First Hymn To Life In Congo

Maria had been raped by a way of life--a way of life known as Coconis, which refers to various kinds of vicious, horrific, and inexcusable forms of barbaric behaviour. As a direct consequence of this horrific and violent crime, Maria gave birth a few months later, just like several other young girls who had also become innocent, silent, and secret victims of similar crimes in this country. However, unlike some of the other young woman victims, Maria was blessed with a strong faith in God. She was determined not to resort to taking her own life and not to destroy the tiny life which was already gradually starting to grow inside her womb. Maria had simply decided to transform this violent and hateful act which had stripped her of all human dignity into something much more powerful and good. She wanted to be able to truly forgive, not just the kind of forgiveness given by those who have no choice, but the kind of forgiveness proffered by the weak and feeble to those who are stronger because they have no other choice in the matter. Neither was it the biblical kind when one simply forgives one's fellow men for their sins and wrongdoings. It wasn't like the forgiveness given by God either, but more of Maria's own personal and unique quest for forgiveness that she so yearned to be able to give to the young men who had raped her. Maria was determined that her rapists should recognize the brutality and wickedness of their acts and then implore her forgiveness so that she herself could, in turn, sincerely forgive them. It was the only way for her to redeem her personal dignity. She felt that she had suffered enough and that she had every right to expect her rapists' recognition of the terrible suffering that they had inflicted on her. So it was on a beautiful sunny Saturday morning of June that Maria finally gave birth to twin boys. She called them Kimia and Elikia (which means peace and faith in the Congolese language). Maria brought up and educated her twin boys in a traditional way. She possessed a sufficient sum of money to pay for their education and see them through to the end of their high school education. She knew that she had done her very best with regard to their civil education. She died not long after receiving her twin sons' baccalauréat results. She died in peace, but without having had the opportunity to be able to truly forgive her brutal attackers. She died without anyone coming to ask her for forgiveness and without having been able to offer her sincere forgiveness. But her last thoughts really went out to her wonderful children. She remembered the great ocean of motherly love that she had been able to give them during their upbringing. Before she closed her eyes for the last time, she asked God to bless them. On her deathbed, she didn't have the slightest inkling of the powerful impact of the incredible testimonial that she had succeeded in bequeathing to her children. As Maria, Africa had also been kidnapped, raped (and it's not a Belgian story), and tortured for centuries. From those repeated rapes were born sick and weak republics. None of the many rapists did recognize the shameful paternity despite the fact that their saliva and blood were still visible everywhere, and there was no need for complex DNA analysis to find out whom they belong to.

You are invited to make a journey of exploration through an exciting landscape of life and faith. Let the chemistry of urban life surprise and inspire you. Let it challenge your deepest sense of self knowledge and belief. Experience the best of humanity where you expect not to find it and share the pain that defiles the beauty of unique human beings. Join us as we explore pathways to wholeness and healing for people and communities and learn never to lose hope. We believe in the art of the possible, the value of instant improvisation, and that out of the mistakes we will make, we can produce something beautiful. Learn to go beyond horizons of our own making and discover more than we can ask or think. Take time to savour the art, which offers fresh insight into time-honoured stories of courage and faith in desperate situations; of joy and celebration; of compassion, perseverance, and dogged determination; deep contentment at the fulfilment of endeavour. Encounter the fragrance of generosity of spirit; and the love which embraces injustice and suffering, transforming them beyond all we can imagine. Join me on this journey that has no end but just gets better. As we walk together, we may discover pearls of great price, and not a little humour on the way. “Greasy Chip Butty is a textured, local authentic history in a very real and rapidly changing place. Those stories deserve to be studied and celebrated and the wisdom garnered from them needs to be widely shared.” – Steven Croft, Bishop of Oxford. “What a great read! A moving and wonderful example of doing narrative theology on the hoof ... reflecting on change, risk taking and adventure.” – John Thomson, Bishop of Selby “I read Greasy Chip Butty with delight and new learning. A kaleidoscopic and impressionistic narrative which, through the lens of music and art, shows how God has been at work in one specific neighbourhood of Sheffield.” – Pete Wilcox, Bishop of Sheffield.

New York Times Bestseller • Finalist for the Pulitzer Prize • An Oprah's Book Club Selection “Powerful . . . [Kingsolver] has with infinitely steady hands worked the prickly threads of religion, politics, race, sin and redemption into a thing of terrible beauty.” —Los Angeles Times Book Review The Poisonwood Bible, now celebrating its 25th anniversary, established Barbara Kingsolver as one of the most thoughtful and daring of modern writers. Taking its place alongside the classic works of postcolonial literature, it is a suspenseful epic of one family's tragic undoing and remarkable reconstruction over the course of three decades in Africa. The story is told by the wife and four daughters of Nathan Price, a fierce, evangelical Baptist who takes his family and mission to the Belgian Congo in 1959. They carry with them everything they believe they will need from home, but soon find that all of it—from garden seeds to Scripture—is calamitously transformed on African soil. The novel is set against one of the most dramatic political chronicles of the twentieth century: the Congo's fight for independence from Belgium, the murder of its first elected prime minister, the CIA coup to install his replacement, and the insidious progress of a world economic order that robs the fledgling African nation of its autonomy. Against this backdrop, Orleanna Price reconstructs the story of her evangelist husband's part in the Western assault on Africa, a tale indelibly darkened by her own losses and unanswerable questions about her own culpability. Also narrating the story, by turns, are her four daughters—the teenaged Rachel; adolescent twins Leah and Adah; and Ruth May, a prescient five-year-old. These sharply observant girls, who arrive in the Congo with racial preconceptions forged in 1950s Georgia, will be marked in surprisingly different ways by their father's intractable mission, and by Africa itself. Ultimately each must strike her own separate path to salvation. Their passionately intertwined stories become a compelling exploration of moral risk and personal responsibility.

DigiCat Publishing presents to you this special edition of "The Congo, and Other Poems" by Vachel Lindsay. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.