Feasting Fowling And Feathers

He way wild birds have been exploited over the centuries forms the focus of this remarkable new book by Michael Shrubb. It looks at the use of birds as food, for feathers and skins, for eggs, as cage birds, as specimens and for hunting, focusing on Britain, northern Europe and the North Atlantic. Never before has a book brought the huge amount of information on these topics in the academic literature together under one cover. Introductory chapters on what was taken, when, why and its impact are followed by a number of sections looking in detail at important bird groups. Along with discussions.

A highly readable review of some 700 years of avian exploitation.

With its striking green-black and white plumage and distinctive pee-wit call, the Lapwing is one of Britain's best-known birds. Lapwings depend on agricultural land to breed and are considered a barometer of the health of this habitat; the population has crashed over recent decades, partly due to changes in farming practices. In winter, Lapwings switch to coastal areas and to wetlands, including those in suburban areas, where large, noisy flocks can gather. Michael Shrubb's The Lapwing is a concise yet authoritative monograph of this popular species; a thorough review of Lapwing biology contains sections on population dynamics, feeding ecology, habitat use, migration, and conservation; there is an impressively detailed review of our current understanding of breeding biology, plus discussion of some other species in the genus. The Lapwing is a superb addition to the Poyser list. Of interest to both amateur naturalists, who will enjoy insights into the birds' lives, and to academics, who will appreciate the broad overview of current research, this title will remain the definitive work on the species for many years to come.

Whether as sources of joy and pleasure to be fed, counted, and watched, as objects of sport to be hunted and killed, or as food to be harvested, wild birds evoke strong feelings. Sean Nixon traces the transformation of these human passions for wild birds from the early twentieth century through the 1970s, detailing humans’ close encounters with wild birds in Britain and the wider North Atlantic world. Drawing on a rich range of written sources, Passions for Birds reveals how emotional, subjective, and material attachments to wild birds were forged through a period of pronounced social and cultural change. Nixon demonstrates how, for all their differences, new traditions in birdwatching and conservation, field sports, and bird harvesting mobilized remarkably similar feelings towards birds. Striking similarities also emerged in the material forms that each of these practices used to bring birds closer to people – hides and traps, nets and ropes, and binoculars. Wide ranging in scope, Passions for Birds sheds new light on the ways in which wild birds helped shape humans throughout the twentieth century, as well as how birds themselves became burdened with multiple cultural meanings and social anxieties over time.

As heard on NPR's This American Life “Absorbing . . . Though it's non-fiction, The Feather Thief contains many of the elements of a classic thriller.” —Maureen Corrigan, NPR’s Fresh Air “One of the most peculiar and memorable true-crime books ever.” —Christian Science Monitor A rollicking true-crime adventure and a captivating journey into an underground world of fanatical fly-tiers and plume peddlers, for readers of The Stranger in the Woods, The Lost City of Z, and The Orchid Thief. On a cool June evening in 2009, after performing a concert at London's Royal Academy of Music, twenty-year-old American flautist Edwin Rist boarded a train for a suburban outpost of the British Museum of Natural History. Home to one of the largest ornithological collections in the world, the Tring museum was full of rare bird specimens whose gorgeous feathers were worth staggering amounts of money to the men who shared Edwin's obsession: the Victorian art of salmon fly-tying. Once inside the museum, the champion fly-tier grabbed hundreds of bird skins—some collected 150 years earlier by a contemporary of Darwin's, Alfred Russel Wallace, who'd risked everything to gather them—and escaped into the darkness. Two years later, Kirk Wallace Johnson was waist high in a river in northern New Mexico when his fly-fishing guide told him about the heist. He was soon consumed by the strange case of the feather thief. What would possess a person to steal dead birds? Had Edwin paid the price for his crime? What became of the missing skins? In his search for answers, Johnson was catapulted into a years-long, worldwide investigation. The gripping story of a bizarre and shocking crime, and one man's relentless pursuit of justice, The Feather Thief is also a fascinating exploration of obsession, and man's destructive instinct to harvest the beauty of nature.

Nature’s Diplomats explores the development of science-based and internationally conceived nature protection in its foundational years before the 1960s, the decade when it launched from obscurity onto the global stage. Raf De Bont studies a movement while it was still in the making and its groups were still rather small, revealing the geographies of the early international preservationist groups, their social composition, self-perception, ethos, and predilections, their ideals and strategies, and the natures they sought to preserve. By examining international efforts to protect migratory birds, the threatened European bison, and the mountain gorilla in the interior of the Belgian Congo, Nature’s Diplomats sheds new light on the launch of major international organizations for nature protection in the aftermath of World War II. Additionally, it covers how the rise of ecological science, the advent of the Cold War, and looming decolonization forced a rethinking of approach and rhetoric; and how old ideas and practices lingered on. It provides much-needed historical context for present-day convictions about and approaches to the preservation of species and the conservation of natural resources, the involvement of local communities in conservation projects, the fate of extinct species and vanished habitats, and the management of global nature.

At Sea with the Marine Birds of the Raincoast tells the stories of conservation scientist Caroline Fox and the marine birds she studies as she sails along the Northwest Coast.

The eighteenth century has been hailed for its revolution in consumer culture, but Material Literacy in Eighteenth-Century Britain repositions Britain as a nation of makers. It brings new attention to eighteenth-century craftswomen and men with its focus on the material knowledge possessed not only by professional artisans and amateur makers, but also by skilled consumers. This edited collection gathers together a group of interdisciplinary scholars working in the fields of art history, history, literature, and museum studies to unearth the tactile and tacit knowledge that underpinned fashion, tailoring, and textile production. It invites us into the workshops, drawing rooms, and backrooms of a broad range of creators, and uncovers how production and tacit knowledge extended beyond the factories and machines which dominate industrial histories. This book illuminates, for the first time, the material literacies learnt, enacted, and understood by British producers and consumers. The skills required for sewing, embroidering, and the textile arts were possessed by a large proportion of the British population: men, women and children, professional and amateur alike. Building on previous studies of shoppers and consumption in the period, as well as narratives of manufacture, these essays document the multiplicity of small producers behind Britain's consumer revolution, reshaping our understanding of the dynamics between making and objects, consumption and production. It demonstrates how material knowledge formed an essential part of daily life for eighteenth-century Britons. Craft technique, practice, and production, the contributors show, constituted forms of tactile languages that joined makers together, whether they produced objects for profit or pleasure.