Field Guide To The Apocalypse

the end is near Surviving the apocalypse is one thing. Enjoying life after most of civilization is wiped out -- that's entirely different. Maybe you can outrun an avalanche, or escape a burning building, but can you really cut it after the unthinkable happens? Can you, for example, deal with damn dirty apes, convert your car to run on bathtub gin, or synthesize a species-saving vaccine from your own mucus? No? Obviously, it's not going to be as easy as you thought to come out of Armageddon as the new ruling king of the world. Any chump off the street could be lucky enough to have the immunity to survive the all-of-humanity-killing disease, or be the one dude who happens to make it through a meteor strike. But not everyone will know what clothes to wear to intimidate, or what kind of vehicle you want to be driving in the postapocalyptic wasteland. Not everyone will have the sense to discern whether their food is, in fact, people. You can survive the apocalypse without this book. But the apocalypse isn't the problem: It's what happens afterward. You against the other people left in the world. You'd better be prepared.

In this humorous look at today's culture's ongoing love affair with the "End Times," the author provides a handful of anecdotes, acknowledgments of the phenomenon in pop culture and insights that precede each chapter.

A common sense field guide to understanding, surviving, and thriving in our time of complex chaos and crises. Is this finally it? The end times?Because from COVID-19 to climate catastrophe to the looming AI revolution—not to mention the ever-growing background hum of rage, fear, and anxiety—it’s starting to feel like the party we call civilization is just about over. The good news? It’s always felt that way. Drawing on evolutionary psychology, history, brain science, game theory, and more, cooperation theorist (and, coincidentally, zombie expert) Athena Aktipis reassuringly explains how we, as a species, are hardwired to survive big existential crises. And how we can do so again by leveraging our innate abilities to communicate and cooperate. Pack a ukulele in your prep kit. Practice your risk-management skills. Enlist your crew into a survival team. And embrace the apocalypse. You might just enjoy it. Plus, it will help us build a better and more resilient future for all humankind.

2013 Orion Book Award Winner 2013 Sigurd F. Olson Nature Writing Award Winner Ours is not a stable planet. It is prone to sudden, violent natural disasters and extremes of climate. In this exhilarating exploration of our globe, Craig Childs goes to where the apocalypse can be seen now. From the driest deserts of Chile, through the genetic wasteland of central Iowa, to the site of the drowned land bridge of the Bering Sea, he uncovers cataclysms that tell us what could be next: forthcoming ice ages, super volcanoes, and the conclusion of planetary life cycles. Childs delivers a sensual feast in his descriptions of the natural world, and undeniable science that reveals both the earth’s strengths and frailties. Bearing witness to the planet’s sweeping and perilous changes, he shows how we can alter the future, and how the world will live on, though humans may not survive to see it.

Delivers a whimsical look at our culture's obsession with apocalypse as well as a thoughtful reflection on our resources in the face of disasters both large and small, personal and public. Pop-culture characters deliver humorous but insightful commentary on survival and resilience through poems that span imagined scenarios that are not entirely beyond the realm of possibility.

A line-up of the dirty dealers and defenders of the indefensible who are definitely not "making America great again" Donald Trump has assembled a rogue's gallery of alt-right hatemongers, crony capitalists, immigrant bashers, and climate-change deniers to run the American government. To survive the next four years, we the people need to know whose hands are on the levers of power. And we need to know how to challenge their abuses. John Nichols, veteran political correspondent at the Nation, has been covering many of these deplorables for decades. Sticking to the hard facts and unafraid to dig deep into the histories and ideologies of the people who make up Trump's inner circle, Nichols delivers a clear-eyed and complete guide to this wrecking-crew administration.

As interest in environmental issues grows, many writers of fiction have embraced themes that explore the connections between humans and the natural world. Ecologically themed fiction ranges from profound philosophical meditations to action-packed entertainments. Where the Wild Books Are offers an overview of nearly 2,000 works of nature-oriented fiction. The author includes a discussion of the precursors and history of the genre, and of its expansion since the 1970s. He also considers its forms and themes, as well as the subgenres into which it has evolved, such as speculative fiction, ecodefense, animal stories, mysteries, ecofeminist novels, cautionary tales, and others. A brief summary and critical commentary of each title is included. Dwyer’s scope is broad and covers fiction by Native American writers as well as ecofiction from writers around the world. Far more than a mere listing of books, Where the Wild Books Are is a lively introduction to a vast universe of engaging, provocative writing. It can be used to develop book collections or curricula. It also serves as an introduction to one of the most fertile areas of contemporary fiction, presenting books that will offer enjoyable reading and new insights into the vexing environmental questions of our time.

This “magnificently compelling” essay collection explores obsession, anxiety, and Existential dread from the Book of Revelation to the Liberace Museum (Minneapolis Star Tribune). The sermons of Joni Tevis’ youth filled her with dread, a sense “that an even worse story—one you hadn’t read yet—could likewise come true.” In this revelatory collection, she reckons with her childhood fears by exploring the uniquely American fascination with apocalypse. From a haunted widow’s wildly expanding mansion, to atomic test sites in the Nevada desert, her settings are often places of destruction and loss. And yet Tevis transforms these eerie destinations into sites of creation as well, uncovering powerful points of connection. Whether she’s relating her experience of motherhood or describing the timbre of Freddy Mercury’s voice in “Somebody to Love,” she relies on the same reverence for detail and sense of awe. And by anchoring her attention to the raw materials of our world—nails and beams, dirt and stone, bones and blood—she discovers grandeur in the seemingly mundane. Winner of the 2016 Firecracker Award for Creative Nonfiction Finalist for the 2016 Pat Conroy Southern Book Prize