Fierce Females On Television

A fascinating deep-dive into how shows from Buffy the Vampire Slayer to The Equalizer have changed the way women are portrayed on television. The last three decades of television have been a formative and progressive time for female characters, as stronger, more independent women have appeared on screen to guide a new generation of viewers into their own era of power. These characters battle vampires, demons, corrupt government officials, and scientific programs all while dealing with the same real-world concerns their audiences face every day. In Fierce Females on Television: A Cultural History, Nicole Evelina examines ten shows from the past thirty years to unveil the enormous impact they have had on the way women are portrayed on television. She reveals how Buffy the Vampire Slayer, Charmed, Alias, Nikita, Agent Carter, Jessica Jones, Homeland, House of Cards, Orphan Black, and The Equalizer feature extraordinary lead characters who are at the same time utterly relatable, facing surprisingly familiar questions in their everyday lives regarding sexuality, gender, and how to fight back in a patriarchal world. Fierce Females on Television shows how, even with their captivating mix of melodrama, mystery, magic, and martial arts, these shows nevertheless represent the audience’s own desires and fears. Finally, viewers of science fiction, fantasy, spy, and political shows have strong, modern women to watch, admire, and emulate.

Fierce Females on Television provides a fascinating deep-dive into how shows such as Buffy the Vampire Slayer, Charmed, Homeland, Orphan Black, and The Equalizer have changed the way women are portrayed on television and paved the way for the strong female characters we know and love today.

Can you have a strong personality and still be a godly wife? YES! Do you ever get the idea that being a godly wife means you need to be a mousy doormat? Be as unnoticeable as a doorknob? Or have a personality transplant? Fierce Women: The Power of a Soft Warrior smashes that idea. No matter whether you’re an extrovert or more introverted, Kimberly Wagner believes women are created to be a compelling force. You may not see yourself as beautifully fierce or even slightly strong, but what if God has placed a powerful fierceness within you, within every woman? Kim admits her fierceness became a source of conflict in her marriage, but the relationship dynamic totally changed when she discovered her fierce strengths could be used to encourage and inspire her husband. She invites you to come alongside as she takes an honest look at a destructive relationship dynamic and casts a vision for the transformation God can bring to troubled marriages. A True Woman Book; the goal of the True Woman publishing line is to encourage women to: Discover, embrace, and delight in God's divine design and mission for their lives Reflect the beauty and heart of Jesus Christ to their world Intentionally pass the baton of Truth on to the next generation Pray earnestly for an outpouring of God's Spirit in their families, churches, nation and world

International in scope and more comprehensive than existing collections, A Companion to Reality Television presents a complete guide to the study of reality, factual and nonfiction television entertainment, encompassing a wide range of formats and incorporating cutting-edge work in critical, social and political theory. Original in bringing cutting-edge work in critical, social and political theory into the conversation about reality TV Consolidates the latest, broadest range of scholarship on the politics of reality television and its vexed relationship to culture, society, identity, democracy, and “ordinary people” in the media Includes primetime reality entertainment as well as precursors such as daytime talk shows in the scope of discussion Contributions from a list of international, leading scholars in this field

A fun and fascinating deep dive into the impact and creation of the cult-hit television series Mystery Science Theater 3000. Few television shows can boast the long-term cult popularity and cultural influence of Mystery Science Theater 3000—or MST3K to its legions of devoted fans, known collectively as MSTies. Created by quirky standup comic Joel Hodgson and producer Jim Mallon, Mystery Science Theater 3000 was a low-budget and altogether unconventional comedy series about a man trapped in space and forced to watch the worst movies ever made alongside a pair of homemade, wisecracking robots named Tom Servo and Crow T. Robot. In Mystery Science Theater 3000: A Cultural History, Matt Foy and Christopher J. Olson explore the vast cultural influence of the cult television series, charting how the show’s aesthetics, style of humor, and distribution innovations heralded shifts in popular culture and media production and criticism. The show also engaged viewers in the do-it-yourself media subculture of the 1980s that blurred the lines between media producers and consumers and introduced the art of media “riffing” into popular culture. Beginning with the humble origins of MST3K, Foy and Olson dig into everything from the show’s journey across networks to the must-watch episodes. Also discussed are the endeavors of cast members after the show’s cancellation, including RiffTrax, Cinematic Titanic, and the Mads Are Back, as well as the show’s second life through a Kickstarter campaign and a Netflix revival. This is an essential guide to all things MST3K for fans both new and old.

The third edition of this classic text helps readers consider the myriad ways gendered attitudes and practices influence communication in our personal and professional interactions. Written in an engaging style, with a wide array of exercises designed to challenge and interest readers in applying what they learn, the book integrates research with examples from contemporary life related to gender and culture, race, class, and media. Among new topics covered in this edition are multiple genders, gender activism and the #MeToo movement, and challenges of twenty-first-century masculinities and femininities, including expanded coverage of contemporary male issues. Fresh coverage is also afforded to each communication context, particularly gender at work, the legal and political spheres, global cultures, and the digital world, including social media. The book is ideally suited for undergraduate courses in gender and communication within communication studies, sociology, and business departments. Online resources include lecture slides and an instructor’s manual.

Rachel E. Dubrofsky examines the reality TV series The Bachelor and The Bachelorette in one of the first book-length feminist analysis of the reality TV genre. The research found in The Surveillance of Women on Reality TV: Watching The Bachelor and The Bachelorette meets the growing need for scholarship on the reality genre. This book asks us to be attentive to how the surveillance context of the program impacts gendered and racialized bodies. Dubrofsky takes up issues that cut across the U.S. cultural landscape: the use of surveillance in the creation of entertainment products, the proliferation of public confession and its configuration as a therapeutic tool, the ways in which women's displays of emotion are shown on television, the changing face of popular feminist discourse (notions of choice and empowerment), and the recentering of whiteness in popular media.

Fusing audience research and ethnography, the book presents a compelling account of women’s changing lives and identities in relation to the impact of the most popular media culture in everyday life: television. Within the historically-specific social conditions of Korean modernity, Youna Kim analyzes how Korean women of varying age and class group cope with the new environment of changing economical structure and social relations. The book argues that television is an important resource for women, stimulating them to research their own lives and identities. Youna Kim reveals Korean women as creative, energetic and critical audiences in their responses to evolving modernity and the impact of the West. Based on original empirical research, the book explores the hopes, aspirations, frustrations and dilemmas of Korean women as they try to cope with life beyond traditional grounds. Going beyond the traditional Anglo-American view of media and culture, this text will appeal to students and scholars of both Korean area studies and media and communications studies.