Flowing Traces

According to the contributors to this volume, the relationship of Buddhism and the arts in Japan is less the rendering of Buddhist philosophical ideas through artistic imagery than it is the development of concepts and expressions in a virtually inseparable unity. By challenging those who consider religion to be the primary phenomenon and art the secondary arena for the apprehension of religious meanings, these essays reveal the collapse of other dichotomies as well. Touching on works produced at every social level, they explore a fascinating set of connections within Japanese culture and move to re-envision such usual distinctions as religion and art, sacred and secular, Buddhism and Shinto, theory and substance, elite and popular, and even audience and artist. The essays range from visual and literary hagiographies to No drama, to Sermon-Ballads, to a painting of the Nirvana of Vegetables. The contributors to the volume are James H. Foard, Elizabeth ten Grotenhuis, Frank Hoff, Laura S. Kaufman, William R. LaFleur, Susan Matisoff, Barbara Ruch, Yoshiaki Shimizu, and Royall Tyler. Originally published in 1992. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Today, writing by hand seems a nearly archaic process. Nearly all of our written communication is digital—our letters are via email or text message, our manuscripts are composed using word processors, our journals are blogs, and we sign checks to pay bills with the push of a button. Sonja Neef believes that what we have lost in our modern technological conversation is the ductus—the physical and material act of handwriting. In Imprint and Trace Neef argues, however, that handwriting throughout its history has always been threatened with erasure. It exists in a dual state: able to be standardized, repeated, copied—much like an imprint—and yet persistently singular, original, and authentic as a trace or line. Throughout its history, from the first prehistoric handprint, through the innovations of stylus, quill, and printing press, handwriting has revealed an interweaving, ever-changing relationship between imprint and trace. Even today, in the age of the digital revolution, the trace of handwriting is still an integral part of communication, whether etched, photographed, pixelated, or scanned. Imprint and Trace presents an essential re-evaluation of the relationships between handwriting and technology, and between the various imprints and traces that define communication.

In the early 21st century, Buddhism has become ubiquitous in America and other western nations, moving beyond the original bodhi tree in India to become a major global religion. During its journey westward, it has changed, adapted to new cultures, and offered spiritual help to many people looking for answers to the problems of life. It is being studied in institutions of higher education, being practice by many people, and having its literature translated and published. The A to Z of Buddhism covers and clarifies Buddhist concepts, significant figures, movements, schools, places, activities, and periods. This is done through a chronology, an introductory essay, a bibliography, and over 700 cross-referenced dictionary entries.

This book constitutes the refereed proceedings of the 9th IFIP-TC6 Networking Conference, Networking 2010. Papers were solicited in three broad topic areas: applications and services, network technologies, and internet design. All papers were considered on their merits by a uni?ed Technical ProgramCommittee (TPC); there was no attempt to enforce a quota among topic areas. We believe the resulting program is an excellentrepresentationofthebreadthofrecentadvancesinnetworkingresearch. This year, the conference received 101 full paper submissions from 23 co- trieson?vecontinents,re?ectingastrongdiversityinthenetworkingcommunity. Similarly, the 92 members of the TPC are from 21 countries and include a mix of academic, industry, and governmental a?liations. The TPC members, aided by some 50 external reviewers, provided a total of 470 reviews and follow-up discussions totaling more than 200 messages. The ?nal selections were made at a TPC meeting hosted by Columbia University in New York City, with both in-person and remote participation. In total, authors of accepted papers have academic and industry a?liations in 15 countries. We ?nally selected 24papers for presentationduring the conference technical sessions. A small number of papers were assigned a shepherd from the TPC to assist in paper revision. These statistics represent an acceptance rate of just under 24%, comparable to that of previous years. The TPC also identi?ed several papers that re?ect particularly promising early results; these papers were selected for presentation as work-in-progress papers and are identi?ed as such in the proceedings.