Feminist Theatrical Revisions Of Classic Works
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Feminist Theatrical Revisions of Classic Works
Author | : Sharon Friedman |
Publsiher | : McFarland |
Total Pages | : 302 |
Release | : 2014-01-10 |
Genre | : Performing Arts |
ISBN | : 9780786452392 |
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Re-visioning the classics, often in a subversive mode, has evolved into its own theatrical genre in recent years, and many of these productions have been informed by feminist theory and practice. This book examines recent adaptations of classic texts (produced since 1980) influenced by a range of feminisms, and illustrates the significance of historical moment, cultural ideology, dramaturgical practice, and theatrical venue for shaping an adaptation. Essays are arranged according to the period and genre of the source text re-visioned: classical theater and myth (e.g. Antigone, Metamorphoses), Shakespeare and seventeenth-century theater (e.g. King Lear, The Rover), nineteenth and twentieth century narratives and reflections (e.g. The Scarlet Letter, Jane Eyre, A Room of One's Own), and modern drama (e.g. A Doll House, A Streetcar Named Desire).
Feminism and Theatre
Author | : Sue-Ellen Case |
Publsiher | : Routledge |
Total Pages | : 160 |
Release | : 2014-09-03 |
Genre | : Performing Arts |
ISBN | : 9781136735134 |
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This classic study is both an introduction to, and an overview of, the relationship between feminism and theatre.
Theatre History Studies 2010 Vol 30
Author | : Rhona Justice-Malloy |
Publsiher | : University of Alabama Press |
Total Pages | : 314 |
Release | : 2010-11-04 |
Genre | : History |
ISBN | : 9780817371074 |
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To mark the thirtieth anniversary of the Theatre History Studies journal, editor Rhona Justice-Malloy and the Mid-America Theatre Conference have collected a special-themed volume covering the past and present of African and African American theatre. Topics included range from modern theatrical trends and challenges in Zimbabwe and Kenya, and examining the history and long-range impact of Paul Robeson’s groundbreaking and troubled life and career, to gender issues in the work of Ghanaian playwright Efo Kodjo Mawugbe, and the ways that 19th-century American blackness was defined through Othello and Desdemona. This collection fills a vacancy in academic writing. Readers will enjoy it; academics can incorporate it into their curriculum; and students will find it helpful and illuminating.
Dramatic Revisions of Myths Fairy Tales and Legends
Author | : Verna A. Foster |
Publsiher | : McFarland |
Total Pages | : 259 |
Release | : 2012-10-10 |
Genre | : Performing Arts |
ISBN | : 9780786465125 |
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These new essays explore the ways in which contemporary dramatists have retold or otherwise made use of myths, fairy tales and legends from a variety of cultures, including Greek, West African, North American, Japanese, and various parts of Europe. The dramatists discussed range from well-established playwrights such as Tony Kushner, Caryl Churchill, and Timberlake Wertenbaker to new theatrical stars such as Sarah Ruhl and Tarell Alvin McCraney. The book contributes to the current discussion of adaptation theory by examining the different ways, and for what purposes, plays revise mythic stories and characters. The essays contribute to studies of literary uses of myth by focusing on how recent dramatists have used myths, fairy tales and legends to address contemporary concerns, especially changing representations of women and the politics of gender relations but also topics such as damage to the environment and political violence.
Political Adaptation in Canadian Theatre
Author | : Kailin Wright |
Publsiher | : McGill-Queen's Press - MQUP |
Total Pages | : 215 |
Release | : 2020-09-23 |
Genre | : Literary Criticism |
ISBN | : 9780228003243 |
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In Canada, adaptation is a national mode of survival, but it is also a way to create radical change. Throughout history, Canadians have been inheritors and adaptors: of political systems, stories, and customs from the old world and the new. More than updating popular narratives, adaptation informs understandings of culture, race, gender, and sexuality, as well as individual experiences. In Political Adaptation in Canadian Theatre Kailin Wright investigates adaptations that retell popular stories with a political purpose and examines how they acknowledge diverse realities and transform our past. Political Adaptation in Canadian Theatre explores adaptations of Canadian history, Shakespeare, Greek mythologies, and Indigenous history by playwrights who identify as English-Canadian, African-Canadian, French-Canadian, French, Kuna Rappahannock, and Delaware from the Six Nations. Along with new considerations of the activist potential of popular Canadian theatre, this book outlines eight strategies that adaptors employ to challenge conceptions of what it means to be Indigenous, Black, queer, or female. Recent cancellations of theatre productions whose creators borrowed elements from minority cultures demonstrate the need for a distinction between political adaptation and cultural appropriation. Wright builds on Linda Hutcheon's definition of adaptation as repetition with difference and applies identification theory to illustrate how political adaptation at once underlines and undermines its canonical source. An exciting intervention in adaptation studies, Political Adaptation in Canadian Theatre unsettles the dynamics of popular and political theatre and rethinks the ways performance can contribute to how one country defines itself.
Text Presentation 2009
Author | : Kiki Gounaridou |
Publsiher | : McFarland |
Total Pages | : 215 |
Release | : 2010-03-16 |
Genre | : Performing Arts |
ISBN | : 9780786456666 |
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Text & Presentation is an annual publication devoted to all aspects of theatre scholarship. It represents a selection of the best research presented at the international, interdisciplinary Comparative Drama Conference. This edition includes papers from the 33rd annual conference held in Los Angeles, California. Topics covered include Bernard Shaw's use of gardens and libraries in Widowers' Houses, Northern Ireland emergency law in Brian Friel's The Freedom of the City, cannibalism and surrogation in Hamletmachine, Sergei Eisenstein's and Charlie Chaplin's use of the "montage of attraction," and adaptations of classic Greek tragedy in Mexico and Taiwan, among other topics.
Performing Feminisms
Author | : Sue-Ellen Case |
Publsiher | : JHU Press |
Total Pages | : 342 |
Release | : 1990-02 |
Genre | : Art |
ISBN | : 0801839696 |
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A valuable, provoking, important addition to any theatre scholar or practitioner's library, especially since feminist theory is a relative newcomer to the world of theatre.
Reimagining Greek Tragedy on the American Stage
Author | : Helene P. Foley |
Publsiher | : Univ of California Press |
Total Pages | : 396 |
Release | : 2014-06-26 |
Genre | : History |
ISBN | : 9780520283879 |
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This book explores the emergence of Greek tragedy on the American stage from the nineteenth century to the present. Despite the gap separating the world of classical Greece from our own, Greek tragedy has provided a fertile source for some of the most innovative American theater. Helene P. Foley shows how plays like Oedipus Rex and Medea have resonated deeply with contemporary concerns and controversies—over war, slavery, race, the status of women, religion, identity, and immigration. Although Greek tragedy was often initially embraced for its melodramatic possibilities, by the twentieth century it became a vehicle not only for major developments in the history of American theater and dance but also for exploring critical tensions in American cultural and political life. Drawing on a wide range of sources—archival, video, interviews, and reviews—Reimagining Greek Tragedy on the American Stage provides the most comprehensive treatment of the subject available.