan from completing the flight are all questions that are answered in this work (and more), with evidence to back them. About the Author The author’s work also devotes one entire chapter to a detailed forensic study and analysis of all that is captured in the Kinney-discovered dock photo and as a result, can once and for all, time-stamp the date the photograph was taken. A work that reexamines the mountain of evidence that all along, has been staring the world in the face ever since Earhart and Noonan disappeared. A work that is crammed with informative photographs, charts, diagrams, maps and analyses from an author who is now retired and free from all former oaths and obligations formerly made to and given in, the service of “the devil.”

Dr. Faustus is a great Elizabethan tragedy by Christopher Marlow originally published in 1600. The story is based on an earlier anonymous classic German legend involving worldly ambition, black magic and surrender to the devil. It remains one of the most famous plays of the English Renaissance. Dr. John Faustus, a brilliant, well-respected German doctor grows dissatisfied with the limits of human knowledge - logic, medicine, law, and religion, and decides that he has learned all that can be learned by conventional means. What is left for him, he thinks, but magic. His friends instruct him in the black arts, and he begins his new career as a magician by summoning up Mephastophilis, a devil. Despite Mephastophilis’s warnings about the horrors of hell, Faustus tells the devil to return to his master, Lucifer, with an offer of Faustus’s soul in exchange for twenty-four years of service from Mephastophilis. On the final night before the expiration of the twenty-four years, Faustus is overcome by fear and remorse. He begs for mercy, but it is too late. At midnight, a host of devils appears and carries his soul off to hell. Marlowe’s dramatic interpretation of the Faust legend is a theatrical masterpiece. With immense poetic skill, and psychological insight that greatly influenced the works of William Shakespeare and other dramatists, Dr. Faustus combines soaring poetry, psychological depth, and grand stage spectacle. Marlowe created powerful scenes that invest the work with tragic dignity, among them the doomed man’s calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy.