For Those Who Hunt The Wounded Down

Acquitted of murder, Larry Bines returns home to learn a convict named Rils has escaped from prison causing Larry to fear, with good reason, for the safety of his family and himself.

A suspenseful and moving novel which has at its centre one of Richards’ most memorable and haunting characters. It is the fall of 1989 in a small Miramichi mill town. Jerry Bines is acquitted of murder and returns home to his estranged wife and young son, with hopes for a new beginning. But when he learns that Gary Percy Rils has escaped from prison, he has good reason to fear for his own safety and that of others. In his attempts to protect his family from Rils by taking him under his wing, Bines sets in motion a series of events that ultimately leads to tragedy. The story of what happens unfolds piece by piece, as related by police reports, interviews, and by a man to a boy. Vivid in its sense of place, this penetrating chronicle of lives is both dark and redemptive, devastating and comic. This novel was made into a Gemini Award-winning film of the same name.

A brilliant, heartbreaking novel from a Canadian icon that tackles the theme of debt, and what we owe each other, through three unforgettable characters. This is Richards' best and most complex work since his Giller-winning Mercy Among the Children, and a fitting companion to that novel. Howard, Evan and Ian are inseparable as boys--so much so that one night, abandoned in the forest by the careless adults around them, and raging against society and the uncaring gods others worship, they seal their undying brotherhood with a blood bond. But soon after, a horrific accident scars each of them in a different way, testing their bonds and leaving each with a debt to be paid. As adults, seeking to rise above debt and advance in life, each man decides upon a very different path--but over time, all three discover they are tied to each other in intricately tangled, sometimes violent, and surprising ways that none of them has been wise enough to foresee. In Crimes Against My Brother, literary legend David Adams Richards is at his finest, reprising some of his most complex and beloved characters (such as Sydney Henderson from Mercy Among the Children), introducing unforgettable new ones (such as the beautiful but fatally foolish Annette Brideau; and the wily, charming, money-hungry manipulator Lonnie Sullivan), and weaving a tale of such force, gravitas, complexity, universality, and compassionate understanding that he reaffirms his status as a master storyteller who has, book by book, used his rare genius to create an entire, teeming universe alongside a river in a small northern part of the world.

Mercy Among the Children received effusive praise from the critics, was nominated for a Governor General’s Award and won the Giller Prize. It was named one of 2000’s best books, became a national bestseller in hardcover for months, and would be published in the US and UK. It is seen, however, as being at odds with literary fashion for concerning itself with good and evil and the human freedom to choose between them — an approach that puts Richards, as Maclean’s magazine says, firmly in the tradition of Tolstoy and Dostoevsky. Author Wayne Johnston recounts hearing Richards read in 1983 and being struck by his unqualified love for every one of his characters, even though “it was not then fashionable to love your characters”. Pottersfield Portfolio editor Tony Tremblay calls Richards the most misunderstood Canadian writer of the century, and a “great moralist”, comparing him to Morley Callaghan, Kafka and Melville. As a boy, Sydney Henderson thinks he has killed Connie Devlin when he pushes him from a roof for stealing his sandwich. He vows to God he will never again harm another if Connie survives. Connie walks away, laughing, and Sydney embarks upon a life of self-immolating goodness. In spite of having educated himself with such classics as Tolstoy and Marcus Aurelius, he is not taken seriously enough to enter university because of his background of dire poverty and abuse, which leads everyone to expect the worst of him. His saintly generosity of spirit is treated with suspicion and contempt, especially when he manages to win the love of beautiful Elly. Unwilling to harm another in thought or deed, or to defend himself against false accusations, he is exploited and tormented by others in this rural community, and finally implicated in the death of a 19-year-old boy. Lyle Henderson knows his father is innocent, but is angry that the family has been ridiculed for years, and that his mother and sister suffer for it. He feels betrayed by his father’s passivity in the face of one blow after another, and unable to accept his belief in long-term salvation. Unlike his father, he cannot believe that evil will be punished in the end. While his father turns the other cheek, Lyle decides the right way is in fighting, and embarks on a morally empty life of stealing, drinking and violence. A compassionate, powerful story of humanity confronting inhumanity, it is a culmination of Richards’ last seven books, beginning with Road to the Stilt House. It takes place in New Brunswick’s Miramichi Valley, like all of his novels so far, which has led some urban critics to misjudge his work as regional — a criticism leveled at Thomas Hardy, Joseph Conrad and Emily Bronte in their own day. Like his literary heroes, Richards aims to evoke universal human struggles through his depiction of the events of a small, rural place, where one person’s actions impact inevitably on others in a tragic web of interconnectedness. The setting is extremely important in Richards’ work, “because the characters come from the soil”; but as British Columbia author Jack Hodgins once told Richards, “every character you talk about is a character I've met here in Campbell River”.

He shows that realism arrived comparatively late to the Maritime provinces and argues that the emergence of a realist style corresponded with a dramatic period of economic and cultural disruption during which the Eastern provinces were transformed from one Canada's most developed, prosperous, and promising regions into one characterized by chronic underemployment and underdevelopment. The region is thus torn between its memory of an earlier, more traditional social order and its present experience as a modern industrial society. These tensions are embedded in the Maritime character and have affected not only the lives of its people but the imaginations and texts of its writers. The stories of Thomas Raddall, Hugh MacLennan, Charles Bruce, Ernest Buckler, Alden Nowlan, Alistair MacLeod, Donna Smyth, Budge Wilson, and David Adams Richards have been deeply influenced by the cultural shifts they have observed. In the last two decades a host of new literary voices has emerged, and Creelman also explores the works of such writers as Ann-Marie MacDonald, Lynn Coady, Nancy Bauer, Deborah Joy Corey, Carol Bruneau, Alan Wilson, Leo McKay, and Sheldon Currie. He shows that these Maritime artists share a common regional identity that shapes their narratives as they find their own paths through the tensions which envelop them.

Accurate and reliable biographical information essential to anyone interested in the world of literature TheInternational Who's Who of Authors and Writersoffers invaluable information on the personalities and organizations of the literary world, including many up-and-coming writers as well as established names. With over 8,000 entries, this updated edition features: * Concise biographical information on novelists, authors, playwrights, columnists, journalists, editors, and critics * Biographical details of established writers as well as those who have recently risen to prominence * Entries detailing career, works published, literary awards and prizes, membership, and contact addresses where available * An extensive listing of major international literary awards and prizes, and winners of those prizes * A directory of major literary organizations and literary agents * A listing of members of the American Academy of Arts and Letters

Another story based in the fictional rural town in Miramichi.

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