Female Deities In Buddhism

Queens and old crones, Buddhas and goddesses, mothers and wild women. Female deities in Buddhism take many forms to inspire, beguile, rouse and protect us. Enter the magical realm of gently compassionate Kuan Yin from China, meet the elusive golden goddess from India representing Perfect Wisdom, and tangle with the energetic embodiments of freedom, the fearless sky-dancing dakinis of Tibet. Respected Western Buddhist teacher Vessantara invites us to learn more about ourselves as women and men by reflecting on these figures, for within us lie the seeds of love, wisdom and freedom that these figures symbolise in their fullness, qualities we can nurture through contemplating the beauty of these enlightened beings. Engage not just with your head but with your heart. Follow your intuition ... enrich your life. My thanks to Vessantara for a treasure trove of fascinating information, explanation, and anecdote on the feminine divine. This is an invaluable introductory source book.Sandy Boucher, author of Discovering Kwan Yin, Buddhist Goddess of Compassion.

Queens and old crones, Buddhas and goddesses, mothers and wild women. Female deities in Buddhism take many forms to inspire, beguile, rouse and protect us. Enter the magical realm of gently compassionate Kuan Yin from China, meet the elusive golden goddess from India representing Perfect Wisdom, and tangle with the energetic embodiments of freedom, the fearless sky-dancing dakinis of Tibet. Respected Western Buddhist teacher Vessantara invites us to learn more about ourselves as women and men by reflecting on these figures.

"The Indian Buddhist world abounds with goddesses--voluptuous tree spirits, maternal nurturers, potent healers and protectors, transcendent wisdom figures, cosmic mothers of liberation, and dancing female Buddhas. Despite their importance in Buddhist thought and practice, these female deities have received relatively little scholarly attention, and no comprehensive study of the female pantheon has been available. Buddhist Goddesses of India is the essential and definitive guide to divinities that, as Miranda Shaw writes, "operate from transcendent planes of bliss and awareness for as long as their presence may benefit living beings." Beautifully illustrated, the book chronicles the histories, legends, and artistic portrayals of nineteen goddesses and several related human figures and texts. Drawing on a sweeping range of material, from devotional poetry and meditation manuals to rituals and artistic images, Shaw reveals the character, powers, and practice traditions of the female divinities. Interpretations of intriguing traits such as body color, stance, hairstyle, clothing, jewelry, hand gestures, and handheld objects lend deep insight into the symbolism and roles of each goddess. In addition to being a comprehensive reference, this book traces the fascinating history of these goddesses as they evolved through the early, Mahayana, and Tantric movements in India and found a place in the pantheons of Tibet and Nepal."--Publisher's website.

Buddhist tantra places some of the female deities at the pinnacle of its pantheon. They are a female personification of supreme awakening and symbolize some of the highest spiritual goals including Buddhahood. However, due to our cultural baggage, the word 'Buddha' still reflects a male figure in our minds though the term is more concerned with the concept of awakening and therefore transcends gender.This book investigates into the tantra tradition in general, and in Buddhism in particular. The focal point of the discussion is the practices of goddesses in Buddhist tantra. It explores the textual sources for explaining the unusual appearances and practices associated with tantric goddesses. After documenting two major Buddhist traditions of goddesses in Nepalese Buddhism, this book makes an effort to find harmony between the overlapping layers of popular belief and the profound liturgical expositions of Buddhist tantra tradition.

This study investigated the impact that women's body image had on prehistoric, ancient Greek, and developing Jewish and Tibetan Buddhist religions. Questions focused on the validity of a Mother Goddess concept, the justifications used to reinforce negativity about women's bodies, and the roles women assumed to maintain their spirituality. The evolution of patriarchal leadership was investigated, given the archaeological evidence that women's biological functions were seen as connected to the divine world and in parallel with the mysteries of nature. Data was drawn from archaeological, historical, and mythological accounts to present an interpretation of women's bodies through ancient times. Scriptural and doctrinal changes concerning women's body image were examined in developing Judaism and Tibetan Buddhism. The investigation concluded that initially God as creator was perceived as female, and high status was accorded to women whose bodies functioned like the Divine. The study further concluded that the reversal of that status was connected to two issues: the subjugation of the Mother Goddess by nomadic invaders, and controls exerted to regulate food supply, land ownership, and new moral codes based on male leadership. Women, in their dependent status, assumed supporting roles in religion. In ancient Greece, women faired the best in promoting their unique ability to safeguard the polis and its food supply by participating in exclusive festivals. In Judaism, women's body excluded her participation beyond home rituals. In Tibetan Buddhism, women achieve status by ignoring their physical states. Clarification of the divine as having male and female attributes is an avenue available only in "alternative" approaches in all three religions.

Illustrations: Numerous B/w and Colour Illustrations Description: The Indian Buddhist world abounds with goddesses-voluptuous tree spirits, maternal nurturers, potent healers and protectors, transcendent wisdom figures, cosmic mothers of liberation, and dancing female Buddhas. Despite their importance in Buddhist thought and practice, these female deities have received relatively little scholarly attention, and no comprehensive study of the female pantheon has been available. Buddhist Goddesses of India is the essential and definitive guide to divinities that, as Miranda Show writes, operate from transcendent planes of bliss and awareness for as long as their presence may benefit living beings. Beautifully illustrated, the book chronicles the histories, legends, and artistic portrayals of nineteen goddesses and several related human figures and texts. Drawing on a sweeping range of material, from devotional poetry and meditation manuals to rituals and artistic images, Shaw reveals the character, powers, and practice traditions of the female divinities. Interpretations of intriguing traits such as body color, stance, hairstyle, clothing, jewelry, hand gestures, and handheld objects lend deep insight into the symbolism and roles of each goddess. In addition to being a comprehensive reference, this book traces the fascinating history of these goddesses as they evolved through the early, Mahayana, and Tantric movements in India and found a place in the pantheons of Tibet and Nepal.

Sandy Boucher, celebrated author of Opening the Lotus and Turning the Wheel, now offers North American readers their first opportunity to share in Kwan Yin's illuminating wisdom. Along with providing meditations, chants, and prayers this lovely, illustrated volume recounts the stories of this bodhisattva (one who delays her own full enlightenment to work for the liberation of all beings) and explains Kwan Yin's role in Buddhism. Discovering Kwan Yin is sure to become an important spiritual touchstone for those who seek to celebrate the goddess in their lives, to give and receive the loving power of her presence.

Winner, 2024 Geiss-Hsu Book Prize for Best First Book, Society for Ming Studies The goddess Guanyin began in India as the bodhisattva Avalokiteśvara, originally a male deity. He gradually became indigenized as a female deity in China over the span of nearly a millennium. By the Ming (1358–1644) and Qing (1644–1911) periods, Guanyin had become the most popular female deity in China. In Becoming Guanyin, Yuhang Li examines how lay Buddhist women in late imperial China forged a connection with the subject of their devotion, arguing that women used their own bodies to echo that of Guanyin. Li focuses on the power of material things to enable women to access religious experience and transcendence. In particular, she examines how secular Buddhist women expressed mimetic devotion and pursued religious salvation through creative depictions of Guanyin in different media such as painting and embroidery and through bodily portrayals of the deity using jewelry and dance. These material displays expressed a worldview that differed from yet fit within the Confucian patriarchal system. Attending to the fabrication and use of “women’s things” by secular women, Li offers new insight into the relationships between worshipped and worshipper in Buddhist practice. Combining empirical research with theoretical insights from both art history and Buddhist studies, Becoming Guanyin is a field-changing analysis that reveals the interplay between material culture, religion, and their gendered transformations.