Fields Of Agony British Poetry Of The First World War

A study of poetry written by men and women in all parts of the British Isles during the First World War, 1914â€"18. The book discusses significant individual poems by the writers named, exploring them within their social, political and aesthetic frames and.

This rich and valuable ebook has numerous fascinating hyperlinks to online resources. It discusses significant individual poems by the writers named, exploring them within their social, political and aesthetic frames and summarising important earlier critical readings and responses. It is copiously illustrated and covers Thomas Hardy, Popular Poetry, Anthologies, War Poetry by Women, the work of Graves, Blunden and Gurney, Siegfried Sassoon, Wilfred Owen, Edward Thomas, David Jones, Irish poetry, Scottish poetry, War Poetry and Modernism.

Costa Picazo recopila, traduce y anota las poesías de guerra de cinco poetas ingleses (Edmund Blunden, Robert Graves, Wilfred Owen, Isaac Rosenberg y Siegfried Sassoon) y un grupo de mujeres poetas (Marian Allen, Nora Bomford, Vera Brittain, Eleanor Farjeon, Charlotte Mew, May Sinclair y Elizabeth Underhill, entre otras). Tierra de nadie es un libro acerca de una de las guerras más terribles del siglo XX, en la que más de setenta y cinco millones de hombres fueron movilizados y más de la mitad resultaron muertos o desaparecidos. Es un libro sobre el horror de la guerra y, a pesar del espanto, sobre poesía. La Gran Guerra fue una contienda de trincheras, de dos frentes enemigos separados por un vacío que no era de nadie. Las profundas excavaciones, situadas en lados opuestos, prote-gidas por alambre de púa y ametralladoras, estaban separadas por una extensión de terreno infértil, que la lluvia y el defectuoso sistema de desagües convertían en lodazal. Las trincheras eran un claro ejemplo de deterioro y putrefacción. Allí se amontonaban los vivos y los muertos, estos últimos absorbidos por el fango y todos en medio de las ratas y el hedor. En ese contexto, cinco poetas ingleses (Edmund Blunden, Robert Graves, Wilfred Owen, Isaac Rosenberg y Siegfried Sassoon) y un grupo de mujeres poetas (Marian Allen, Nora Bomford, Vera Brittain, Eleanor Farjeon, Charlotte Mew, May Sinclair y Elizabeth Underhill, entre otras) demostraron que el espíritu humano sobrevive al horror y es capaz de afirmarse en medio del caos, y eternizarse.

Spanning the colonial campaigns of the Victorian age to the War on Terror after 9/11, this study explores the role sport was perceived to have played in the lives and work of military personnel, and examines how sporting language and imagery were deployed to shape and reconfigure civilian society’s understanding of conflict. From 1850 onwards war reportage – complemented and reinforced by a glut of campaign histories, memoirs, novels and films – helped create an imagined community in which sporting attributes and qualities were employed to give meaning and order to the chaos and misery of warfare. This work explores the evolution of the Victorian notion that playing-field and battlefield were connected and then moves on to investigate the challenges this belief faced in the twentieth century, as combat became, initially, industrialised in the age of total warfare and, subsequently, professionalised in the post-nuclear world. Such a longitudinal study allows, for the first time, new light to be shed on the continuities and shifts in the way the ‘reality’ of war was captured in the British popular imagination. Drawing together the disparate fields of sport and warfare, this book serves as a vital point of reference for anyone with an interest in the cultural, social or military history of modern Britain.

This book is a collection of specifically commissioned articles on the key continental European philosophical movements since 1914. It shows how each of these bodies of thought has been shaped by their responses to the horrors set in train by World War I, and considers whether we are yet ‘post-post-war’. The outbreak of World War I in August 1914,set in chain a series of crises and re-configurations, which have continued to shape the world for a century: industrialized slaughter, the end of colonialism and European empires, the rise of the USA, economic crises, fascism, Soviet Marxism, the gulags and the Shoah. Nearly all of the major movements in European thinking (phenomenology, psychoanalysis, Hegelianism, Marxism, political theology, critical theory and neoliberalism) were forged in, or shaped by, attempts to come to terms with the global trauma of the World Wars. This is the first book to describe the development of these movements after World War I, and as such promises to be of interest to philosophers and historians of philosophy around the world.

In Living with War, Robert Teigrob examines how war is experienced and remembered on both sides of the 49th parallel.

This multi-disciplinary book explores the textual analysis of heavy metal lyrics written in languages other than English including Japanese, Yiddish, Latin, Russian, Hungarian, Austrian German, and Norwegian. Topics covered include national and minority identity, politics, wordplay, parody, local/global, intertextuality, and adaptation.

Part 1, Life and Times, traces Hopkins's life from his early schooldays, his undergraduate years at Oxford and conversion to Catholicism, to his work as a Jesuit scholar and poet-priest. Part 2, Literary Strategies, explains the core principles of Hopkins's innovative and challenging poetry, including sections on inscape, interests and sprung rhythm. Part 3, Reading Hopkins, provides a detailed critical commentary on most of the major poems: The Wreck of the Deutschland, God's Grandeur, The Starlight Night, As Kingfishers, Spring, The Sea and the Skylark, In the Valley of the Elwy, The Windhover, Pied Beauty, The Caged Skylark, Hurrahing in Harvest, The Lantern out of Doors, Duns Scotus's Oxford, Binsey Poplars, Henry Purcell, The Candle Indoors, Felix Randal, Spring and Fall, Inversnaid, Ribblesdale, To What Serves Mortal Beauty, Patience, the six 'Terrible Sonnets', Spelt from Sibyl's Leaves, Harry Ploughman, Tom's Garland, That Nature is a Heraclitean Fire, 'Thou art indeed just', 'To R.B.' Part 4, Critical Reception, explores the history of Hopkins criticism from that of his own contemporaries to twentieth century and current critical approaches. This section also provides a guide to further reading and some useful websites.