Flicker World

Big things are happening for Mark Scottsdale. He has just graduated from college and is looking forward to starting a new life with his childhood friend and longtime girlfriend, Lisa. So when an old classmate of his offers him a high-paying job working for a new research facility, Mark jumps at the opportunity. However, all of his dreams come to an abrupt end when Lisa is taken from him by a drunk driver. Distraught and devoid of a reason to live, Mark contemplates suicide. However, before following through on his dark thoughts, Mark has an epiphany: if he could gain access to his company's secret Flicker World project, he just might be able to see his beloved Lisa again after all.

From the golden age of art movies and underground cinema to X-rated porn, splatter films, and midnight movies, this breathtaking thriller is a tour de force of cinematic fact and fantasy, full of metaphysical mysteries that will haunt the dreams of every moviegoer. Jonathan Gates could not have anticipated that his student studies would lead him to uncover the secret history of the movies--a tale of intrigue, deception, and death that stretches back to the 14th century. But he succumbs to what will be a lifelong obsession with the mysterious Max Castle, a nearly forgotten genius of the silent screen who later became the greatest director of horror films, only to vanish in the 1940s, at the height of his talent. Now, 20 years later, as Jonathan seeks the truth behind Castle's disappearance, the innocent entertainments of his youth--the sexy sirens, the screwball comedies, the high romance--take on a sinister appearance. His tortured quest takes him from Hollywood's Poverty Row into the shadowy lore of ancient religious heresies. He encounters a cast of exotic characters, including Orson Welles and John Huston, who teach him that there's more to film than meets the eye, and journeys through the dark side of nostalgia, where the Three Stooges and Shirley Temple join company with an alien god whose purposes are anything but entertainment.

Enjoy this meticulously edited SF Collection, jam-packed with space adventures, dystopian apocalyptic tales and the greatest sci-fi classics: H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man… Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea The Mysterious Island… Mary Shelley: Frankenstein The Last Man Edgar Wallace: Planetoid 127 The Green Rust… Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate… Arthur Conan Doyle: The Professor Challenger Series Francis Bacon: New Atlantis Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover… Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land… Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta… H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality… Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ignatius Donnelly: Caesar's Column Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: The Conquest of America Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Edward Everett Hale: The Brick Moon Abraham Merritt: The Moon Pool The Metal Monster… C. J. Cutcliffe Hyne: The Lost Continent Lewis Grassic Gibbon: Three Go Back

Musaicum Books presents to you this unique SF collection, designed and formatted to the highest digital standards and adjusted for readability on all devices. H. G. Wells: The Time Machine The War of the Worlds The Island of Doctor Moreau The Invisible Man… Jules Verne: Journey to the Center of the Earth 20.000 Leagues under the Sea The Mysterious Island… Mary Shelley: Frankenstein The Last Man Edgar Wallace: Planetoid 127 The Green Rust… Otis Adelbert Kline: The Venus Trilogy The Mars Series Malcolm Jameson: Captain Bullard Series Garrett P. Serviss: Edison's Conquest of Mars A Columbus of Space The Sky Pirate… Arthur Conan Doyle: The Professor Challenger Series Francis Bacon: New Atlantis Edwin A. Abbott: Flatland Jack London: Iron Heel The Scarlet Plague The Star Rover… Robert Louis Stevenson: Dr Jekyll and Mr Hyde George MacDonald: Lilith H. Rider Haggard: King Solomon's Mines She William H. Hodgson: The House on the Borderland The Night Land… Edgar Allan Poe: Some Words with a Mummy Mellonta Tauta… H. P. Lovecraft: Beyond the Wall of Sleep The Cats of Ulthar Celephaïs Edward Bellamy: Looking Backward: 2000–1887 Equality… Mark Twain: A Connecticut Yankee in King Arthur's Court Owen Gregory: Meccania the Super-State Margaret Cavendish: The Blazing World Jonathan Swift: Gulliver's Travels William Morris: News from Nowhere Samuel Butler: Erewhon Edward Bulwer-Lytton: The Coming Race James Fenimore Cooper: The Monikins Hugh Benson: Lord of the World Fred M. White: The Doom of London Ernest Bramah: The Secret of the League Arthur D. Vinton: Looking Further Backward Robert Cromie: The Crack of Doom Anthony Trollope: The Fixed Period Cleveland Moffett: Richard Jefferies: After London Francis Stevens: The Heads of Cerberus Percy Greg: Across the Zodiac David Lindsay: A Voyage to Arcturus Stanley G. Weinbaum: Stories from the Solar System Abraham Merritt: The Moon Pool The Metal Monster… Hyne: The Lost Continent

Poetry. How do we learn to be where we live? How can a 21st-century mind, saturated with the culture and metaphors of contemporary life, connect to the natural world that surrounds us? In Nancy Holmes's new book of poetry, these questions are asked of her home, the Okanagan valley in the southern interior of British Columbia. In these poems, as Holmes comes to terms with personal grief, she tries to find consolation in the place she shares with other beings. Holmes's poetry looks for relationships with the prickly pear cacti, bluebunch wheatgrass, the black bears, the coyotes, and the northern flickers. She seeks to embed herself in the geography and consciousness of this arid Western landscape, one of the most endangered ecosystems in Canada, a landscape of great beauty and spiritual power with its volcanic glaciated mountains and fragile long lakes. The result is poetry that is both elegiac and humorous, with a vision often skewed by the lenses of mass media, anxiety, and the obsessions of the contemporary world. Sometimes disturbed and questioning, sometimes delighted and awed, sometimes troubled by the history of settlers and indigenous peoples, the poems explore our complicity in the destruction of, and our love for, the wild animals, plants, and places around us.