Folktales And Other Stories From The Edge Of The Great Thirst

As Bhekumuzi Wuyane perches himself on the great local dome of Dombodema, he is approached by an elderly African storyteller who begins telling him about life in a harsh environment at the edge of the Kalahari Desert. Amid a backdrop filled with cunning animals, strong women, feared and adored leaders, and lovers and sworn enemies, the man relays tales of the three great kingdoms that will eventually transform Wuyane and teach him valuable life lessons. In his collection of twenty folk tales derived from that experience, Wuyane weaves the African mans stories with others, both old and new, to emphasize the rapidly fading art of passing down messages through folklore. As animals and people struggle both together and separately to overcome their challenges and survive in the desert, leadership styles, a variety of emotions, and good and evil intentions are revealed, illustrating the deeper meaning in every story told within the African culture. When the tales conclude, Wuyane meets with the older man once again, relating the treasured messages he has learned. Folktales and Other Stories from the Edge of the Great Thirst is a collection of stories with strong and timeless morals that will appeal to both current and future generations interested in fulfilling their visions.

A collection of Bengali folk tales. Among the stories of princes, devata (deities) and bloodthirsty rashash (demons), stories of women's lives and images emerge. Women and their goddeses bring to life not only the nurturing Bengali motherland itself, but demons as well.

Rich in cultural significance, each title in this bestselling series includes a collection of 20 to 30 tales together with an introduction and a historical overview that give the reader compelling insights into the culture, the folk literature, and the lives of the people in the region.Mermen? Yes. Long before mermaids emerged to people our inner seas, long before they established their restless, inviting niche in human fantasy, there was the merman. Born of the human need to dominate the great fruitful oceans, to control the vast destructive seas, to regulate the healing rains, to understand the tides, the merman emerged.

As interest in folklore increases, the folktale acquires greater significance for students and teachers of literature. The material is massive and scattered; thus, few students or teachers have accessibility to other than small segments or singular tales or material they find buried in archives. Stith Thompson has divided his book into four sections which permit both the novice and the teacher to examine oral tradition and its manifestation in folklore. The introductory section discusses the nature and forms of the folktale. A comprehensive second part traces the folktale geographically from Ireland to India, giving culturally diverse examples of the forms presented in the first part. The examples are followed by the analysis of several themes in such tales from North American Indian cultures. The concluding section treats theories of the folktale, the collection and classification of folk narrative, and then analyzes the living folklore process. This work will appeal to students of the sociology of literature, professors of comparative literature, and general readers interested in folklore.

Zora Neale Hurston brings us Black America’s folklore as only she can, putting the oral history on the written page with grace and understanding. This new edition of Mules and Men features a new cover and a P.S. section which includes insights, interviews, and more. For the student of cultural history, Mules and Men is a treasury of Black America’s folklore as collected by Zora Neale Hurston, the storyteller and anthropologist who grew up hearing the songs and sermons, sayings and tall tales that have formed and oral history of the South since the time of slavery. Set intimately within the social context of Black life, the stories, “big old lies,” songs, voodoo customs, and superstitions recorded in these pages capture the imagination and bring back to life the humor and wisdom that is the unique heritage of Black Americans.

"A truly profound debut."—Buzzfeed "A time-bending suspense that's contemplative and fresh, evocative and gripping."—USA Today "Henry's story captivates, both as a romance and as an imaginative rethinking of time and space."—Publishers Weekly "This time-traveling, magical, and beautifully written love story definitely deserves a spot on your bookshelf."—Bustle Emily Henry's stunning debut novel is Friday Night Lights meets The Time Traveler's Wife and perfectly captures those bittersweet months after high school, when we dream not only of the future, but of all the roads and paths we've left untaken. Natalie's last summer in her small Kentucky hometown is off to a magical start . . . until she starts seeing the "wrong things." They're just momentary glimpses at first—her front door is red instead of its usual green, there’s a preschool where the garden store should be. But then her whole town disappears for hours, fading away into rolling hills and grazing buffalo, and Nat knows something isn't right. Then there are the visits from the kind but mysterious apparition she calls "Grandmother," who tells her, "You have three months to save him." The next night, under the stadium lights of the high school football field, she meets a beautiful boy named Beau, and it's as if time just stops and nothing exists. Nothing, except Natalie and Beau.

In a time of drought in the Kingdom of Morocco, a storyteller and a boy weave a tale to thwart a Djinn and his sandstorm from destroying their city.