Female Celebrities In Contemporary Chinese Society

This book focuses on a representative group of contemporary Chinese female celebrities including actors, directors, writers and reporters, notably personalities such as Liu Xiaoqing, Hong Huang, Chai Jing and the most sought after young generation actors, Yang Mi and Guan Xiaotong. It analyses the on- and off- screen roles of these famous Chinese women, and the cultural, gender and social impact and significance embedded in them, whilst highlighting controversial social and cultural concerns and debates in contemporary China. The book furthers the understanding of the role played by contemporary female celebrities who are considered as social, cultural and feminist icons in present-day China, as reflected in their work, careers and private lives, and whose experiences help to understand Chinese women’s attitudes towards key issues such as career trajectories, marriage and family, gender identity, social changes, civil debates and political transformations, all of which are at the center of societal transformation in China.

Whether willingly or unwillingly, public celebrities are often the focus of discussion of moral matters and political causes, but how does this sort of celebrity culture function in a country such as China with a powerful central state? Contemporary Chinese Celebrities explores how in today's China, celebrity figures embody, conflict with and engage with social, civil, moral and economic issues. Shenshen Cai examines the state's governance of celebrity activism and the interplay between the propaganda machine and the stars. Analyzing examples of scandalous celebrities who act as activists in a moral domain which is tightly governed by the state, Cai also studies several sports stars who have emerged in recent years as political activists in China, and their open defiance of the Chinese political system that poses unprecedented challenge to the Party's rule.

Whether willingly or unwillingly, public celebrities are often the focus of discussion of moral matters and political causes, but how does this sort of celebrity culture function in a country such as China with a powerful central state? Contemporary Chinese Celebrities explores how in today's China, celebrity figures embody, conflict with and engage with social, civil, moral and economic issues. Shenshen Cai examines the state's governance of celebrity activism and the interplay between the propaganda machine and the stars. Analyzing examples of scandalous celebrities who act as activists in a moral domain which is tightly governed by the state, Cai also studies several sports stars who have emerged in recent years as political activists in China, and their open defiance of the Chinese political system that poses unprecedented challenge to the Party's rule.

This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turning its focus back to ‘serving the people’ as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means.

Recent attention to historical, geographic, and class differences in the studies of women and gender in China has expanded our understanding of the diversity and complexity of gendered China. Nevertheless, the ethnic dimension of this subject matter remains largely overlooked, particularly concerning women’s conditions and gender status. Consequently, the patriarchy and its oppression of women among the Han, the ethnic majority in China, are often inaccurately or erroneously associated with the whole gendered heritage of China, epitomized by the infamous traditions of footbinding and female-infanticide. Such academic and popular predisposition belies the fact that gender systems in China span a wide spectrum, ranging from extreme Han patriarchy to Lahu gender-egalitarianism. The authors contributing to this book have collectively initiated a systematic effort to bridge the gap between understanding the majority Han and ethnic minorities in regard to women and gender in contemporary Chinese societies. By achieving a quantitative balance between articles on the Han majority and those on ethnic minorities, this book transcends the ghettoization of ethnic minorities in the studies of Chinese women and gender. The eleven chapters of this volume are divided into three sections which jointly challenge the traditions and norms of Han patriarchy from various perspectives. The first section focuses on gender traditions among ethnic minorities which compete with the norms of Han patriarchy. The second section emphasizes the impact of radical social transformation on gender systems and practices among both Han and ethnic minorities. The third section underscores socio-cultural diversity and complexity in resistance to Han patriarchal norms from a broad perspective. This book complements previous scholarship on Chinese women and gender by expanding our investigative lens beyond Han patriarchy and providing images of the multi-ethnic landscape of China. By identifying the Han as an ethnically marked category and by bringing to the forefront the diverse gender systems of ethnic minorities, this book encourages an increasing awareness of, and sensitivity to the cross-cultural diversity of gendered China both in academia and beyond.

Written from a feminist perspective, this is a cultural and ideological study of modern China as seen in the writing of experimental fiction, one of the main attempts to subvert the conventions of socialist realism in contemporary Chinese literature.

Celebrity is a pervasive aspect of everyday life and a growing field of academic inquiry. This is the first book-length exploration of celebrity culture in the People's Republic of China and its interaction with international norms of celebrity production. The book comprises case studies from popular culture (film, music, dance, literature, internet); official culture (military, political, and moral exemplars) and business celebrities. This breadth illuminates the ways capitalism and communism converge in the elevation of particular individuals to fame in contemporary China. The book will interest scholars and students in media, popular culture and China studies. Journalists may find the book useful for their analysis of famous figures in China and people working in creative industries area may appreciate these insights into 'image management' in China.--Louise Edwards is professor of modern China studies at the University of Hong Kong. -Elaine Jeffreys is a senior lecturer in China studies at the University of Technology, Sydney.--