Filthy Material

Modernist literature is inextricable from the history of obscenity. The trials of figures like James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts twentieth century literature. Filthy Material: Modernism and The Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. Judgments about obscenity, which hinged on understanding how texts were circulated and read, were often proxies for the changing place of literature in an age of new technological media. The emergence of film, photography, and new printing technologies shaped how literary value was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of obscenity in order to discover a history of technological media behind debates about moral corruption and sexual explicitness. The shift from the intense censorship of the early twentieth century to the effective 'end of obscenity' for literature at the middle of the century, it argues, is not simply a product of cultural liberalization but of a changing media ecology. Filthy Material brings together media theory and archival research to offer a fresh account of modernist obscenity and novel readings of works of modernist literature. It sheds new light on figures at the center of modernism's obscenity trials (such as Joyce and Lawrence), demonstrates the relevance of the discourse obscenity to understanding figures not typically associated with obscenity debates (like T. S. Eliot and Wyndham Lewis), and introduces new figures to our account of modernism (like Norah James and Jack Kahane). It reveals how modernist obscenity reflected a contest over the literary in the face of new media technologies.

Modernist literature is inextricable from the history of obscenity. The trials of figures like James Joyce, D. H. Lawrence, and Radclyffe Hall loom large in accounts twentieth century literature. Filthy Material: Modernism and The Media of Obscenity reveals the ways that debates about obscenity and literature were shaped by changes in the history of media. Judgments about obscenity, which hinged on understanding how texts were circulated and read, were often proxies for the changing place of literature in an age of new technological media. The emergence of film, photography, and new printing technologies shaped how literary value was understood, altering how obscenity was defined and which texts were considered obscene. Filthy Material rereads the history of obscenity in order to discover a history of technological media behind debates about moral corruption and sexual explicitness. The shift from the intense censorship of the early twentieth century to the effective 'end of obscenity' for literature at the middle of the century, it argues, is not simply a product of cultural liberalization but of a changing media ecology. Filthy Material brings together media theory and archival research to offer a fresh account of modernist obscenity and novel readings of works of modernist literature. It sheds new light on figures at the center of modernism's obscenity trials (such as Joyce and Lawrence), demonstrates the relevance of the discourse obscenity to understanding figures not typically associated with obscenity debates (like T. S. Eliot and Wyndham Lewis), and introduces new figures to our account of modernism (like Norah James and Jack Kahane). It reveals how modernist obscenity reflected a contest over the literary in the face of new media technologies.

Comprehensive and accessible, this book presents fundamental principles and applications that are essential for food production and food service safety. It provides basic, practical information on the daily operations in a food processing plant and reviews some of the industry's most recent developments. Formerly titled Food Plant Sanitation, this

The story of the lives of three sons of an old drunkard are used to depict Russian character and investigate the concepts of good, evil, and faith.

Good Press presents to you this carefully created collection of Fyodor Dostoyevsky's complete works. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Fyodor Dostoyevsky (1821–1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment, The Idiot, Demons and The Brothers Karamazov. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature. NOVELS: Netochka Nezvanova, The Village of Stepanchikovo, The Insulted and Humiliated, The House of the Dead, Crime and Punishment, The Idiot, The Possessed (Demons), The Raw Youth (The Adolescent), The Brothers Karamazov, Poor Folk, The Double, The Landlady, Uncle's Dream Notes from Underground, The Gambler, The Permanent Husband; SHORT STORIES: The Grand Inquisitor (Chapter from The Brothers Karamazov), Mr. Prohartchin, A Novel in Nine Letters, Another Man's Wife or The Husband under the Bed, A Faint Heart, Polzunkov, The Honest Thief ,The Christmas Tree and The Wedding, White Nights, A Little Hero, An Unpleasant Predicament (A Nasty Story), The Crocodile Bobok, The Heavenly Christmas Tree, A Gentle Spirit, The Peasant Marey, The Dream of a Ridiculous Man; LETTERS AND MEMOIRS: Letters of Fyodor Michailovitch Dostoyevsky to his Family and Friends, Pages from the Journal of an Author, Fyodor Dostoevsky; BIOGRAPHY: Fyodor Dostoyevsky, A Study by Aimée Dostoyevsky