First Hundred Million

Every publisher dreams of selling 100 million books. E. Haldeman Julius made it happen. Year after year, publishers go under before they even see a fraction of that number. The reason is simple. Few publishers truly know what the American public wants to read. Fewer still know what key words in a title can trigger a buying frenzy. Be different and gain control of your publishing success by applying the results of E. Haldeman Julius's amazing, scientific experiment. He published thousands of books, all with the same cover design, size and price. The only thing that set them apart was the title. He discovered that a change of a single word literally could mean thousands more in sales. Gain an insight into the American public's buying habits without breaking the bank. Apply key words that trigger your buyers' insatiable appetites and be the next publishing success. Don't hesitate, because your competitors sure won't.

During the Second World War, the Japanese government stirred the people to support its war effort with the image of ‘One hundred million hearts beating as one human bullet to defeat the enemy.’ Kerri Sakamoto, winner of the Commonwealth Writers’ Prize and the Japan-Canada Literary Award for her first novel The Electrical Field, draws on this wartime propaganda in her second novel as she casts light on a fascinating figure from wartime Japan: the kamikaze pilot. These devout young men offered their lives to fly planes into enemy artillery; both human sacrifice and deadly weapon. A cherry blossom painted on the sides of the bomber symbolized the beauty and ephemerality of nature. Coming back alive from a sacred mission was shameful failure. To succeed meant transformation into an eternal flower — reincarnation — as the plane exploded like a fiery blossom in the sky. In One Hundred Million Hearts, Miyo is a young Canadian woman who has been cared for all her life by her uncommunicative but devoted Japanese-Canadian father. Her mother died soon after her birth, and a disfigurement prevented the left side of her body from developing the same way as the right, causing her to be reliant on her father’s help. One day, commuting to work by subway when he can no longer drive her around, she is accidentally caught in the train doors, and rescued by a man who quickly professes his love for her. The joy of this nurturing and joyful relationship removes her from the almost claustrophobic shelter of home, but as she grows distant from her father, his strength begins to fade; until one day she receives the terrible news of his death. It is only then that she discovers his secret past. The woman he always called his girlfriend was in fact his wife; they had a daughter in Japan, but gave her up for adoption. Now the daughter, Hana, is an artist in Tokyo. Amazed that she has a half-sister, Miyo travels there to meet her. Hana is bitter about being abandoned by her father, and has thrown herself into her work with almost destructive intensity. Through Hana, Miyo learns more of their father’s hidden past. Though born in Canada, he was sent to university in Japan; in 1943, Japan was losing the war and the army began conscripting even students. He volunteered as a kamikaze pilot; yet he survived. Hana’s obsession with their father’s wartime history takes the shape of huge paintings of flowers adorned with the faces of kamikaze pilots and the red threads that one thousand schoolgirls sewed onto the white sash of every pilot that made this suicidal mission. “If only he had not hoarded his secrets,” thinks Miyo as she struggles to understand modern Japan and her father’s past. Why did he not fulfill his ultimate sacrifice, but live to care for her? The reader is drawn into the daily struggles of each of the characters and their rich interior lives through a lyrical portrait of Japanese life that has been compared to David Guterson’s Snow Falling on Cedars and Arthur Golden’s Memoirs of a Geisha. The Montreal Gazette said Kerri Sakamoto has created in Miyo “a marvelously complex, compelling character who is transformed…to a woman who runs and dances and loves, not in innocence, but in full, terrifying knowledge.”

Described as 'unforgettable' by The Mail on Sunday, A Hundred Million Years and a Day is a pocket-sized epic adventure story of a professor's journey to an Alpine glacier. ‘Powerful’ Sunday Times When he hears a story about a huge dinosaur fossil locked deep inside an Alpine glacier, university professor Stan finds a childhood dream reignited. Whatever it takes, he is determined to find the buried treasure. But Stan is no mountaineer and must rely on the help of old friend Umberto, who brings his eccentric young assistant, Peter, and cautious mountain guide Gio. Time is short: they must complete their expedition before winter sets in. As bonds are forged and tested on the mountainside, and the lines between determination and folly are blurred, the hazardous quest for the Earth’s lost creatures becomes a journey into Stan’s own past. This breathless, heartbreaking epic-in-miniature speaks to the adventurer within us all.

"A bunch of scruffy urchin kids in the backstreets of Paris outwit thieves to uncover the whereabouts of millions of francs stolen from the Paris-Ventimiglia express. Gaby is the leader, but it is super-cool Marion with her collection of stray dogs who is the heart of the gang. It all begins when a local villain offers the children a fortune for their 'horse' - a headless rocking horse, given old tricycle wheels that they 'ride' down the steep cobbled street, but they don't want to part with it. Then, a few days later, the horse is stolen, and so begins an adventure that is full of twists and turns, leading to a satisfying conclusion when the villains receive their comeuppance."

In the vein of Jared Diamond and Michael Pollan, a fascinating new exploration of what we eat and how we live, and the health consequences of denying our complicated evolutionary history with food. There are few areas of modern life that offer as much information and prescriptive advice, often contradictory, as the arena of diet and health: eat a lot of meat, abstain from meat; whole-grains are healthy, whole-grains are a disaster; get a lot of sunlight, sunlight causes skin cancer; eat everything in moderation but increase your exercise; eat as much as you want but concentrate on your metabolism, and on it goes. Biological anthropoligist Stephen Le cuts through the confusing mass of information to present the long view of our diet and relationship to what we eat. In One Hundred Million Years of Food, Le takes readers on a historic and geographic tour of how different cuisines have evolved in tandem with our particular environments, as our ancestors took advantage of the resources and food available to them. Like his mentor Jared Diamond, Le uses history and science to present a fascinating and wide-ranging tour of human history as viewed through what and how we eat. Travelling the world to places as far-flung as Vietnam, Kenya, Nova Scotia and Iowa, Le visits people producing food using traditional methods as well as modern techniques, and looks at how our relationship to food has strayed from centuries of tradition to mass-produced assembly lines dependent on chemicals that bring with them a host of problems. In One Hundred Million Years of Food, Stephen Le argues that our ancestral diets and lifestyles are the best first line of defense in protecting our health; simple prescriptions like paleo or vegan diets in effect highjack our biology and ignore evolution, resulting in the current explosion of chronic diseases and allergies. To put it simply, the optimal diet is to eat what your ancestors ate. In this remarkably clear-cut and compelling book, readers are shown not just what to eat, but how their diet is the product of millions of years of evolution.

BUTTON MASH TO VICTORY ​On the verge of flunking out of Grand Swordcraft Academy due to his total lack of talent, Allen Rodol’s life goes from bad to worse when the class prodigy challenges him to a duel where it’s win or face expulsion. However, the night before his hopeless bout, a mysterious hermit grants Allen a button that will give him one hundred million years to train in an alternate reality when pressed. Allen not only gladly accepts the offer but also goes back for seconds, thirds, tenths even! With over a billion years of straight practice under his belt, the world is about to see what the “Reject Swordsman” can really do!