For Freedom Alone

The Declaration of Arbroath, 6 April 1320, is one of the most remarkable documents to have been produced anywhere in Medieval Europe. Quoted by many, understood by few, its historical significance had now almost been overtaken by its mythic status. The beginning of a new century, in the wake of the re-establishment of the Scottish Parliament, seems an appropriate moment to re-examine one of Scotland's long-cherished historical icons. Since 1998 the US Senate has claimed that the American Declaration of Independence is modelled upon 'that inspirational document', and 6 April is celebrated annually as a day of national significance to all Americans, especially those of Scottish descent. So far such claims have not been the subject of scholarly investigation. This is the first book-length study to examine the origins of the Declaration and the ideas upon which it drew, while tracing the rise of its mythic status in Scotland and exploring its possible impact upon Revolutionary America.

The Declaration of Arbroath, 6 April, 1320, is one of the most remarkable documents to have been produced anywhere in medieval Europe. Signed by 51 Scottish nobles, it confirms Scotland's status as an independent sovereign state with the right to use military action if unjustly attacked. Quoted by many, understood by few, its historical significance has now almost been overtaken by its mythic status. Since 1998, the US Senate has claimed that the American Declaration of Independence is modelled upon 'the inspirational document' of Arbroath. This is the first book-length study to examine the origins of the Declaration and the ideas upon which it drew, while tracing the rise of its mythic status in Scotland and exploring its impact upon revolutionary America.

Nearing the end of a distinguished literary career that spanned nearly fifty years, Langston Hughes took on the daunting task of writing the official history of the national Association for the Advancement of Colored People (NAACP). Beginning with the social, political, and economic contexts that led to the founding of the NAACP in 1909 and ending with a summary of its targeted goals for 1963, Hughes attempted to write a history that would be comprehensive in scope and singular in its purpose of highlighting the ways in which the Association had a direct and positive influence on racial justice in the United States. Focusing on the individuals who had the greatest impact on the NAACP and the issues with which the organization was most concerned in its first fifty years of existence, Hughes produced the widely acclaimed Fight for Freedom, striking an exceptional balance between biography and cultural history. Long before the publication of Fight for Freedom, Hughes had begun writing nonfictional prose about these same issues as a regular columnist and essayist for the nation's most influential African American publications, including the Chicago Defender and Crisis. A selection of these popular columns and other essays & mdash;which reveal the extent to which Hughes's unique, varied, and sometimes Blues- tinged narrative voice shifted in tone over the course of his extensive career & mdash;is included in this volume. Hughes intersperses historical facts with compelling anecdotes that often frame subtly ironic commentaries on various themes. The result is history that provides a lens through which to view Hughes's attitudes in the early 1960s toward the ways the NAACP addressed the vital social, cultural, political, and economic issues central to its agenda. Fight for Freedom and Other Writings on Civil Rights makes a unique contribution to the oeuvre of an African American writer whose full significance to American literature, history, and culture will continue to be defined well into the twenty-first century.

Three young people, their Highland home burned by the British, struggle to survive in the slums of Edinburgh, Scotland, already full of refugees from the Irish potato famine and the industrial revolution. Dreaming of America, fifteen-year-old Meggie finds a job as a hotel maid. Kirstie, only four, huddles in a dark room to be safe. And twelve-year-old Rab must make his contribution to their future by learning the ways of the streets, and of the boys who live there. Will their determination be enough to save them? Or will their hopes, and lives, end in Edinburgh?

The essays collected in this volume by Paul Guyer, one of the world's foremost Kant scholars, explore Kant's attempt to develop a morality grounded on the intrinsic and unconditional value of the human freedom to set our own ends. When regulated by the principle that the freedom of all is equally valuable, the freedom to set our own ends -- what Kant calls humanity - becomes what he calls autonomy. These essays explore Kant's strategies for establishing the premise that freedom is the inner worth of the world or the essential end of humankind, as he says, and for deriving the specific duties that fundamental principle of morality generates in the empirical circumstances of human existence. The Virtues of Freedom further investigates Kant's attempts to prove that we are always free to live up to this moral ideal, that is, that we have free will no matter what, as well as his more successful explorations of the ways in which our natural tendencies to be moral -- dispositions to the feeling of respect and more specific feelings such as love and self-esteem -- can and must be cultivated and educated. Guyer finally examines the various models of human community that Kant develops from his premise that our associations must be based on the value of freedom for all. The contrasts but also similarities of Kant's moral philosophy to that of David Hume but many of his other predecessors and contemporaries, such as Stoics and Epicureans, Pufendorf and Wolff, Hutcheson, Kames, and Smith, are also explored.

"Astute and consistently surprising critic" (NPR) Olivia Laing investigates the body and its discontents through the great freedom movements of the twentieth century. The body is a source of pleasure and of pain, at once hopelessly vulnerable and radiant with power. In her ambitious, brilliant sixth book, Olivia Laing charts an electrifying course through the long struggle for bodily freedom, using the life of the renegade psychoanalyst Wilhelm Reich to explore gay rights and sexual liberation, feminism, and the civil rights movement. Drawing on her own experiences in protest and alternative medicine, and traveling from Weimar Berlin to the prisons of McCarthy-era America, Laing grapples with some of the most significant and complicated figures of the past century—among them Nina Simone, Christopher Isherwood, Andrea Dworkin, Sigmund Freud, Susan Sontag, and Malcolm X. Despite its many burdens, the body remains a source of power, even in an era as technologized and automated as our own. Arriving at a moment in which basic bodily rights are once again imperiled, Everybody is an investigation into the forces arranged against freedom and a celebration of how ordinary human bodies can resist oppression and reshape the world.