First In Series

The phone call that changed their lives forever… Minutes after Vice President Nick Cappuano and Lt. Sam Holland get the call that President Nelson has been found dead in the residence on Thanksgiving, they’re still processing that Nick has been asked to come to the White House to take the oath of office. As they go through the motions to ensure a peaceful transition of power, Sam has a million and one concerns about her husband, her family, the Nelson family, the country and the enormity of what Nick is about to take on. In the back of her mind is another major concern: What does this mean for my job? No other first lady in history has held a job outside the White House, but she’s determined to be the first, to blaze new trails for those who will follow her. However, in order to do that, she quickly realizes that compromises will have to be made to continue working as a Homicide detective. Their lives become an immediate firestorm of meetings, requests for interviews, difficult questions from their children and a host of potential landmines to navigate as they make the transition from second family to first family. An unexpected issue with a diplomatic trip to Iran quickly thrusts Nick into the thick of his new responsibilities while Sam confronts a murder investigation that may have ties to a cold case from fifteen years ago. As everything around them spins out of control, Sam and Nick take refuge with each other, relying on their unbreakable bond to see them through the storm.

This book was previously published with a different cover and the title "Blood Vengeance". A vampire bound by chains. For seven long years, Master Vampire Luukas Kreek has vowed to take revenge on the raven-haired witch that has taken his power--and his sanity. The witch with the face of an angel. Emaciated and weak, he desperately tries to hold on long enough to get his revenge. But with one taste of her blood, a single word bursts through his fragile psyche...MINE. A witch bound by love. Keira Moss has spent the last seven years trying to figure out a way to get herself out of this hellhole--and to save the strong-willed vampire she's grown to admire--and love--while she's at it. But she's afraid not even a witch as powerful as she will be able to get out of this one. For she knows that the vampire who holds her heart will kill her the moment he is free. And she won't stop him. Tortured and starved, Luukas's hunger for Keira wars with his lust for vengeance. His shattered mind must choose: to kill the witch or to love the angel--making her HIS, forever.

The Hans Andersen Fairy Tales will be read in schools and homes as long as there are children who love to read. As a story-teller for children the author has no rival in power to enlist the imagination and carry it along natural, healthful lines. The power of his tales to charm and elevate runs like a living thread through whatever he writes. In the two books in which they are here presented they have met the tests and held an undiminishing popularity among the best children's books. They are recognized as standards, and as juvenile writings come to be more carefully standardized, their place in permanent literature will grow wider and more secure. A few children's authors will be ranked among the Immortals, and Hans Andersen is one of them. Denmark and Finland supplied the natural background for the quaint fancies and growing genius of their gifted son, who was story-teller, playwright, and poet in one. Love of nature, love of country, fellow-feeling with life in everything, and a wonderful gift for investing everything with life wrought together to produce in him a character whose spell is in all his writings. "The Story of My Life" is perhaps the most thrilling of all of them. Recognized in courts of kings and castles of nobles, he recited his little stories with the same simplicity by which he had made them familiar in cottages of the peasantry, and endeared himself alike to all who listened. These attributes, while they do not account for his genius, help us to unravel the charm of it. The simplest of the stories meet Ruskin's requirement for a child's story—they are sweet and sad.