Feminine Beauty

How can a Christian woman display modesty in an attractive and feminine way? What principles can protect her from giving in to the pressure of culture? Evelyn Miller explores these questions and more in Feminine Beauty as Displayed by Daughters of the King.

In this richly illustrated book, Lord Clark traces the changes in the western ideal of feminine beauty from Egyptian art of the second millennium BC down to the movie screens of the present day.

Feminine beauty has been more associated with national cultural identity in Italy than in any other country. From the time of Dante and Petrarch, ideals of beauty have informed artists' work. This intriguing and gloriously illustrated book investigates the many debates this topic has provoked in modern Italy. Radicals and monarchists, Catholics, Fascists, and Communists have all championed specific ideas about female beauty. First theater and the press, then, later, cinema and television inherited from literature and art the task of articulating ideals. Gundle examines Fascism's failure to mold the ideal modern Italian woman, the rise of beauty pageants after World War Two, the professional and public roles of television actresses, the election of the first non-white Miss Italy in 1996, and the careers and images of beautiful women who have been seen to embody the country--Queen Margherita of Savoy, the opera singer Lina Cavalieri, and movie icons Gina Lollobrigida, Claudia Cardinale, Monica Bellucci, and Sophia Loren, who remains the living symbol of Italy and one of the most beautiful women in the world.

Few books in this field focus solely on beauty ideals, and this volume is unique in terms of its scholarly, interdisciplinary approach. The eleven chapters offer readers a comprehensive analysis of beauty and patriarchy. They reflect a variety of approaches to the study of feminine beauty, including philosophical, historical, sociological, cross-cultural, and empirical. Feminine beauty is discussed as a means of patriarchal, social control, which shapes the socio-cultural, political context as well as the everyday lives of women.

The bestselling classic that redefined our view of the relationship between beauty and female identity. In today's world, women have more power, legal recognition, and professional success than ever before. Alongside the evident progress of the women's movement, however, writer and journalist Naomi Wolf is troubled by a different kind of social control, which, she argues, may prove just as restrictive as the traditional image of homemaker and wife. It's the beauty myth, an obsession with physical perfection that traps the modern woman in an endless spiral of hope, self-consciousness, and self-hatred as she tries to fulfill society's impossible definition of "the flawless beauty."

What is Beyond Beauty? The author’s ambition is to persuade all women, but especially younger women, to reach beyond goals of to realize the power of our inner beauty to overcome the limits society places on us. Gen-Y women face a terrible predicament of maturing in a world where media bombards us with information and images that distort our perception of the meaning of beauty, self-confidence, and self-love. If we misunderstand our reality, we can easily turn to outmoded cultural paradigms that convince us that we must behave like men to be valuable to society, or that our hair or waistline determines our success, or that finding the right man is the key to happiness. As a millennial, Ms. Abrego believes modern women must learn to look beyond their physical selves and search for a deeper purpose for life and existence. She aims to take us on a journey of self-awakening to become our best self and unleash our feminine power to follow our dreams of a good life. Beyond Beauty is designed to facilitate and encourage women of this generation to improve every aspect of their lives, starting with their own selves. The message of Beyond Beauty is needed more than ever. The author can inspire and empower the women of Generation Y to want more, to be more, and live “beyond beauty.”

Looks at the evolution of fashion, argues that Victorian clothing for women was erotic rather than prudish, and discusses the psychological aspects of fashion.

This book presents a theory of heterosexual romantic love. The book argues that heterosexuality enables romantic love in a way that integrates with all aspects of a man and woman, especially masculine power and feminine beauty. Author Ronald Pisaturo identifies differences between men and women while recognizing the utmost intellectual ability, rationality, and resultant moral virtue possible in equal measure to each sex. Pisaturo argues that sexual orientation is the result of volition in the same way that other values pertaining to romantic love are volitional: Although we do not directly choose our sexual orientation, as we do not directly choose what personality traits will attract us, we do make more basic choices that cause our sexual orientation. Pisaturo debunks the mainstream theories that "affirm" non-heterosexual orientations, and argues that objective cognition-in particular, the holding of concepts that clearly identify and emphasize sex-specific romantic values-requires that the concept of marriage refer only to man-woman relationships. Moreover, the proper role of government in marriage is as protector of individual rights-of the husband, wife, and their children-not as social engineer for the "public good." This book offers an objective alternative to the following false alternative regarding the subject of sexual orientation: the authority of religion vs. the subjectivism that has infected much of modern philosophy, science, and culture. An overarching theme of the book is that every individual should understand the personal, chosen values that are consistent with his own sexual orientation. With deeper understanding comes deeper love.