For The Sake Of Silence

On a remote mission station a monk buries the heart of his Superior beneath the great iron cross overlooking the no-man’s-land between the colonies of Natal and the Cape. He then begins to write his own account of his dead leader and friend Abbott Franz Pfanner, charismatic leader of the Trappists in South Africa and much mythologised founder of Mariannhill monastery and its chain of missions. Under Pfanner, Mariannhill became one of the largest abbeys in the world, but only at a terrible price. The narrator of this extraordinary tale is witness to a story that ranges from Austria to Bosnia, Natal to East Griqualand. Aptly named after Joseph of Cupertino, the Holy Fool and Gaper, his attempt at proclaiming the sins of others and confessing his own draws the reader into a vivid sense both of the silent life of the Trappists and the storm that breaks as Mariannhill drifts into the world of words. Here faith, contemplation and grace become intimately intermingled with demonic possession, madness, even murder.

This book frames the issue of sexual harassment and abuse in sports within the context of existing research on sexual violence and within the ethic of care, a direction the authors believe sport organizations should adopt. This book investigates sexual violence in sport and examines its underlying values. This is carried out in the context of contemporary experiences of a number of athletes. Issues covered include the emphasis on competition, compulsory heterosexuality, and patriotism.

Izydora Dąmbska (1904-1982) was a Polish philosopher; a student of Kazimierz Twardowski, and his last assistant. The present volume includes twenty eight translations of her representative papers.

This work is an important contribution to the civil society debate in Africa and to the global literature on dissent.

The old maxim is true: sometimes it is not just what you say, it is how you say it. One of the great problems in the Christian community today is a general inability to communicate effectively without polarizing or driving people away. Sometimes the greatest problem is the seeming inability of many Christians to learn the truth of another old maxim: silence is golden. For God's Sake, Shut Up!, by Communications Specialist Brian Kaylor, offers numerous insights for Christian leaders and followers who desire to share their beliefs in more meaningful and effective ways.For God's Sake, Shut Up! offers numerous insights for Christian leaders and followers who desire to share their beliefs in more meaningful and effective ways.

This is a unique must-read book. It has a revelation of hidden treasures with bifocal elements of universal need in this generation.

The contributions in this volume focus on the ways in which silence and music relate, contemplate each other and provide new avenues for addressing and gaining understanding of various realms of human endeavour. The book maps out this little-explored aspect of the sonic arena with the intention of defining the breadth of scope and to introduce interdisciplinary paths of exploration as a way forward for future discourse. Topics addressed include the idea of 'silent music' in the work of English philosopher Peter Sterry and Spanish Jesuit St John of the Cross; the apparently paradoxical contemplation of silence through the medium of music by Messiaen and the relationship between silence and faith; the aesthetics of Susan Sontag applied to Cage's idea of silence; silence as a different means of understanding musical texture; ways of thinking about silences in music produced during therapy sessions as a form of communication; music and silence in film, including the idea that music can function as silence; and the function of silence in early chant. Perhaps the most all-pervasive theme of the book is that of silence and nothingness, music and spirituality: a theme that has appeared in writings on John Cage but not, in a broader sense, in scholarly writing. The book reveals that unexpected concepts and ways of thinking emerge from looking at sound in relation to its antithesis, encompassing not just Western art traditions, but the relationship between music, silence, the human psyche and sociological trends - ultimately, providing deeper understanding of the elemental places both music and silence hold within world philosophies and fundamental states of being. Silence, Music, Silent Music will appeal to those working in the fields of musicology, psychology of religion, gender studies, aesthetics and philosophy.