Females And Harry Potter

Females and Harry Potter is a deconstruction of the representations of women's agency in Harry Potter and the Sorcerer's Stone. Using critical discourse analysis and focusing on five themes (rule following and breaking, intelligence, validating and enabling, mothering, and resistance), Mayes-Elma explores the construction of traditional gender roles in the book. Additionally, the author locates the foundations of feminist epistemology--binary oppositions, gender boundaries, and woman as "other"--that is deeply embedded within the book's themes. Traditional gender constructions of both men and women are found throughout the Sorcerer's Stone. Ultimately, the book explores the sexism inherent in the Harry Potter series: a hero and his male friends are the focus and center of activity and the female characters are enablers--at best. Passive and invisible female characters exist only as bodies, "bound" by traditional gender conventions; they resist evil, but never gender stereotypes. Mayes-Elma concludes with a discussion of the implications for development of school curricula that enable students to critically deconstruct these texts.

This powerful collection of favorite movie moments is readers' gateway to the most empowering witches of our age! For all the girls as clever as Hermione Granger, as strong as Leta Lestrange, and as fierce as Minerva McGonagall, this incredible compendium is packed with the stories of Harry Potter and Fantastic Beasts' extraordinary heroines! Besides the series' best-known characters, get to know the female mentors, founders, rule-breakers, and -- yes, even villains like Bellatrix Lestrange and Vinda Rosier -- who made the wizarding world what it is today.Complete with gorgeous, full-color illustrations and photography from iconic movie moments on every spread, fans will love this colorful romp with the most empowering witches of our age. Explore the many ways these women built, enriched, and saved the wizarding world, and get inspired by their stories in this compelling handbook--a must-have for fans!

For over a decade, the Harry Potter books have become ubiquitous early texts for children, and are also a popular choice for many adults. Indeed, an entire generation of children has now grown up in the midst of "Pottermania." But beyond the books, movies, web sites, and more, this significant cultural phenomenon also constitutes a powerful form of social text, and speaks volumes about the intersections of ideology, popular culture, and childhood. Critical Perspectives on Harry Potter provided the first sustained analyses of the iconic status of the Potter books, bringing together scholars from various disciplines to examine the impact of the series. This thoroughly revised edition includes updated essays on cultural themes and literary analysis, and its new essays analyze the full scope of the seven-book series as both pop cultural phenomenon and as a set of literary texts. Critical Perspectives on Harry Potter, Second Edition draws on a wider range of intellectual traditions to explore the texts, including moral-theological analysis, psychoanalytic perspectives, and philosophy of technology. The Harry Potter novels engage the social, cultural, and psychological preoccupations of our times, and Critical Perspectives on Harry Potter, Second Edition examines these worlds of consciousness and culture, ultimately revealing how modern anxieties and fixations are reflected in these powerful texts. ("DISCLAIMER: This book is not authorized, approved, licensed, or endorsed by J.K. Rowling, Warner Bros. Entertainment Inc., or anyone associated with the Harry Potter books or movies.")

Feminist Theory and Pop Culture synthesizes feminist theory with modern portrayals of gender in media culture. This comprehensive and interdisciplinary text includes an introductory chapter written by the editor as well as nine contributor chapters of original content. Included in the text: • Historical illustration of feminist theory • Application of feminist research methods for the study of gender • Feminist theoretical perspectives such as the male gaze, feminist standpoint theory, Black feminist thought, queer theory, masculinity theory, theories of feminist activism and postfeminism • Contributor chapters cover a range of topics from Western perspectives on Belly Dance classes to television shows such as GIRLS, Scandal and Orange is the New Black, as well as chapters which discuss gendered media forms like “chick lit”, comic books and Western perspectives of non-Western culture in film • Feminist theory as represented in the different waves of feminism, including a discussion of a fourth wave • Pedagogical features • Suggestions for further reading on topics covered • Discussion questions for classroom use Feminist Theory and Pop Culture was designed for classroom use and has been written with an eye toward engaging students in discussion. The book’s polished perspective on feminist theory juxtaposes popular culture with theoretical perspectives which have served as a foundation for the study of gender. This interdisciplinary text can serve as a primary or supplemental reading in undergraduate or graduate courses which focus on gender, pop culture, feminist theory or media studies. “This excellent anthology grounds feminism as articulated through four waves and features feminists responding to pop culture, while recognizing that popular culture has responded in complicated ways to feminisms. Contributors proffer lucid and engaging critiques of topics ranging from belly dancing through Fifty Shades of Grey, Scandal and Orange is the New Black. This book is a good read as well as an excellent text to enliven and inform in the classroom.” Dr. Jane Caputi Professor of Women, Gender and Sexuality Studies and Communication & Multimedia at Florida Atlantic University “Feminist Theory and Pop Culture is destined to be as popular as the culture it critiques. The text plays up the paradoxes of contemporary feminism and requires its readers to ask difficult questions about how and why the popular bring us pleasure. It is a contemporary collection that captures this moment in feminist time with diverse analyses of women’s representations across an impressive swath of popular culture. Feminist Theory and Pop Culture is the kind of text that makes me want to redesign my pop culture course. Again.” Dr. Ebony A. Utley, Assistant Professor of Communication at California State University-Long Beach, author of Rap and Religion Adrienne Trier-Bieniek, Ph.D. is a professor of sociology at Valencia College in Orlando, Florida. She is the author of Sing Us a Song, Piano Woman: Female Fans and the Music of Tori Amos (Scarecrow 2013) and the co-editor of Gender & Pop Culture: A Text-Reader (Sense 2014). www.adriennetrier-bieniek.com

