Feminism Counts

This is an important and timely text that provides a unique overview of contemporary quantitative approaches to gender research. The contributors are internationally recognised researchers from the UK, USA and Sweden who occupy a range of disciplinary locations, including historical demography, sociology and policy studies. Their research includes explorations of heterosexual and same sex violence, media responses to feminist research, data sources for the study of equalities, approaches for analysing global and local demographic change and intersectional concerns in respect of work and employment. Through detailed, sophisticated and thoughtful considerations of the place of quantification within gender studies, and the place of feminist approaches to quantification, each contributor overturns the stereotype that quantitative research is antithetical to feminism by demonstrating its importance for challenging continuing global inequalities associated with gendered outcomes. An introductory chapter illustrates the significance of geography and discipline in the take-up of methodological preferences. Feminism Counts: Quantitative Methods and Researching Gender makes an important contribution to the ways in which feminists respond to contemporary methodological and interdisciplinary challenges, and is essential reading for all research students in gender studies. This book was originally published as a special issue of the International Journal of Social Research Methodology.

A new way of thinking about data science and data ethics that is informed by the ideas of intersectional feminism. Today, data science is a form of power. It has been used to expose injustice, improve health outcomes, and topple governments. But it has also been used to discriminate, police, and surveil. This potential for good, on the one hand, and harm, on the other, makes it essential to ask: Data science by whom? Data science for whom? Data science with whose interests in mind? The narratives around big data and data science are overwhelmingly white, male, and techno-heroic. In Data Feminism, Catherine D'Ignazio and Lauren Klein present a new way of thinking about data science and data ethics—one that is informed by intersectional feminist thought. Illustrating data feminism in action, D'Ignazio and Klein show how challenges to the male/female binary can help challenge other hierarchical (and empirically wrong) classification systems. They explain how, for example, an understanding of emotion can expand our ideas about effective data visualization, and how the concept of invisible labor can expose the significant human efforts required by our automated systems. And they show why the data never, ever “speak for themselves.” Data Feminism offers strategies for data scientists seeking to learn how feminism can help them work toward justice, and for feminists who want to focus their efforts on the growing field of data science. But Data Feminism is about much more than gender. It is about power, about who has it and who doesn't, and about how those differentials of power can be challenged and changed.

Safe drinking water counts for nothing. A pollution-free environment counts for nothing. Even some people - namely women - count for nothing. This is the case, at least, according to the United Nations System of National Accounts. Author Marilyn Waring, former New Zealand M.P., now professor, development consultant, writer, and goat farmer, isolates the gender bias that exists in the current system of calculating national wealth. As Waring observes, in this accounting system women are considered 'non-producers' and as such they cannot expect to gain from the distribution of benefits that flow from production. Issues like nuclear warfare, environmental conservation, and poverty are likewise excluded from the calculation of value in traditional economic theory. As a result, public policy, determined by these same accounting processes, inevitably overlooks the importance of the environment and half the world's population. Counting for Nothing, originally published in 1988, is a classic feminist analysis of women's place in the world economy brought up to date in this reprinted edition, including a sizeable new introduction by the author. In her new introduction, the author updates information and examples and revisits the original chapters with appropriate commentary. In an accessible and often humorous manner, Waring offers an explanation of the current economic systems of accounting and thoroughly outlines ways to ensure that the significance of the environment and the labour contributions of women receive the recognition they deserve.

This edited volume maps new advances in theories and practices in feminist economics and the valuation of women, care and nature since Marilyn Waring’s groundbreaking critique of the system of national accounts, If Women Counted (1988). It features theoretical, practical and policy oriented contributions, empirical studies, and new conceptualizations, theorizations and problematizations of defining and accounting for the value of nature and unpaid household work, eco-feminism, national and international policy processes, gender budgeting, unpaid care and HIV/AIDS policy, activism and artwork, and mirrors the wide-ranging impact and resonance of Waring’s work as well as the current frontiers of feminist economics.

Feminism has changed the world; it is radically reshaping women’s lives. But what about men? They still hold most of the power in the economy, in government, in religions, in the media and often in the family too. At the same time, many men are questioning traditional views about what it means to be a man. Others resent the gains women have made and want to turn back the clock. Nikki van der Gaag asks the question: how might feminism improve the lives of men as well as women? And is there a place for men in the feminist story?

Author of the New York Times bestseller Useful Idiots and popular columnist Mona Charen takes a close, reasoned look at the aggressive feminist agenda undermining the success and happiness of men and women across the country In this smart, deeply necessary critique, Mona Charen unpacks the ways feminism fails us at home, in the workplace, and in our personal relationships--by promising that we can have it all, do it all, and be it all. Here, she upends the feminist agenda and the liberal conversation surrounding women's issues by asking tough and crucial questions, such as: Did women's full equality require the total destruction of the nuclear family? Did it require a sexual revolution that would dismantle traditions of modesty, courtship, and fidelity that had characterized relations between the sexes for centuries? Did it cause the broken dating culture and the rape crisis on our college campuses? Did it require war between the sexes that would deem men the "enemy" of women? Have the strides of feminism made women happier in their home and work life. (The answer is No.) Sex Matters tracks the price we have paid for denying sex differences and stoking the war of the sexes--family breakdown, declining female happiness, aimlessness among men, and increasing inequality. Marshaling copious social science research as well as her own experience as a professional as well as a wife and mother, Mona Charen calls for a sexual ceasefire for the sake of women, men, and children.

“Roxane Gay is so great at weaving the intimate and personal with what is most bewildering and upsetting at this moment in culture. She is always looking, always thinking, always passionate, always careful, always right there.” — Sheila Heti, author of How Should a Person Be? A New York Times Bestseller Best Book of the Year: NPR • Boston Globe • Newsweek • Time Out New York • Oprah.com • Miami Herald • Book Riot • Buzz Feed • Globe and Mail (Toronto) • The Root • Shelf Awareness A collection of essays spanning politics, criticism, and feminism from one of the most-watched cultural observers of her generation In these funny and insightful essays, Gay takes us through the journey of her evolution as a woman (Sweet Valley High) of color (The Help) while also taking readers on a ride through culture of the last few years (Girls, Django in Chains) and commenting on the state of feminism today (abortion, Chris Brown). The portrait that emerges is not only one of an incredibly insightful woman continually growing to understand herself and our society, but also one of our culture. Bad Feminist is a sharp, funny, and spot-on look at the ways in which the culture we consume becomes who we are, and an inspiring call-to-arms of all the ways we still need to do better, coming from one of our most interesting and important cultural critics.

This is the first study to apply a broad range of theory to contemporary film. With dazzling insight and critical aplomb Maggie Humm highlights and explains feminist issues and offers a fascinating array of original film analyses.