Feminism In Contemporary British And Indian English Fiction

Indian Research In English Studies Has A Long And Rich Tradition But, Unfortunately, It Has Failed To Make Any Notable Impact On The Academic World. This Is Largely Due To The Fact That Most Of The Indian Doctoral Dissertations In English Studies Lie Buried In University Libraries And Are Inaccessible To Aspiring Researchers. No Attempt Has Been Made So Far To Establish Any Link Or Co-Ordination Between Research Activities Of Different Universities/Institutes. This Has Resulted In A Total Neglect Of Earlier Research And Unnecessary Duplication.The Present Volume Is Designed To End This Unhappy Situation By Providing A Complete And Authentic Account Of Research Carried Out In Indian Universities Not Only In British, American, Commonwealth And Indian English Literature But Also In Comparative Studies, Translation Studies, Language, Linguistics And Elt. Entries On The Above Mentioned Are Arranged Subject-Wise In Chronological Sequence And Are Followed By A Separate Section On Individual Authors In Alphabetical Order. Thus It Provides A Consolidated View Of Indian Research In English And Serves As An Invaluable Reference Manual. It Is A Step Towards Orientation And Systematisation Of Indian Research In English Studies And Will Help To Make Research A Well-Informed, Well-Planned And Meaningful Exercise.

"Feminism is rapidly developing as a significant critical ideology; it constitutes a major segment of the contemporary writing in English. The two-volume anthology has detailed discussions on the writings of Anita Desai, Shashi Deshpande, Bharati Mukherjee, Arundhati Roy, Manju Kapur, Kamala Das, Githa Hariharan, Chitra Banerjee Divakaruni and Bapsi Sidhwa. The central objective of the book is to discuss the theoretical investigations carried out by Indian women writers in their works and to arrive at a deeper understanding of feminist contentions." "R. K. Dhawan teaches English at S.B.S. College, University of Delhi. He has lectured extensively at many universities, including those at Sri Lanka, Bangladesh, Singapore, Tunisia, Italy and Australia." Publisher's note.

The Book Is A Pioneering Study Of Its Kind, Chronologically Examining The Novels Of Anita Desai Mostly From A Feminist Point Of View. The Book Excels In Formally Analysing Indian And Western Traditions Of Feminism, Man-Woman Relationship And Art Of Characterisation In The Overall Context Of The Feminine Psyche Which It Thoroughly Examines. Anita Desai S Is A World Of Married Women Who Combat To Get Out Of The Maniacles That Bind Them; To Evolve From Being A Mere Nonentity Victim To A Vibrant Individual Capable Of Breaking The Fetters Without Breaking The Relationship. The Book Is A Voyage From A Sense Of Incompetence And Paranoia To Self-Awareness And Resilience, To Self-Poise And Concord Within The Family Matrix. Dr. Gupta Shows How Anita Desai Has Depicted The Depths Of Human Consciousness And Subconsciousness In Her Existential Concern Which Makes Her Writings Uniquely Powerful Through Feminism. Hence, The Need And Justification Of The Book To Undertake The Present Study Of Her New Perspective On Feminism.

Multicultural and Marginalized Voices of Postcolonial Literature traces multifarious facets of marginalized literature across the world, giving a brilliant overview of the historical roots of multiculturalist and marginalized sections.

The word doyenne signifies the various expressions of female, feminine, and feminist aspects of contemporary literature in India, through multiple theoretical frameworks. Contemporary Women’s Writing in India is an edited collection dealing with a range of these issues set in the society of Indian culture. Indian women’s literature is still a fertile ground for critical enquiry. There are three sections in the collection: Section I deals with specific instances in history, historical constructions, and representations of gender. Section II offers a varied spectrum of feminist critical discourse on contemporary Indian women’s writing, intersecting with the frameworks of post-colonial theory, deconstruction, perspectives on race and ethnicity, and eco-feminism. Section III touches upon the notion of the woman’s body and psyche through the varied perspectives of psychoanalysis, feminism, and post-feminism. By thoroughly exploring a range of issues, Contemporary Women’s Writing promises to take the reader by the hand, and journey through the unfamiliar but refreshing landscape of women’s literature in India.

Elizabeth Jackson conducts a developmental and comparative study of feminist concerns expressed through the novels of the four best-known and most prolific Indian female authors writing in English during the latter half of the twentieth century: Kamala Markandaya, Nayantara Sahgal, Anita Desai, and Shashi Deshpande. The introduction situates their work within its Indian historical and political context, and each of the five chapters explores an area of particular relevance to their fictional writing: Women, Cultural Identity and Social Class; Marriage and Sexuality; Motherhood and Other Work; Women's Role in Maintaining and/or Resisting Patriarchy; and Form and Narrative Strategy. Each chapter is contextualised with a brief survey of Indian and western feminist approaches to the particular area under consideration. Feminism and Contemporary Indian Women's Writing explores areas of commonality and divergence between Indian and 'western' feminisms, highlighting the limits of both approaches to suggest future directions for feminism itself.