Folk Stories And Personal Narratives In Palestinian Spoken Arabic

By analysing the folk stories and personal narratives of a cross-section of Palestinians, Sirhan offers a detailed study of how content and sociolinguistic variables affect a narrator's language use and linguistic behaviour. This book will be of interest to anyone engaged with narrative discourse, gender discourse, Arabic studies and linguistics.

A historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate and undocumented locations. The stories taking center stage show creatively divergent and revolutionary performance springing from conditions of colonialism, repression, and underdevelopment. What role does music play in the social spaces of Palestinian exile? How are the routes and roadblocks to musical success impacted by regional and international power structures? And how are questions of style, genre, or national tradition navigated by Palestinian musicians? Based on seven years of research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies is the first oral history of contemporary Palestinian musicianship to appear in book form, and the only study to encompass such a broad range of experiences of the ghurba, or place of exile.

For more than six decades, Israel and Palestine have been the center of one of the world's most widely reported yet least understood human rights crises. In Palestine Speaks men and women from the West Bank and Gaza describe in their own words how their lives have been shaped by the conflict. This includes eyewitness accounts of the most recent attacks on Gaza in 2014. The collection includes Ebtihaj, whose son, born during the first intifada, was killed by Israeli soldiers during a night raid almost twenty years later. Nader, a professional marathon runner from the Gaza Strip who is determined to pursue his dream of competing in international races despite countless challenges, including severe travel restrictions and a lack of resources to help him train.

This book examines the portrayal of the Palestinian-Israeli ‘conflict’ by looking at the language used in its reporting and how this can, in turn, influence public opinion. The book explores how language use helps frame an event to elicit a particular interpretation from the reader and how this can be manipulated to introduce bias. Sirhan begins the book by examining the history of the ‘conflict’, and the many persistent myths that surround it. She analyses how five events in the ‘conflict’ (two in which the Palestinians are victims, two in which the Israelis are victims, and Operation Cast Lead) are reported in five British newspapers: The Daily Mail, The Guardian, The Independent, The Daily Telegraph, and The Times. By looking at these events across a range of newspapers, the book investigates differences in the way that the media report each side, before exploring what factors motivate these differences – including issues of bias, censorship, lobbying, and propaganda.

The clash of June 1967, called by Israelis the Six-Day War and by Palestinians the Naksa (setback), is a critical milestone within the longstanding Israeli-Palestinian conflict. Despite all the scholarly attention ever since, there remain unheard voices and untold stories. It is the personal stories of people in the region that are at the center of this book. How do they remember 1967? How were their lives affected, even changed dramatically as a result of that short war? Listening to their stories as told some 50 years later, an incomplete tapestry of memories and understandings emerge. This book is the product of a re- search collaboration among Palestinian, Israeli and European folklorists, cultural anthropologists and sociologists. The personal stories were collected in the framework of interviews with men and women from all walks of life, on the days before, during and after this dramatic confrontation. The book is comprised of eleven chapters based on a corpus of several hundred conversations, as well as eight representative interviews. Together they afford insight into differential memories and sensations, visions of euphoria and despair, newly revived hopes, pain and disappointment, disillusionment and repentance.

By combining their expertise in English literature and anthropology, Ibrahim Muhawi and Sharif Kanaana bring to these folktales an integral method of study that unites a sensitivity to language with a deep appreciation for culture. As native Palestinians, the authors are well suited to their task. Over the course of several years, they collected tales from the regions of the Galilee, Gaza, and the West Bank, determining which were the most widely known and appreciated and selecting the ones that best represent the Palestinian Arab folk narrative tradition. Great care has been taken with the translations to maintain the original flavor, humor, and cultural nuances in tales that are at once earthy and whimsical and that also parallel stories found in the larger Arab folk tradition. Featuring a new foreword by Ibtisam Barakat, Speak, Bird, Speak Again is an essential text in Palestinian culture and a must for those who want to deepen their understanding of an enduring people.

Arabic literature; Palestine; history and criticism.

A collection of Palestinian Arab folktales which reflect the culture and highlights the role of women in the society.