Studienarbeit aus dem Jahr 2020 im Fachbereich Anglistik - Literatur, , Sprache: Deutsch, Abstract: The portrayal of women in the Harry Potter series could be considered a highly controversial topic, especially among feminist advocates. Firstly, J. K. Rowling herself has faced discrimination based on the fact that she is a woman, which is why she ultimately was pressured into releasing the Harry Potter series under a pen name. This was done in order to get the support of a publishing company after getting rejected a total of twelve times. Despite this, many argue that she has portrayed some of the most significant characters within the Harry Potter series in stereotypical to even harmful ways. As there are some, who, especially due to Rowling’s public actions, believe women are not portrayed in a favorable or feminist way in the Harry Potter series, it is the aim of this paper to take a closer look at the seventh, and arguably most important, part of the series to determine whether or not specific characters are portrayed in a stereotypical and sexist ways. I will briefly take on the notion of sex and gender, explained by Connel, West and Zimmerman, as well as gender stereotypes and the way gender is portrayed in children’s literature, introduced by Wilma J. Pyle. Furthermore, I will take a look at the seventh book in the Harry Potter series, Harry Potter and the Deathly Hallows and briefly put its content into context. Lastly, I will take on specific female characters and explain, how i. e. through specific language and behavior patterns, they are portrayed in Harry Potter and the Deathly Hallow. In a separate chapter, I will take a closer look at the female protagonist Hermione Granger to discuss, whether she is presented in a stereotypical, sexist way or not and how the way she is portrayed is recognizable in Harry Potter and the Deathly Hallows.

Examination Thesis from the year 2011 in the subject Didactics - English - Applied Geography, grade: 1,5, University of Paderborn (Kulturwissenschaften), language: English, abstract: "I just write what I wanted to write. I write what amuses me. It's totally for myself." - Joanne K. Rowling Harry Potter - quite a simple name that has become famous throughout the whole world within just a few years. Shattering numerous publishing records, the seven books of the series written by Joanne K. Rowling have, up until now, sold over 400 million copies worldwide; a sales number that is only topped by the bible (Dammann). [...]

Discusses the life and work of author J.K. Rowling.

In 2020, the lives of Australian women changed irrevocably. With insight, intelligence and empathy, Jane Gilmore, Santilla Chingaipe and Emily J. Brooks explore this through the lenses of work, love and body, and ask: Will the Australia of tomorrow be more equal than the one we were born into? Or will women and girls remain left behind? While our country was shrouded in smoke in the early months of 2020, Australian women went about their daily business. They worked, studied, cleaned, did school runs, made meals. And they postponed looking after themselves because life got in the way. Then, in March, Australians were told to lock down. For all the talk of equality, it was primarily women who held the health of our communities in their hands as they took on the essential jobs to care, to nurse and to teach, despite an invisible danger. One year later, women across the country would march on behalf of those who were not safe in workplaces and their own homes. Never before has change been thrust so abruptly on modern Australian women - 2020 impacted our working lives, relationships and our health and wellbeing. And as a growing number of women agitate for change, it is time to demand what women want. So where do we go from here? One thing is very clear: the future is now, and it is female.