Finding Calcutta Memoirs Of A Photographer

"In 1984, Mother Teresa arrived in New Orleans to speak to a large crowd waiting in the Superdome. As Marie Bissell Constantin drove from Baton Rouge to take her photograph, she had no idea that her encounter would mark the first of many and that one day, one of her images of Mother Teresa would be unveiled in front of over three hundred thousand people for her beatification ceremony in St. Peter's Square. In her photographic memoir, Constantin leads others through her unique journey as she traveled to capture Mother Teresa in rare, private moments and document the vow ceremonies of her sisters. In addition to powerful black-and-white images, Constantin shares fascinating anecdotes that provide a behind-the-scenes glimpse into the daily experiences of women devoted to doing God's work, and also into Constantin's own personal journey as she explored the possibility of becoming a nun herself. Finding Calcutta shares black-and-white images and personal stories that shine a light on the selfless life of nuns around the world who live and work among the most abandoned people in the world." [taken from back of dust jacket]

Satyajit Ray, known to his intimates as Manik-da, remains India's most respected name in international film circles. This book reveals in its simplicity the ease and camaraderie between Satyajit Ray, one of India's finest film-makers, and Nemai Ghosh, photographer extraordinaire. Manik-da is the latter's endeavour to depict the man behind the director's mask. Ghosh first worked with Ray on Goopy Gyne Bagha Byne, and Ray immediately found in him a kindred spirit who intuitively understood his requirements - and whom he understood. Thus was formed a partnership that spanned over a quarter of a century. In the process, Ghosh was able to photograph Ray at work and play, capturing on film the many moods of the master director. This nuanced and lucid translation from the Bengali original, which includes a perceptive Foreword by Sharmila Tagore, presents to the English reader Ghosh's thoughts on Ray with over fifty exquisite, never-before-seen photographs.

Memoir of an Artist is a compelling account of an unpredictable life that stretches through India, Nigeria, and Paris. As a student, he was a witness to the student revolt in Paris in 1968; in the seventies, he was in Nigeria observing the post-Biafra scenario as a teacher in the university. As a product of institutional education that shaped and groomed the new artists, he realizes the impact of Eurocentric dialogue on Indian art so imposing that it makes Indian art in perpetual transit. Again, in the process of creating dialogue within Kolkata life, author discovers contemporary art indeed has no social connectivity; thus, the educated progressive is unable to dialogue with the progressing art. Indian modernism has become a manufactured brand within art commerce, aligned to global marketing. Meanwhile, life has many spectrums, and the author has observed the modernistic agenda exists in contemporary art, as in many activities of Indian life, but each is like an island without connectivity.

Mary Poplin's chronicle of her volunteer work with the Missionaries of Charity in Calcutta provides an inside glimpse into Mother Teresa's life of service to the poor. Transformed by the experience, Poplin discovered how all of us can find our own places of meaningful work and service.

“I invite you to look into the eyes of the homeless... they tell a story.” Homelessness is a serious problem throughout North America—even in Canada and the United States, two of the richest countries in the world. “We must stop this madness,” says Leah Denbok, the teenage Canadian photographer who travelled with her dad for over two years to cities throughout North America, photographing and interviewing the homeless. Leah was inspired by the story of her mother, who at three years old was rescued from the streets of Calcutta by Saint Teresa (formerly Mother Teresa). Nowhere to Call Home is a collection of gritty, black-and-white photographs and the personal stories of individuals who live on the streets. The haunting beauty of the images will stay with you, long after you turn the last page. All the profits from the sale of this book will go to the Salvation Army Barrie Bayside Mission Centre.