Female Narratives Of Protest

This book explores the complex assemblage of biopolitics, citizenship, ethics and human rights concerns in South Asia focusing specifically on women poets, writers and artists and their explorations on marginalisation, violence and protest. The book traces the origins, varied historiographies and socio-political consequences of women’s protests and feminist discourses. Bringing together narratives of the Landais from Afghanistan, voices from Pakistan, Bangladesh and Sri Lanka, Miya women poets writing from Assam, and stories of Dalit and queer women across the region, it analyses the diverse modes of women’s protests and their ethical and humanitarian cartographies. The volume highlights the reconfiguration of female voices of protest in contemporary literature and popular culture in South Asia and the formation of closely-knit female communities of solidarity, cooperation and collective political action. The book will be of interest to students and researchers of gender studies, literature, cultural studies, sociology, minority and indigenous studies, and South Asian studies.

Bringing together eighteen thought-provoking articles--most of them written especially for this volume--Women and Social Protest addresses a long-neglected area in social history and politics, showing how in recent years feminist social scientists have begun to reexamine women's involvement in social protest, the innovative forms this protest takes, and the impact of activism on women's lives. This timely and comprehensive anthology provides a much-needed forum for discussion of these topics, and shows how the sociological and political literature has long ignored, masked, or distorted the political activities of women, thus creating the stereotype of the "apolitical woman."Drawing on the work of sociologists, political scientists, historians, and experts in women's studies, Women and Social Protest explores four types of social protest--economic; racial, ethnic, and nationalistic; social nurturing and humanistic; and women's rights--considering a wealth of data from different eras and case studies from around the world. An introductory chapter provides a theoretical framework for the essays and helpful introductions to each section identify and elaborate general themes. In addition, a comprehensive bibliography offers the most extensive, up-to-date list of readings available. One of the first books to examine this important topic in detail, Women and Social Protest is a valuable contribution to the expanding field of social political theory.

Protest and Popular Culture is at once a historical monograph and a critique of postmodernist approaches to the study of mass media, consumerism, and popular political movements. In it, Triece compares the self-representations of several late nineteenth and twentieth-century women's protest movements with representations of women offered by contemporaneous mass media outlets. She shows that from the late nineteenth century until the present day, U.S. women's protest movements sought to convince women that they are first and foremost laborer/producers, while the U.S. media has just as consistently sought to convince women that they are primarily consumers. Triece contends that these approaches to portraying women have been and continue to be constructed in opposition to one another. The leaders of women's protest movements, she argues, have long sought to convince women not to spend time and money on reshaping their selves through consumer purchases, but instead to focus attention on empowering themselves politically by asserting control over their own labor power. The mass media, meanwhile, has always treated such movements as potential threats to the financial well-being of the consumer sector (that is, of advertisers), and so has consistently trivialized them, while seeking simultaneously to convince women that they should devote attention and resources to buying things, not to struggling to overcome class and gender discrimination. Many cultural-studies scholars have argued that in recent years, rising prosperity has made consumerism into the primary site of both individual expression and ?resistance? to the dominant socio-economic order, with self-definition through personal purchases supplanting the role formerly played by struggle for an end to inequities of all kinds. These scholars contend that as such, mass media no longer function to naturalize, and thus reinforce such inequities, and consumerism no longer serves to perpetuate them. Triece argues that her examples show that this argument is faulty, and that scholars should continue to take a traditional materialist view in all studies of mass media, consumerism, and popular protest.

