Folklore Dedication

The "Folklore Dedication" is a brief seminar on folklore singing. You will become acquainted with a technique of breathing and singing of Bulgarian folklore songs. The characteristics of all folklore regions, traditional dresses and instruments, measures and rhythms, padded with reach pictorial material. There are 21 folklore songs here, 11 of which are Ivanka Ivanova's, all include the lyrics, each of them is notated, some are in two voices with attached links where you can hear the original sound of each song. Lyrics are in Bulgarian original written in Latin letters, and translated into English. ------------------------------------------------ "Folklore Widmung" ist ein kurzer Seminar uber Folkgesang. Sie werden eine Atemtechnik fur folkloren Gesang kennenlernen. Die besonderheiten aller folkloren Regionen, die Trachten und Instrumente, Takte und Rhytmen. Bereichert mit Bildmaterial. In diesem Buch gibt es 21 folklore Lieder, 11 von denen sind von Ivanka Ivanova. Alle sind mit Texte und Noten zum Nachsingen ausgestattet, einige von denen sind Zweistimmig mit beigefugten Links auf denen Sie den Original Klang jedes Liedes horen konnen Songtexte sind in bulgarischer Sprache Original in lateinischen Buchstaben geschrieben, und in Englisch ubersetzt. ------------------------------------- ---- Фолклорно посвещение" е кратък семинар по народно пеене. Вие ще се запознаете с техника на дишане и пеене на български народни песни. Особеностите на всички фолклорни области, носии и инструменти,тактове и ритми, подплатено със богат снимков материал. Тук са 21 народни песни, 11 от който са на Иванка Иванова..всички са с текстове, до една нотирани, някой от който на два гласа с прикрепени връзки , където можете да чуете оригиналното звучене на всяка песен. Текстовете на песните са на български оригинал, написан с латински букви, и преведени на английски. ------------------------------------------------------------ "Фолклорно посвещение" е кратък семинар по народно пеене.

E 55 unpublished Author songs of the singer based on authentic folk songs from Pazardzhik, with music and lyrics classified by type and explanations of foreign words, unfamiliar words and dialect Lyrics are in Bulgarian original written in Latin letters, and translated into English. ====================================================================================================================== D 55 nicht veröffentlichte Autorenlieder der Sängerin, geschaffen auf Grundlage authentischer Volkslieder aus der Region Pazardshik incl. Noten und Texte, klassifiziert nach ihrer Art und mit Erklärungen der Fremdwörter, unbekannte Wörter und Dialekte Songtexte sind in bulgarischer Sprache Original in lateinischen Buchstaben geschrieben, und in English übersetzt. ==================================================================================================================== BG 55 непубликувани авторски песни на певицата, създадени по образци на автентични народни песни от Пазарджишко, с ноти и текст, класифицирани по вид и с обяснения на чуждиците, непознатите и диалектните думи. Текстовете са на български оригинален написани с латински и преведени на английски език.

E 55 unpublished Author songs of the singer based on authentic folk songs from Pazardzhik, with music and lyrics classified by type and explanations of foreign words, unfamiliar words and dialect Lyrics are in Bulgarian original written in Latin letters, and translated into English. ======================================================================================================================= D 55 nicht veröffentlichte Autorenlieder der Sängerin, geschaffen auf Grundlage authentischer Volkslieder aus der Region Pazardshik incl. Noten und Texte, klassifiziert nach ihrer Art und mit Erklärungen der Fremdwörter, unbekannte Wörter und Dialekte Songtexte sind in bulgarischer Sprache Original in lateinischen Buchstaben geschrieben, und in English übersetzt. ======================================================================================================================= BG 55 непубликувани авторски песни на певицата, създадени по образци на автентични народни песни от Пазарджишко, с ноти и текст, класифицирани по вид и с обяснения на чуждиците, непознатите и диалектните думи. Текстовете са на български оригинален написани с латински и преведени на английски

E 55 unpublished Author songs of the singer based on authentic folk songs from Pazardzhik, with music and lyrics classified by type and explanations of foreign words, unfamiliar words and dialect Lyrics are in Bulgarian original written in Latin letters, and translated into English. ======================================================================================================================= D 55 nicht veröffentlichte Autorenlieder der Sängerin, geschaffen auf Grundlage authentischer Volkslieder aus der Region Pazardshik incl. Noten und Texte, klassifiziert nach ihrer Art und mit Erklärungen der Fremdwörter, unbekannte Wörter und Dialekte Songtexte sind in bulgarischer Sprache Original in lateinischen Buchstaben geschrieben, und in English übersetzt. ====================================================================================================================== BG 55 непубликувани авторски песни на певицата, създадени по образци на автентични народни песни от Пазарджишко, с ноти и текст, класифицирани по вид и с обяснения на чуждиците, непознатите и диалектните думи. Текстовете са на български оригинален написани с латински и преведени на английски.

Roll Me in Your Arms, Volume I includes 180 unexpurgated songs collected by Randolph, with tunes transcribed from the original singers.

‘In The Ould Ago’, meaning a long time ago, is a book of Illustrated Irish Folklore book by Johnny McKeagney. Comprising of two hundred intricately hand-drawn illustrated pages of Irish traditions, crafts, history, emigration, countryside, farming ways, wildlife, myths and customs it is all sewn together in a case-bound hardback A3 size cover. A self-taught historian and artist, his prefaces are written by some heavy-hitting academics and historians. For forty years Johnny collected Irish folklore by pen and tape recorder. He details stories and events then sketches all the salient points with a fine nib so that readers of any age can easily visualize the topics. ‘In The Ould Ago’ has been selected to be displayed in top North American university libraries including Harvard, Notre Dame, Library of Congress in Washington, UCLA, Boston College and New York Public Libraries. Johnny's illustrated and written collection is now in the Fermanagh museum while his recorded material is being digitised by the UCD Folklore Department for the National Irish Archive. This special coffee table publication won a Judges Special Award in the International Rubery Book Awards and an Honorable Mention in the History section of the San Francisco Book Festivals Awards. Sadly Johnny passed away on the 1st of December 2010, just 5 weeks after his book was published. Seeing 40 years of collecting and sketching published in ‘In The Ould Ago’ gave him tremendous happiness. FolkloreBook.com gives a sense of the author and his work.

Collection of descendants of Hans Hildebrand Ziegenfuss who lived around 1650 in the Eichsfeld area in Thuringia, Germany. This 3rd Edition contains the data of about 22,000 individuals (as of December 2021). The most recent Data you always can find at my homepage at https://www.ziegenfuss-genealogy.de Keywords: Genealogy, Family tree, Ziegenfuss, Ziegenfuss, Eichsfeld, Ancestry, Marco Born

To ensure continuity and foster innovation within the discipline of folklore, we must know what came before. Folklore in the United States and Canada is an essential guide to the history and development of graduate folklore programs throughout the United States and Canada. As the first history of folklore studies since the mid-1980s, this book offers a long overdue look into the development of the earliest programs and the novel directions of more recent programs. The volume is encyclopedic in its coverage and is organized chronologically based on the approximate founding date of each program. Drawing extensively on archival sources, oral histories, and personal experience, the contributors explore the key individuals and central events in folklore programs at US and Canadian academic institutions and demonstrate how these programs have been shaped within broader cultural and historical contexts. Revealing the origins of graduate folklore programs, as well as their accomplishments, challenges, and connections, Folklore in the United States and Canada is an essential read for all folklorists and those who are studying to become folklorists.