Flying Saucer Rock And Roll

A bittersweet novel about friendship, being a teenager, and the redemption to be found in rock music. Chris is learning guitar at school in an attempt to emulate his rock god hero, Joe Satriani, if only he can get the hang of ‘Streets of London’ first. But there’s another boy in his guitar class who’s miles ahead of everybody. His name is Ben. It’s only a matter of time before Chris and Ben form a band. With easy-going Jase on drums and the ginger, bespectacled and bad-tempered Thomas on bass, Animal Magnets are only lacking a frontman. And although they hate to admit it, there is only one boy for the job. Flying Saucer Rock & Roll follows the boys through their teenage years and out the other side into the disappointment of adult life. It is a beautifully observed novel about guitar riffs, friendship and faded dreams. Praise for Flying Saucer Rock & Roll ‘A wry, sometimes painful, tale of adolescence... well evoked.’ Sunday Herald ‘Blandford captures the awkwardness of youth with a deft realism... a witty and sometimes poignant coming-of-age tale.’ The List

The best of the cult-favorite music magazine Roctobers conversations with overlooked or forgotten artists, from the Outlaw Country singer David Allan Coe to the frustrated interstellar glam act Zolar X.

Series numbering from publisher's website.

It was the twang heard 'round the world: Rockabilly was born out of country, bluegrass, jazz, and the blues in the 1950s, becoming rock ’n’ roll and ruling the world. Here’s the story of Elvis Presley’s first Sun records that inspired all. And here’s Carl Perkins, Gene Vincent, Eddie Cochran, Jerry Lee Lewis, Johnny Cash, Roy Orbison, and many more rockabillies from the golden years of 1955–1959, in a book chock full of photos, collectible memorabilia, movie posters, rare records, fashion, and rebel lifestyle. Includes contributions from noted music journalists Greil Marcus, Peter Guralnick, Luc Sante, Robert Gordon, and more. The story continues today, with a rockabilly revival that began with stars, such as the Stray Cats and Robert Gordon, spreading around the globe from Europe to Japan. Today, rockabilly is better than ever, with bands like Rev. Horton Heat and others playing the music and living the life from Memphis to Helsinki to Tokyo. There’s still good rockin’ tonight!

Rock music, since its pre-history in blues, country music and 40s and early 50s pop, through to the well-publicised excesses of touring bands of today, has left a legacy of thousands of weird and wonderful stories in its wake. We’ve all read about the Who’s Keith Moon driving a Rolls Royce into a hotel swimming pool, but far more bizarre tales of on-the-road mayhem have never been widely told. Likewise, Svengali-like managers have manipulated starstruck musicians since rock began, though hanging your well-known client from a third floor window was a less usual way of ensuring their loyalty. And just where was the stalled hotel lift in which all four Beatles, according to legend, were turned on to marijuana? There are the unsung heroes of rock – pioneering eccentrics who helped make the music what it is and ended up as mere footnotes in the history books. Men such as UK producer Joe Meek who created seminal classics from a bed-sit above a cleaners on the Holloway Road, and the New York DJ who originally coined the phrase ‘rock 'n’roll’ and died in alcoholic poverty. Not to mention the stories behind the stars: when Debbie Harry was a 'Playboy' Bunny, Paul Simon wrote ‘Homeward Bound’ on Widnes railway station in Lancashire, and the Gallagher brothers (so they claim) were petty thieves.

From jitterbugging and Big Brother to the introduction of television and the rise of file-sharing, this study explores the ways in which popular culture has developed and changed in Australia from the end of World War II to today. In order to understand the massive social and cultural changes that have taken place Down Under, popular culture is examined through three main lenses: consumerism and the development of a mass consumer society, the impact of technological change, and the ways in which popular culture contributes to and articulates individual and collective identities. Providing the first integrated account of Australian post-war culture, this reference analyzes film, television, sports, music, and leisure in relation to each other rather than as stand-alone cultural forms.

Da Capo Best Music Writing has become one of the most eagerly awaited annuals of them all. Celebrating the year in music writing by gathering a rich array of essays, missives, and musings on every style of music from rock to hip-hop to R&B to jazz to pop to blues and more, it is essential reading for anyone who loves great music and accomplished writing. Scribes of every imaginable sort-novelists, poets, journalists, musicians-are gathered to create a multi-voiced snapshot of the year in music writing that, like the music it illuminates, is every bit as thrilling as it is riveting.Past writers have included:Elizabeth MEndez Berry * Ta-Nehisi Coates * Michael Corcoran * Robbie Fulks * Michaelangelo Matos * Alex Ross * Roni Sarig * Joel Selvin * Tour8E * Lynn Hirschberg * Chuck Klosterman * Elizabeth Gilbert * Jay McInerney * Elvis Costello * Susan Orlean * Jonathan Lethem * David Rakoff * Mike Doughty * Lorraine Ali * Greil Marcus * Richard Meltzer * Robert Gordon * Sarah Vowell * Nick Tosches * Anthony DeCurtis * William Gay * Whitney Balliett * Lester Bangs * Rosanne Cash * Eddie Dean * Selwyn Seyfu Hinds * Kate Sullivan * Alec Wilkinson * David Hadju * Lenny Kaye * The Onion * Mark Jacobson * Gary Giddins * John Leland * Luc Sante * Monica Kendrick * Kalefa Sanneh