The social novel in nineteenth-century Britain has been considered the effort of a predominantly male canon of writers. In this ground-breaking study, originally published in 1985, Joseph Kestner challenges that assumption, arguing that it was a succession of female writers – women often meriting only a footnote in literary history – who initiated and advanced the tradition of using narrative fiction to register protest, expose abuses, and promote reform. Kestner explores the contributions to Victorian social policy by the fiction of these neglected authors (Hannah More, Elizabeth Stone, Frances Trollope, Charlotte Tonna, Camilla Toulmin, Geraldine Jewsbury, Fanny Mayne, Julia Kavanagh, Dinah Mulock Craik) as well as more prominent female authors (Maria Edgeworth, Harriet Martineau, Elizabeth Gaskell, Charlotte Brontë, George Eliot) and male writers (Charles Dickens, Benjamin Disraeli, G. M. W. Reynolds, John Galt, Charles Kingsley). This is an important work for every scholar, student, and reader of nineteenth-century literature and history, women’s studies, and sociology. Kestner’s book will encourage a reappraisal of women writers and their role in Victorian Britain and advance a long-needed reassessment of the traditional canon of nineteenth-century literature. In rediscovering the literary and social contribution of these undervalued writers, Kestner provides a chronological assessment of the female social narrative. Tracing the form from its inception in the late eighteenth century to its evolution in the 1830s and 1840s and to its maturation in the 1850s and 1860s, he reveals the continuity of a developing literary tradition that included early writers like More and later practitioners like Tonna, Stone, Jewsbury, and Mayne. In the process Kestner establishes a new basis for assessing major writers such as Eliot and Gaskell. In consciously using fiction for social protest purposes, these novelists were responding to a society marked by transition. Their common emphasis was on the plight of the disenfranchised in a new era and the need for manifold reforms in such areas as housing, labor legislation, education, childcare, access to employment, sanitation, and marital law. Reform was necessary as England evolved from an agricultural to an industrial economic system. Kestner uses evidence such as Parliamentary investigations and early social reporting by James Kay, William Cooke Taylor, Peter Gaskell, and others to assess the validity of the protests of these novelists. Their impassioned novels supplemented the legislative findings of male-dominated Parliamentary committees and reached an audience, often specifically addressed as female, that government documents could not. Galvanizing readers through their narratives, the socially conscious female writers gained new political influence that contributed to legislative process. These writers also won artistic ground, commanding a serious literary attention and respect never before accorded women writers. It is that serious literary status, Kestner argues, unjustly neglected for so long, that must be reclaimed today as we rethink and revise our view of Victorian fiction.

This volume analyses and historicises the memory of 1968 (understood as a marker of an emerging will for social change around the turn of that decade, rather than as a particular calendar year), focusing on cultural memory of the powerful signifier '68' and women’s experience of revolutionary agency. After an opening interrogation of the historical and contemporary significance of "1968" – why does it still matter? how and why is it remembered in the contexts of gender and geopolitics? and what implications does it have for broader feminist understandings of women and revolutionary agency? – the contributors explore women’s historical involvement in "1968" in different parts of the world and the different ways in which women’s experience as victims and perpetrators of violence are remembered and understood. This work will be of great interest to students and scholars of protest and violence in the fields of history, politics and international relations, sociology, cultural studies, and women’s studies.

Screening Protest brings together a range of scholarly perspectives on the study of protest mediations on television and in film. Arguing that the screen is a fruitful, if overlooked, analytical focus, the book explores how visual narratives of protest wander across borders – territorial, temporal and generic. Chapters compare coverage of major protests in recent history by global news channels like Al Jazeera English, BBC World, CNN International and RT. They consider how geopolitical agendas, newsroom culture and the ubiquity of eyewitness footage shape the narration of events such as the ‘Umbrella Revolution’ in Hong Kong, anti-austerity protests in Greece, pro-EU mobilizations in the Ukraine and clashes in Ferguson. A focus on narrative allows authors to compare such news stories with popular cultural depictions of the protester, in films and television series such as The Hunger Games, Robin Hood and Suffragette. Although focussed on the screen, the scope of the book is broad, given its exploration of images distributed worldwide. Written with both scholars and students in mind, Screening Protest will interest researchers in political science, sociology, media and film studies, as well as the general reader interested in current affairs.

This narrative nonfiction title introduces young readers to the 2017 Women's March. This large protest, filled with powerful and courageous voices, shined a light on important issues relating to women. Each book includes a table of contents, glossary of key words, index, author biography, sidebars, and timeline.