Feel The Grass Grow

On November 24, 2016, the Colombian government and the Revolutionary Armed Forces of Colombia signed a revised peace accord that marked a political end to over a half-century of war. Feel the Grass Grow traces the far less visible aspects of moving from war to peace: the decades of campesino struggle to defend life, land, and territory prior to the national accord, as well as campesino social leaders' engagement with the challenges of the state's post-accord reconstruction efforts. In the words of the campesino organizers, "peace is not signed, peace is built." Drawing on nearly a decade of extensive ethnographic and participatory research, Angela Jill Lederach advances a theory of "slow peace." Slowing down does not negate the urgency that animates the defense of territory in the context of the interlocking processes of political and environmental violence that persist in post-accord Colombia. Instead, Lederach shows how the campesino call to "slowness" recenters grassroots practices of peace, grounded in multigenerational struggles for territorial liberation. In examining the various layers of meaning embedded within campesino theories of "the times (los tiempos)," this book directs analytic attention to the holistic understanding of peacebuilding found among campesino social leaders. Their experiences of peacebuilding shape an understanding of time as embodied, affective, and emplaced. The call to slow peace gives primacy to the everyday, where relationships are deepened, ancestral memories reclaimed, and ecologies regenerated.

Outrageous, hilarious, and absolutely candid, Blood Makes the Grass Grow Green is Johnny Rico’s firsthand account of fighting the Taliban in Afghanistan, a memoir that also reveals the universal truths about the madness of war. No one would have picked Johnny Rico for a soldier. The son of an aging hippie father, Johnny was overeducated and hostile to all authority. But when 9/11 happened, the twenty-six-year-old probation officer dropped everything to become an “infantry combat killer.” But if he’d thought that serving his country would be the kind of authentic experience a reader of The Catcher in the Rye would love, he quickly realized he had another thing coming. In Afghanistan he found himself living a Lord of the Flies existence among soldiers who feared civilian life more than they feared the Taliban–guys like Private Cox, a musical prodigy busy “planning his future poverty,” and Private Mulbeck, who didn’t know precisely which country he was in. Life in a combat zone meant carnage and courage–but it also meant tedious hours standing guard, punctuated with thoughtful arguments about whether Bea Arthur was still alive. Utterly uncensored and full of dark wit, Blood Makes the Grass Grow Green is a poignant, frightening, and heartfelt view of life in this and every man’s army.

This book shows how rhythm constitutes an untapped resource for understanding poetry. Intervening in recent debates over formalism, historicism, and poetics, the authors show how rhythm is at once a defamiliarizing aesthetic force and an unstable concept. Distinct from the related terms to which it’s often assimilated—scansion, prosody, meter—rhythm makes legible a range of ways poetry affects us that cannot be parsed through the traditional resources of poetic theory. Rhythm has rich but also problematic roots in still-lingering nineteenth-century notions of primitive, oral, communal, and sometimes racialized poetics. But there are reasons to understand and even embrace its seductions, including its resistance to lyrical voice and even identity. Through exploration of rhythm’s genealogies and present critical debates, the essays consistently warn against taking rhythm to be a given form offering ready-made resources for interpretation. Pressing beyond poetry handbooks’ isolated descriptions of technique or inductive declarations of what rhythm “is,” the essays ask what it means to think rhythm. Rhythm, the contributors show, happens relative to the body, on the one hand, and to language, on the other—two categories that are distinct from the literary, the mode through which poetics has tended to be analyzed. Beyond articulating what rhythm does to poetry, the contributors undertake a genealogical and theoretical analysis of how rhythm as a human experience has come to be articulated through poetry and poetics. The resulting work helps us better understand poetry both on its own terms and in its continuities with other experiences and other arts. Contributors: Derek Attridge, Tom Cable, Jonathan Culler, Natalie Gerber, Ben Glaser, Virginia Jackson, Simon Jarvis, Ewan Jones, Erin Kappeler, Meredith Martin, David Nowell Smith, Yopie Prins, Haun Saussy

In the first installment of the Sea of Grass trilogy, Child of Earth, we learn of young Kaer, whose family decides to emigrate to Linnea, a parallel Earth-like world characterized by huge horses, dangerous giant wolves, and a strict religious, primitive culture. Before Kaer and her family can emigrate, they are expected to undergo rigorous training under a massive dome that simulates the Linnean environment in every respect, designed to prepare Earthlings for the new world. In the midst of Kaer's family's training, an uprising occurs. A band of religious zealots known as the Hale-Stones, former Earth residents living on Linnea, began outing other Earthlings and disrupting Linnean society in order to convert them to Earth's Christianity. Kaer's family was stuck in limbo. Now, in Child of Grass, Kaer and Lorrin, Kaer's father, venture away from the training dome as part of a secret mission to restore peace to Linnea and free the hostage Earthlings from captivity. Defeating the Hale-Stones means using every available resource to preserve the Linnean way of life, from advanced technology, to natural disasters, and even the Hale-Stones' own religious teachings. Through the struggle for peace, Kaer is forced to confront issues about morality, loyalty, the bond of family, and the nature of intelligent life.

In Walking with Nature Spirits I share how to develop a collaborative relationship with nature spirits and nature in order to create a rooted and embodied life. Nature spirits are unlike any other kind of spirit you can work with. They don’t care about making pacts or bargains. Their focus is on taking care of nature and if you want to work with them you have to shift your approach to spirit work in a way that will seem radical and yet can help you develop a deeper relationship with the world around you. In this book you will also learn the following: How to meet and recognize the spirit and character of the land and communicate with it. How to identify power spots and ley lines and form a bond with them. How to work with the land you live on and make it into a place of power. How to use all of your senses, psychic and physical to work with nature spirits. and much more! If you’re ready to develop a deeper relationship with nature and nature spirits, this book will teach you a new approach to working with nature that will help you develop bond with the land.